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Who says learning can't be fun? 'The Adventures of Marvin the Mischievous Manicou' aims to educate children on wildlife and culture in Trinidad through fun and creative learning. Quite a mischievous critter, Marvin the Mischievous Manicou decides to play a prank on his family which goes terribly wrong. He ends up losing them in the forests of Blanchisseuse, Trinidad. In a bid to find his family, Marvin ventures off into the woods where he meets several other characters who help him find his way. The characters in the story are modelled after animals found in Trinidad. The key characteristics of each animal are presented as funny quirks and behavioural traits, which make them even more memorable to young readers. Quizzes, puzzles and other activities also provide an interactive and fun learning experience for children.
NATIONAL BESTSELLER • BOOKER PRIZE FINALIST • From the internationally acclaimed, Booker Prize-winning author of The English Patient: “an elegiac thriller [with] the immediate allure of a dark fairy tale” (The Washington Post) set in the decade after World War II that tells the dramatic story of two teenagers and an eccentric group of characters. In a narrative as beguiling and mysterious as memory itself—shadowed and luminous at once—we read the story of fourteen-year-old Nathaniel, and his older sister, Rachel. In 1945, just after World War II, they stay behind in London when their parents move to Singapore, leaving them in the care of a mysterious figure named The Moth. They suspect he might be a criminal, and they grow both more convinced and less concerned as they come to know his eccentric crew of friends: men and women joined by a shared history of unspecified service during the war, all of whom seem, in some way, determined now to protect, and educate (in rather unusual ways) Rachel and Nathaniel. But are they really what and who they claim to be? And what does it mean when the siblings' mother returns after months of silence without their father, explaining nothing, excusing nothing? A dozen years later, Nathaniel begins to uncover all that he didn't know and understand in that time, and it is this journey—through facts, recollection, and imagination—that he narrates in this masterwork from one of the great writers of our time.
Nalo Hopkinson has been busily (and wonderfully) “subverting the genre” since her first novel, Brown Girl in the Ring, won a Locus Award for SF and Fantasy in 1999. Since then she has acquired a prestigious World Fantasy Award, a legion of adventurous and aware fans, a reputation for intellect seasoned with humor, and a place of honor in the short list of SF writers who are tearing down the walls of category and transporting readers to previously unimagined planets and realms. Never one to hold her tongue, Hopkinson takes on sexism and racism in publishing in “Report from Planet Midnight,” a historic and controversial presentation to her colleagues and fans. Plus... “Message in a Bottle,” a radical new twist on the time travel tale that demolishes the sentimental myth of childhood innocence; and “Shift,” a tempestuous erotic adventure in which Caliban gets the girl. Or does he? And Featuring: Our Outspoken Interview, an intimate one-on-one that delivers a wealth of insight, outrage, irreverence, and top-secret Caribbean spells.
"A biography focusing on the poet John Ashbery's early life"--
The lushness of language and the landscape, wild contrasts, and pure storytelling magic abound in this anthology of Caribbean writing. Steeped in the tradition of fabulism, where the irrational and inexplicable coexist with the realities of daily life, the stories in this collection are infused with a vitality and freshness that most writing traditions have long ago lost. From spectral slaving ships to women who shed their skin at night to become owls, stories from writers such as Jamaica Kincaid, Marcia Douglas, Ian MacDonald, and Kamau Brathwaite pulse with rhythms, visions, and the tortured history of this spiritually rich region of the world.
So Long Been Dreaming: Postcolonial Science Fiction & Fantasy is an anthology of original new stories by leading African, Asian, South Asian and Aboriginal authors, as well as North American and British writers of color. Stories of imagined futures abound in Western writing. Writer and editor Nalo Hopkinson notes that the science fiction/fantasy genre “speaks so much about the experience of being alienated but contains so little writing by alienated people themselves.” It’s an oversight that Hopkinson and Mehan aim to correct with this anthology. The book depicts imagined futures from the perspectives of writers associated with what might loosely be termed the “third world.” It includes stories that are bold, imaginative, edgy; stories that are centered in the worlds of the “developing” nations; stories that dare to dream what we might develop into. The wealth of postcolonial literature has included many who have written insightfully about their pasts and presents. With So Long Been Dreaming they creatively address their futures. Contributors include: Opal Palmer Adisa, Tobias Buckell, Wayde Compton, Hiromi Goto, Andrea Hairston, Tamai Kobayashi, Karin Lowachee, devorah major, Carole McDonnell, Nnedi Okorafor-Mbachu, Eden Robinson, Nisi Shawl, Vandana Singh, Sheree Renee Thomas and Greg Van Eekhout. Nalo Hopkinson is the internationally-acclaimed author of Brown Girl in the Ring, Skin Folk, and Salt Roads. Her books have been nominated for the Hugo, Nebula, Tiptree, and Philip K. Dick Awards; Skin Folk won a World Fantasy Award and the Sunburst Award. Born in Jamaica, Nalo moved to Canada when she was sixteen. She lives in Toronto. Uppinder Mehan is a scholar of science fiction and postcolonial literature. A South Asian Canadian, he currently lives in Boston and teaches at Emerson College.
This anthology provides readers with a sampler of the energy, commitment, and sheer brilliance of a whole new generation of Caribbean writers.
Poetry. Latinx Studies. LGBTQIA Studies. "Equal part prayer and potion and survival guide, Oliver Baez Bendorf's remarkable ADVANTAGES OF BEING EVERGREEN is an essential book for our time and for all time...Baez Bendorf is making a future grammar for the moment all of our vessels are free and held. I am living for the world these poems anticipate...This is a book of the earth's abiding wonder. And the body's unbreakable ability to bloom."--Gabrielle Calvocoressi "This book...offers a topography of the body--each poem, a dropped pin, locating across a broad intricate landscape: memory, hunger, tenderness, grief, and fear. To read these poems is to trust the momentum of tributaries or the distance traveled when the trail is full of switchbacks. This work is an exercise of faith."--Amaud Jamaul Johnson "Written from and with death, the poems in ADVANTAGES OF BEING EVERGREEN offer elegies; they utter prayers that ask our dead to stay; they come as breath constrained and animated by a form that narrates an excess of natures, an excess of rivers that interrupt this book as the poet ponders the impossible question of what it means to be home. Here the body is a shared condition. The body is language. It changes. It resists. It mourns. It reincarnates with the 'teeth of our dead around our neck.'"--Daniel Borzutzky
Since the 1980s, an increasing number of black writers have begun publishing speculative-fantastic fictions such as fantasy, gothic, utopian and science fiction. Writing into two literary traditions that are conventionally considered separate -- white speculative genres and black literary-cultural traditions -- the texts integrate an African American sensibility of the past within the present, with speculative fictionâe(tm)s sensibility of the present within the future. Thaler takes stock of this trend by proposing that the growing number of texts has brought forth a genre of its own. She analyzes recent fictions by Octavia E. Butler, Jewelle Gomez, and Nalo Hopkinson as in-between color-coded literary and cultural traditions by paying particular attention to concepts of literary history and time as well as postcolonial notions of hybridity and mimicry, race, and identity. The study treads on new ground since it not only offers a broader scope of the various speculative genres in which established and emerging black authors currently publish, but also shows that these fictions contest conventionally accepted notions of white genres and black traditions and, in consequence, of (post-)postmodern literature and popular fiction.
Winner of: Times Literary Supplement Book of the Year Over the last 15 years Keston Sutherland has gained the reputation of being at the forefront of the experimental movement in contemporary British poetry. This book collects all of his work into a single volume, including his recent The Odes to TL61P. Among the previous works included are Antifreeze, Hot White Andy, Neocosis, Stress Position, and The Stats on Infinity.