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This book focuses on a single central problem: the frequently noted similarity between Ford's protagonists, men whose peculiarly alien temperaments and ethics lead them into inevitable conflict with their particular milieu. The main argument of the study is that behind these struggles, traced out through four successive centuries, lies a previously unnoted pattern. Originally published in 1970. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
This book focuses on a single central problem: the frequently noted similarity between Ford's protagonists, men whose peculiarly alien temperaments and ethics lead them into inevitable conflict with their particular milieu. The main argument of the study is that behind these struggles, traced out through four successive centuries, lies a previously unnoted pattern. Originally published in 1970. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
History and Representation in Ford Madox Ford’s Writings explores the idea of history across various genres: fiction, autobiography, books about places and cultures, criticism, and poetry. ‘I wanted the Novelist in fact to appear in his really proud position as historian of his own time’, wrote Ford. The twenty leading specialists assembled for this volume consider his writing about twentieth-century events, especially the First World War; and also his representations of the past, particularly in his fine trilogy about Henry VIII and Katharine Howard, The Fifth Queen. Ford’s provocative dealings with the relationship between fiction and history is shown to anticipate postmodern thinking about historiography and narrative. The collection includes essays by two acclaimed novelists, Nicholas Delbanco and Alan Judd, assessing Ford’s grasp of literary history, and his place in it.
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford’s work, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade’s End, which Anthony Burgess described as ‘the finest novel about the First World War’, Samuel Hynes has called ‘the greatest war novel ever written by an Englishman’, and which has been adapted by Tom Stoppard for the acclaimed BBC/HBO television series. This volume focuses on Ford’s work from the Edwardian decade and a half before the First World War. It contains Michael Schmidt’s Ford Madox Ford Lecture, and fourteen other essays by British, American, French and German experts, both leading authorities and younger scholars. Chapters on Ford’s fiction, poetry, criticism of literature and painting, writing about England, and dealings on the Edwardian literary scene as editor and with publishers, bring out his versatility and ingenuity throughout his first major creative phase.
"Ford Madox Ford and the City assembles fourteen pioneering essays, by new as well as established European and American scholars, exploring Ford's representations of real and ideal cities, across the full range of his work, from his earliest verse, to his post-war prose and poetry of the 1920s and 1930s."--BOOK JACKET.
This text shows how Ford Madox Ford responded to the changes in European politics and culture before, during, and after the First World War.
One of the most important works of twentieth-century British literature, The Good Soldier addresses the lives and interrelationships between two couples: one American, one British. A tragicomic novel of manners, in which John Dowell narrates the disintegration of both his own and another marriage, the work’s depiction of passion and intrigue offers an ironic reading of Edwardian-era values. The Broadview edition features the text of the first edition of the novel published by John Lane and The Bodley Head in 1915. It also includes: other writings by Ford Madox Ford (“On Heaven,” excerpts from Henry James: A Critical Study, “On Impressionism,” and “Techniques”); contemporary reviews; and Ezra Pound’s obituary of Ford Madox Ford.
Taking account of Ford Madox Ford’s entire literary output, this companion brings together prominent Ford specialists to offer an overview of existing Ford scholarship and to suggest new directions in Ford studies. The Routledge Research Companion to Ford Madox Ford is split into five parts, exploring the scholarly foundations of Ford Madox Ford studies, Ford's literary identity, Ford and place, specific case studies and themes and critical approaches. Within these five parts, the contributors cover areas relevant to Ford’s fiction, nonfiction and poetry, including reception history, life-writing, literary histories, gender and comedy. The Routledge Research Companion to Ford Madox Ford is an invaluable resource for students and scholars in Ford Studies, in modernism, and in the literary world that Ford helped shape in the early years of the twentieth century.
Following their first gathering in Munster, Westphalia, the city of Ford's ancestors, Fordians present a multi-faceted image of this Anglo-German and Francophile English Modernist. International interest in the Hueffers' German background will be triggered by two articles on Franz Hueffer and the references to Munster and Westphalia in Ford's writings. Excursions in politics and poetry and Ford in context provide a framework for "Aspects of Parade's End", the edition and simultaneous translation of which into major European languages forms the most important project for the new Millennium.
To provide a fresh perspective—from new and unexpected points of view—Sondra Stang gathers together a number of distinguished writers and critics to prove Ford and his works. Among the many contributors commenting on Ford for the first time are C. H. Sisson, William H. Pritchard, Alison Lurie, Denis Donoghue, and William Gass. Included too are new poems by Richard Howard and Howard Nemerov and memoirs by friends, lovers, and family. Contributors: William Trevor, Sondra J. Stang, Richard Howard, Graham Greene, Allen Tate, David Dow Harvey, William Gass, Denis Donoghue, Roger Sale, Andrew Lytle, Howard Nemerov, Edward Krickel, C. H. Sisson, William H. Pritchard, Alison Lurie.