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An African-American child dreams of long-ago Africa, where she sees animals, shops in a marketplace, reads strange words from an old book, and returns to the village where her long-ago granddaddy welcomes her. ‘Greenfield’s lyrical telling and Byard’s marvelous pictures make this book close to an ideal adventure for children, black or white.’ —Publishers Weekly. 1978 Coretta Scott King Award
‘Often, at the hour of day when the savannah grass is streaked with silver, and pale gold rims the silhouettes of the hills, I drive with my dogs up to the Mukutan, to watch the sun setting behind the lake, and the evening shadows settle over the valleys and plains of the Laikipia plateau.’ Kuki Gallmann’s haunting memoir of bringing up a family in Kenya in the 1970s first with her husband Paulo, and then alone, is part elegaic celebration, part tragedy, and part love letter to the magical spirit of Africa.
This book was written to inspire people to take action and pursue their African dream. It detailed my journey into leadership and how I found my African dream. I lived and grew up in the slum, I never thought I could dream but found my African dream in the worst of the worse places in the world. My story inspired me to take action and how we can also do something to enhance the development of the African continent. We should not be a bystander and watch things happen, we need to do something to secure our planet and protect future generations. The book explores the needs of why we have to put people first in designing development programs and outcomes. It also represents how the future would look like and how we can be prepared for it as Africans.
In the late 1950s, Opus Dei sought to begin apostolic work in Africa. A group of young women from various countries moved to Kenya with the aim of starting a school, one open to women of all races and beliefs, the first of its kind. Olga Marlin, who was one of those young women, tells the story of how the womens' faith in their mission was sustained despite obstacles and ultimately bore fruit.
These African diaries--written when Che Guevara tried to help the people of the Congo throw off the yoke of colonial imperialism--afford a very personal insight into the thoughts and emotions of one of the 20th century's greatest revolutionary martyrs. of photos.
Eritrea is located in northeast Africa on the Red Sea coast and boasts one of the oldest human settlements in the region. One-million-year-old human remains have been found in the Danakil Depression in the country, which is home to one of the oldest-written scripts in sub-Saharan Africa: Ge'ez. Eritrea was also pioneer in multi-party democracy in Africa and had a democratic constitution based on United Nations principles in 1952. But it is also home to one of the earliest armed liberation movements in Africa - a conflict that Mohamed Kheir Omer witnessed firsthand, having grown up in Eritrea as a member of the Eritrean Liberation Front (ELF). In this book, he traces the history of the country, exploring how ethnicity, religion, geography, colonialism, and other factors have shaped its fate - and what must be done to ensure its people enjoy a brighter future. The history of Eritrea is similar to others on the continent, and its people continue to struggle to build a just, democratic, and inclusive country.
#1 NEW YORK TIMES BESTSELLER • ONE OF ESSENCE’S 50 MOST IMPACTFUL BLACK BOOKS OF THE PAST 50 YEARS In this iconic memoir of his early days, Barack Obama “guides us straight to the intersection of the most serious questions of identity, class, and race” (The Washington Post Book World). “Quite extraordinary.”—Toni Morrison In this lyrical, unsentimental, and compelling memoir, the son of a black African father and a white American mother searches for a workable meaning to his life as a black American. It begins in New York, where Barack Obama learns that his father—a figure he knows more as a myth than as a man—has been killed in a car accident. This sudden death inspires an emotional odyssey—first to a small town in Kansas, from which he retraces the migration of his mother’s family to Hawaii, and then to Kenya, where he meets the African side of his family, confronts the bitter truth of his father’s life, and at last reconciles his divided inheritance. Praise for Dreams from My Father “Beautifully crafted . . . moving and candid . . . This book belongs on the shelf beside works like James McBride’s The Color of Water and Gregory Howard Williams’s Life on the Color Line as a tale of living astride America’s racial categories.”—Scott Turow “Provocative . . . Persuasively describes the phenomenon of belonging to two different worlds, and thus belonging to neither.”—The New York Times Book Review “Obama’s writing is incisive yet forgiving. This is a book worth savoring.”—Alex Kotlowitz, author of There Are No Children Here “One of the most powerful books of self-discovery I’ve ever read, all the more so for its illuminating insights into the problems not only of race, class, and color, but of culture and ethnicity. It is also beautifully written, skillfully layered, and paced like a good novel.”—Charlayne Hunter-Gault, author of In My Place “Dreams from My Father is an exquisite, sensitive study of this wonderful young author’s journey into adulthood, his search for community and his place in it, his quest for an understanding of his roots, and his discovery of the poetry of human life. Perceptive and wise, this book will tell you something about yourself whether you are black or white.”—Marian Wright Edelman
The heartbreaking story of five generations of young people from a single African-and-American family pursuing an elusive dream of freedom. "Gut wrenching and incredible.”— Sabaa Tahir #1 New York Times bestselling author of An Ember in the Ashes "This novel is a remarkable achievement."—Kelly Barnhill, New York Times bestselling author and Newbery medalist "Beautifully epic."—Ibi Zoboi, author American Street and National Book Award finalist Dream Country begins in suburban Minneapolis at the moment when seventeen-year-old Kollie Flomo begins to crack under the strain of his life as a Liberian refugee. He's exhausted by being at once too black and not black enough for his African American peers and worn down by the expectations of his own Liberian family and community. When his frustration finally spills into violence and his parents send him back to Monrovia to reform school, the story shifts. Like Kollie, readers travel back to Liberia, but also back in time, to the early twentieth century and the point of view of Togar Somah, an eighteen-year-old indigenous Liberian on the run from government militias that would force him to work the plantations of the Congo people, descendants of the African American slaves who colonized Liberia almost a century earlier. When Togar's section draws to a shocking close, the novel jumps again, back to America in 1827, to the children of Yasmine Wright, who leave a Virginia plantation with their mother for Liberia, where they're promised freedom and a chance at self-determination by the American Colonization Society. The Wrights begin their section by fleeing the whip and by its close, they are then the ones who wield it. With each new section, the novel uncovers fresh hope and resonating heartbreak, all based on historical fact. In Dream Country, Shannon Gibney spins a riveting tale of the nightmarish spiral of death and exile connecting America and Africa, and of how one determined young dreamer tries to break free and gain control of her destiny.