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In this rich study of noise in American film-going culture, Meredith C. Ward shows how aurality can reveal important fissures in American motion picture history, enabling certain types of listening cultures to form across time. Connecting this history of noise in the cinema to a greater sonic culture, Static in the System shows how cinema sound was networked into a broader constellation of factors that affected social power, gender, sexuality, class, the built environment, and industry, and how these factors in turn came to fruition in cinema's soundscape. Focusing on theories of power as they manifest in noise, the history of noise in electro-acoustics with the coming of film sound, architectural acoustics as they were manipulated in cinema theaters, and the role of the urban environment in affecting mobile listening and the avoidance of noise, Ward analyzes the powerful relationship between aural cultural history and cinema's sound theory, proving that noise can become a powerful historiographic tool for the film historian.
Includes University catalogues, President's report, Financial report, registers, announcement material, etc.
The Perpetual Treadmill is a care pathway devised to ensnare the poor within a never ending treatment system for their own good, after they have been labelled with their designated malaise. Once caught within it, similar to Kafkas Trial and Castle, they are wedged within its corridors where they are forever signposted between services. This book draws on the analogies of knights and knaves by building on Bath of Steel to focus on how this system has been constructed and then maintained. To depict its shortcomings, it has been ranged against a psychologically informed perspective (PSIP) to show how those entrapped can eventually exit the perpetual treadmill. But there are numerous vested interests which militate against those clients, duly labelled from ever emotionally recovering. The interplay between politicians, bureaucrats, academics, practitioners and clients is explored to detail how the poor have become a raw material which feeds this machine. This book is relevant to psychotherapists, addiction specialists, psychologists, sociologists, criminologists, clinical psychologists, psychiatrists, social workers, social policy experts and nurses.
Drawing on a wealth of archival material, including personal correspondence and diaries, Robert Leonard tells the fascinating story of the creation of game theory by Hungarian Jewish mathematician John von Neumann and Austrian economist Oskar Morgenstern. Game theory first emerged amid discussions of the psychology and mathematics of chess in Germany and fin-de-siècle Austro-Hungary. In the 1930s, on the cusp of anti-Semitism and political upheaval, it was developed by von Neumann into an ambitious theory of social organization. It was shaped still further by its use in combat analysis in World War II and during the Cold War. Interweaving accounts of the period's economics, science, and mathematics, and drawing sensitively on the private lives of von Neumann and Morgenstern, Robert Leonard provides a detailed reconstruction of a complex historical drama.