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While Berry Fleming’s interest in history has produced two books of non-fiction, one of which dealt with the Civil War (Autobiography of a City in Arms), The Affair at Honey Hill marks the first time he has used the Civil War as a setting for any of his novels. The story is presented through the eyes of Edwin Daws, a 56 year old Confederate soldier, from his present day (winter, 1864) awareness, as well as his memories, both recent and past. Assigned with his militia company, The Silver Grays, to repel an assault on the railroad leading into Savannah near Honey Hill Plantation, he recalls the month he spent there 18 years earlier, working as a scribe for the Reverend Trezevant Ferebee, and of his growing love for the Reverend’s enigmatic daughter-in-law, Julia. What is to become of them now with Sherman’s forces moving fast to attack the city? Where is Julia? Can he find her in all this desperate confusion and extricate her? The Affair at Honey Hill is a tight and graphic narrative of human beings—civilians and soldiers—caught in the stress of war and defeat, ripe with the sounds and smells and textures of loves and battles, of opportunities lost and gained, and of hard moral decisions.
Georgia has played a formative role in the writing of America. Few states have produced a more impressive array of literary figures, among them Conrad Aiken, Erskine Caldwell, James Dickey, Joel Chandler Harris, Carson McCullers, Flannery O'Connor, Jean Toomer, and Alice Walker. This volume contains biographical and critical discussions of Georgia writers from the nineteenth century to the present as well as other information pertinent to Georgia literature. Organized in alphabetical order by author, the entries discuss each author's life and work, contributions to Georgia history and culture, and relevance to wider currents in regional and national literature. Lists of recommended readings supplement most entries. Especially important Georgia books have their own entries: works of social significance such as Lillian Smith's Strange Fruit, international publishing sensations like Margaret Mitchell's Gone With the Wind, and crowning artistic achievements including Jean Toomer's Cane. The literary culture of the state is also covered, with information on the Georgia Review and other journals; the Georgia Center for the Book, which promotes authors and reading; and the Townsend Prize, given in recognition of the year's best fiction. This is an essential volume for readers who want both to celebrate and learn more about Georgia's literary heritage.