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This book tells the story of Di Warheit ("The Truth"), a Yiddish daily established in New York in late 1905. Its founder, Louis Miller (1866-1927), emigrated from Russia to the US in 1884, and by 1897 he was the leader of a group that established the Forverts, later to be the most successful Yiddish newspaper in the US. Common wisdom depicts Miller's social leaning as stemming from ego and opportunism, but this book suggests that Miller's publishing philosophy was based primarily on ideological and political grounds. Why begin Miller's story in 1905? Because in that year, 'The Jewish Question' - especially in Russia with its pogroms - turned dramatic. Miller understood that the time had come for a paradigm shift. The result was labeled Klal-Yisruel Politics, a combined nationalist all-Jewish effort to ameliorate 'the Jewish condition' wherever Jews suffered or were oppressed. The drive behind Miller's decision to run Di Warheit was his eagerness to promote a progressive, non-radical, and pragmatic political mind set among his immigrant brethren. This somewhat forgotten chapter in American Jewish history is told here in chronological order, mainly through the texts of Miller's newspaper. Each chapter is dedicated to the main issue that drove Miller's publishing effort at a specific time period and in response to external events impacting Jewry, until the management forced him out of Di Warheit due to his non-conventional interpretation of the war that broke out in Europe in 1914. This long-awaited book tells the story of a Yiddish-speaking socialist, who, after denying the very existence of a specific Jewish people, was open-minded enough to re-examine his beliefs and was courageous enough to publicly change his mind. But, he paid the price for telling, or at least trying to tell, that truth.
$a You are about to embark on a wondrous voyage through time and culture. The journey carries you from the privileged world of Park Avenue to nineteenth-century Lithuania, turn-of-the-century Chicago, a contemporary Israeli kibbutz, and the timeless world of New York City's Lower East Side. Journey's end occurs in the Jewish year 5743 on Manhattan's Upper West Side, just crosstown and a lifetime away from where Paul Cowan's complicated, halting trip toward faith begins. Paul Cowan grows up unaware that he is a descendant of rabbis. In one generation five thousand years of religion and culture have been lost. Like millions of immigrant families, Lou and Polly Cowan pay for the prosperity with their pasts. When they die in a tragic fire, Paul begins a search for that part of his parents that had perished in America. The quest for an ancestral legacy by the American, Paul Cowan, becomes a rite of passage for the Jew who emerges Saul Cohen. Relatives like Jacob Cohen, the used cement bag dealer, and Modie Spiegel, Sr., the mail order magnate, come to life in the author's warm and touching recreation of an odyssey through immigrant America. - Jacket flap.
"An erotic scandal chronicle so popular it became a byword... Expertly tailored for contemporary readers. It combines scurrilous attacks on the social and political celebritites of the day, disguised just enough to exercise titillating speculatuion, with luscious erotic tales." —Belles Lettres This story concerns the return of to earth of the goddess of Justice, Astrea, to gather information about private and public behavior on the island of Atalantis. Manley drew on her experience as well as on an obsessive observation of her milieu to produce this fast paced narrative of political and erotic intrigue.
Jan Karski, a young Polish diplomat turned cavalry officer, joined the Polish underground movement after escaping from a Soviet detention camp in 1939. He served as a courier for the underground, ferrying messages between occupied Poland and the exiled Polish leaders, before he was captured and brutally tortured by the Gestapo. Escaping from the Germans, Jan Karski was charged with the mission of his lifetime: to convey a message to the Allies about Hitler's program to exterminate the Jews of Europe. He visited Warsaw's Jewish Ghetto so that he could relate the truth about inhuman conditions first hand when he met, soon after, with leaders and top officials in London and President Roosevelt in Washington. He had the ears of the decision–makers, yet nothing was done to prevent the ultimate fate of millions of Jews. Published to immense acclaim in France, The Messenger is a compelling and tragic story. An extraordinary novelized biography about a man's moral courage and our collective humanity, with parallels to Thomas Keneally's Schindler's Ark and WG Sebald's Austerliz.
Presenting the American Jewish historical experience from its communal beginnings to the present through documents, photographs, and other illustrations, many of which have never before been published, this entirely new collection of source materials complements existing textbooks on American Jewish history with an organization and pedagogy that reflect the latest historiographical trends and the most creative teaching approaches. Ten chapters, organized chronologically, include source materials that highlight the major thematic questions of each era and tell many stories about what it was like to immigrate and acculturate to American life, practice different forms of Judaism, engage with the larger political, economic, and social cultures that surrounded American Jews, and offer assistance to Jews in need around the world. At the beginning of each chapter, the editors provide a brief historical overview highlighting some of the most important developments in both American and American Jewish history during that particular era. Source materials in the collection are preceded by short headnotes that orient readers to the documentsÕ historical context and significance.
Originally published: New York: Random House, Ã1976.
Jewish masculinity as a diverse set of adaptive reactions to masculine hegemony and the political, religious, and social realities of American Jews throughout the twentieth century. For twentieth-century Jewish immigrants and their children attempting to gain full access to American society, performative masculinity was a tool of acculturation. However, as scholar Miriam Eve Mora demonstrates, this performance is consistently challenged by American mainstream society that holds Jewish men outside of the American ideal of masculinity. Depicted as weak, effeminate, cowardly, gentle, bookish, or conflict-averse, Jewish men have been ascribed these qualities by outside forces, but some have also intentionally subscribed themselves to masculinities at odds with the American mainstream. Carrying a Big Schtickdissects notions of Jewish masculinity and its perception and practice in America in the twentieth century through the lenses of immigration and cultural history. Tracing Jewish masculinity through major themes and events including both World Wars, the Holocaust, American Zionism, Israeli statehood, and the Six-Day War, this work establishes that the struggle of this process can shed light on the changing dynamics in religious, social, and economic American Jewish life.