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Psalm paraphrases in verse form with suggested familiar tunes for singing in Short Meter, Common Meter and Long Meter for the appointed psalms for the Book of Common Prayer lectionary. Includes Canticles and Invitatories for the Daily Office for both Rite I and Rite II. Please note: This is the version based on the Book of Common Prayer Lectionary and originally published in 1986. A new version for the Revised Common Lectionary is now available.
Excerpt from The Psalter: A Revised Edition of the Scottish Metrical Version of the Psalms With Additional Psalms-Versions; With Accompanying Tunes IN this Psalter the Scottish Metrical Version of the Psalms has been revised. The time, it was believed, had come for attempting to remove the blemishes which mar to some extent that admirable version. As it is now more than two hundred years old, several of its words and phrases, and not a few of its grammatical forms, have become antiquated; while, through the progress of Hebrew scholarship, and the labours of critical expositors, some of its renderings have been shown to be inaccurate. In the present work an attempt has been made to remove these blemishes, by emendations of those portions where there are erroneous renderings, errors of syntax, faulty rhymes, obsolete words, or want of correspondence between the rhythm of sense and the rhythm of sound. While the Old Version, out of regard for the place which it has in the memory and affections of the people, has been very tenderly dealt with, it is hoped that something has been done to make it a more faithful conveyance of the original, and a more suitable vehicle of the Church's praise. The additional psalm-versions give a little more variety of metre than is to be found in the Scottish Version. Great care has been bestowed upon the Music, both in its selection and its preparation. The Tunes, it is believed, will be found good, simple, melodious, sacred in style and associa tion, and suitable for congregational use. It is a sufficient guarantee of the excellence of the harmonies that they have been carefully revised by so eminent a musician as Sir Robert Prescott Stewart. In addition to the Tunes strictly so called, a number of Chants have been introduced. These will enable congregations to sing 'many of the Psalms entire, instead of in small portions, and therefore with a fuller understanding of their meaning, and a deeper sense of their impressiveness and beauty. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Psalms in the Early Modern World is the first book to explore the use, interpretation, development, translation, and influence of the Psalms in the Atlantic world, 1400-1800. In the age of Reformation, when religious concerns drove political, social, cultural, economic, and scientific discourse, the Bible was the supreme document, and the Psalms were arguably its most important book.The Psalms played a central role in arbitrating the salient debates of the day, including but scarcely limited to the nature of power and the legitimacy of rule; the proper role and purpose of nations; the justification for holy war and the godliness of peace; and the relationship of individual and community to God. Contributors to the collection follow these debates around the Atlantic world, to pre- and post-Hispanic translators in Latin America, colonists in New England, mystics in Spain, the French court during the religious wars, and both Protestants and Catholics in England. Psalms in the Early Modern World showcases essays by scholars from literature, history, music, and religious studies, all of whom have expertise in the use and influence of Psalms in the early modern world. The collection reaches beyond national and confessional boundaries and to look at the ways in which Psalms touched nearly every person living in early modern Europe and any place in the world that Europeans took their cultural practices.
Psalms for Preaching and Worship a key addition to the critically acclaimed three-volume Lectionary Commentary / Despite the rich resources available for studying the Psalms, few are as focused on their place in worship and preaching as is this volume. The responsorial Psalms of the Revised Common Lectionary are here taken up in careful and often illuminating interpretation with attention also to their interaction with other lectionary texts. The many ways that psalms can function meaningfully in the liturgical life of congregations are explored especially in John Witvliet s concluding section. I know of no work that combines practice and substance better than this lectionary commentary. Patrick D. Miller / Princeton Theological Seminary / A fascinating book well organized, well written and edited, thorough, and informative. . . . An excellent resource not only for preachers using the Revised Common Lectionary but also for those wishing to preach a series of sermons on the Psalms. In addition, worship leaders and worship committees will appreciate the many excellent ideas for using the Psalms in worship. Highly recommended. Sidney Greidanus / author of Preaching Christ from the Old Testament and Preaching Christ from Genesis / Here is something even better than a simple completion of The Lectionary Commentary, which would be cause enough for gratitude. . . . Serious attention paid to this one book could go a long way toward remedying the scandalous neglect of the treasure of the Psalms in too much contemporary worship. Marguerite Shuster / Fuller Theological Seminary / Contributors: Nancy R. Bowen, William P. Brown, Walter Brueggemann, Richard J. Clifford, Nancy L. deClaiss-Walford, Jennifer S. Green, Karl N. Jacobson, Rolf A. Jacobson, Melody D. Knowles, Eunny P. Lee, Joel M. LeMon, James Limburg, J. Clinton McCann, James K. Mead, Carol A. Miles, Luke A. Powery, Stephen Breck Reid, Sandra L. Richter, Cynthia L. Rigby, Kathryn L. Roberts, Brent A. Strawn, Beth LaNeel Tanner, Roger E. Van Harn, Raymond C. Van Leeuwen, J. Ross Wagner, Gerald H. Wilson, John Witvliet, Christine Roy Yoder.
Hymns and the music the church sings in worship are tangible means of expressing worship. And while worship is one of, if not the central functions of the church along with mission, service, education, justice, and compassion, and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is a sixty-chapter, three-volume introductory textbook describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers who have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Volume 2 begins with the Reformation and extends to the eighteenth-century hymnists and liturgists. Volume 3 engages nineteenth century hymnists to the contemporary movements of the twenty-first century. Each chapter contains these five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The mission of Hymns and Hymnody is (1) to provide biographical data on influential hymn writers for students and interested laypeople, and (2) to provide a theological analysis of what these composers have communicated in the theology of their hymns. We believe it is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect, we contend, is missing—yet important—in accessible formats for the current literature.