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This catalog provides a descriptive bibliography of books in the Ahmanson-Murphy Aldine collection at the University of California, Los Angeles, together with abbreviated notices of works not at UCLA. Handsomely produced, slipcased, and carefully annotated, this volume should become a major resource for Aldine studies and the history of the book. The Aldine Press revolutionized the production, accessibility, and use of the book. Founded by Aldus Manutius (ca 1452-1515), the press introduced a number of innovations that helped shape the development of the modern book, including italic type and the smaller, pocket-sized volume. By putting the Greek and Latin classics in a form that everyone could afford, it revolutionized scholarship: the uniform Aldine texts made comparison and collation universally available, and they were used in schools. Collectors were interested in the Aldine Press from the beginning; Jean Grolier acquired over two hundred of its publications, often having the books elegantly bound and handsomely illuminated. Since that time, the output of the Aldine Press has been sought after by scholars, book collectors, and librarians. Copies of its books are found in libraries all over the world, where they remain a prized possession and the object of much scholarly research. For thirty-two years, Franklin D. Murphy, who came to UCLA as its sixth chancellor, fostered the expansion of the Aldine collection and encouraged its growth. During the greater part of this long period he was joined in these endeavors by the Ahmanson Foundation, whose constant support permitted the collection to increase in both size and significance. Following Dr. Murphy's death, the Ahmanson Foundation continued its generous support for the expansion of the collection and, in addition, by means of a grant late in 1996, enabled the present catalog to come into existence. This catalog provides a descriptive bibliography of books in the Ahmanson-Murphy Aldine collection at the University of California, Los Angeles, together with abbreviated notices of works not at UCLA. Handsomely produced, slipcased, and carefully annotated, this volume should become a major resource for Aldine studies and the history of the book. The Aldine Press revolutionized the production, accessibility, and use of the book. Founded by Aldus Manutius (ca 1452-1515), the press introduced a number of innovations that helped shape the development of the modern book, including italic type and the smaller, pocket-sized volume. By putting the Greek and Latin classics in a form that everyone could afford, it revolutionized scholarship: the uniform Aldine texts made comparison and collation universally available, and they were used in schools. Collectors were interested in the Aldine Press from the beginning; Jean Grolier acquired over two hundred of its publications, often having the books elegantly bound and handsomely illuminated. Since that time, the output of the Aldine Press has been sought after by scholars, book collectors, and librarians. Copies of its books are found in libraries all over the world, where they remain a prized possession and the object of much scholarly research. For thirty-two years, Franklin D. Murphy, who came to UCLA as its sixth chancellor, fostered the expansion of the Aldine collection and encouraged its growth. During the greater part of this long period he was joined in these endeavors by the Ahmanson Foundation, whose constant support permitted the collection to increase in both size and significance. Following Dr. Murphy's death, the Ahmanson Foundation continued its generous support for the expansion of the collection and, in addition, by means of a grant late in 1996, enabled the present catalog to come into existence.
"In this marvelous, learned, and friendly volume, Helen Barolini traces the contours of his career and reveals Aldus and the Aldine press in historical and cultural context; she admirably conveys the magic of an age in which the book as we know it was invented.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 2001. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
Francesco Colonna's weird, erotic, allegorical antiquarian tale, "Hypnerotomachia Poliphili", together with all of its 174 original woodcut illustrations, has been called the first "stream of consciousness" novel and was one of the most important documents of Renaissance imagination and fantasy. The author -- presumed to be a friar of dubious reputation -- was obsessed by architecture, landscape and costume (it is not going too far to say sexually obsessed) and its woodcuts are a primary source for Renaissance ideas.
Aldus Manutius was the most innovative scholarly publisher of the Renaissance. This ITRL edition contains all of his prefaces to his editions of the Greek classics, translated for the first time into English. They provide unique insight into the world of scholarly publishing in Renaissance Venice.
Type Spaces examines pages of books printed and published by Aldus Manutius in Venice around 1500. By measuring the word-spaces, author Peter Burnhill discerns a system of measurement at work and comes up with the surprising suggestion that this printing shows a unified system of dimensions: of type size, of "leading" or line-increment, of line length, and of text area. He argues that the exceptional figures of Manutius and his punchcutter, Francesco Griffo, used a set of "in-house norms." This system of unified measurement has a rationality that can apply to any process of type design, in any age, and with any system of production, making the book relevant even for contemporary designers. Since the passing of metal type, we have had no clear method of measuring type size and Burnhill's work suggests a new (or very old) approach to measurement in typography.
On 6 February 2015, the Warburg Institute marked the 500th anniversary of Aldus Manutius's death with a one-day colloquium on his extraordinary legacy. Rather than examining his own output, which has already received a vast amount of scholarly attention, the focus was on far less studied topics related to his later fame and reputation. This book presents revised versions of six papers from the colloquium, together with three additional contributions. The nine papers, which explore how the notion of 'Aldine books' has changed over 500 years in Europe and America, are arranged in three sections: the Aldine press after Aldus; private Aldine collections in early modern Europe; and Aldine book trade and collecting from the nineteenth century to the present. Also included in the volume is a catalogue of the exhibition 'Collecting the Renaissance: The Aldine Press (1494-1598)', organized in conjunction with the colloquium and displayed in the Treasures Galley of the British Library. Addressing a wide readership of scholars, booksellers and collectors, The Afterlife of Aldus aims to stimulate further research in areas which have not been sufficiently investigated, despite their importance for a comprehensive understanding of the long-lasting fortuna of Aldus and his publications. The conference, the exhibition and this volume have received generous financial support from the Bibliographical Society, CERL and Bernard Quartich Ltd.