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Irene Sumner lives in a small town on the Treasure Coast of Florida. After years of teaching school she takes an early retirement, sells her house and moves into a retirement community. Her plans include traveling, spending time with her boyfriend, and enjoying the quiet life in her apartment at Peaceful Lakes, until an overheard conversation inadvertently involves her in a complicated plot which includes mysterious deaths. As the ex-wife of the chief of police and mother-in-law of the sheriff she has insight and first hand knowledge of what goes on in the small town of Littleton Beach. What Irene hopes to be a vacation to the mountains becomes complicated by a visit from her ex-husband. Her relationship with her boyfriend, Roger, is threatened by jealousy and physical distance. Banter, teasing, and sexual tension keep the reader entertained as Irene faces each obstacle and danger, with a sarcastic sense of humor, a zest for life, and determination.
Since the time of its inception, the field of aviation has rapidly grown in both importance and popularity. The acceptance and recognition of women's participation and achievements in this activity, however, did not develop with nearly the same speed. The first biographical history of women pilots in Alaska, this work explores the challenges faced by women of Alaska as they pursued roles in aviation--something that had long been considered part of "the men's world". Beginning in 1927 with Marvel Crosson and reaching to the present day, 37 adventurous and personal tales are offered, including that of an ultralight flyer, the first woman to become U.S. Aerobatic Champion, a parachute jumper, the first woman to fly in a small airplane over the North Pole and an Iditarod dog musher. Questions about why these women chose to fly; where they learned; when they soloed; what it meant to them to become a pilot; what challenges they faced in such a non-traditional role; and why they chose the skies of Alaska are addressed as these intriguing stories are told.
Thirty-five years in the making, and destined to be the last word in fanta-film references! This incredible 1,017-page resource provides vital credits on over 9,000 films (1896-1999) of horror, fantasy, mystery, science fiction, heavy melodrama, and film noir. Comprehensive cast lists include: directors, writers, cinematographers, and composers. Also includes plot synopses, critiques, re-title/translation information, running times, photographs, and several cross-referenced indexes (by artist, year, song, etc.). Paperback.
Whether rocketing to other worlds or galloping through time, science fiction television has often featured the best of the medium. The genre's broad appeal allows youngsters to enjoy fantastic premises and far out stories, while offering adults a sublime way to view the human experience in a dramatic perspective. From Alien Nation to World of Giants, this reference work provides comprehensive episode guides and cast and production credits for 62 science fiction series that were aired from 1959 through 1989. For each episode, a brief synopsis is given, along with the writer and director of the show and the guest cast. Using extensive research and interviews with writers, directors, actors, stuntmen and many of the show's creators, an essay about each of the shows is also provided, covering such issues as its genesis and its network and syndication histories.
Adventures of a Jazz Age Lawyer is the lively story of legal giant Nathan Burkan, whose career encapsulated the coming of age of the institutions, archetypes, and attitudes that define American popular culture. With a client list that included Charlie Chaplin, Al Jolson, Frank Costello, Victor Herbert, Mae West, Gloria Morgan Vanderbilt, Arnold Rothstein, and Samuel Goldwyn, Burkan was “New York’s Spotlight Lawyer” for more than three decades. He was one of the principal authors of the epochal Copyright Act of 1909 and the guiding spirit behind the American Society of Composers, Authors, and Publishers (Ascap), which provided the first practical means for songwriters to collect royalties for public performances of their works, revolutionizing the music business and the sound of popular music. While the entertainment world adapted to the disruptive technologies of recorded sound, motion pictures, and broadcasting, Burkan’s groundbreaking work laid the legal foundation for the Great American Songbook and the Golden Age of Hollywood, and it continues to influence popular culture today. Gary A. Rosen tells stories of dramatic and uproarious courtroom confrontations, scandalous escapades of the rich and famous, and momentous clashes of powerful political, economic, and cultural forces. Out of these conflicts, the United States emerged as the world’s leading exporter of creative energy. Adventures of a Jazz Age Lawyer is an engaging look at the life of Nathan Burkan, a captivating history of entertainment and intellectual property law in the early twentieth century, and a rich source of new discoveries for anyone interested in the spirit of the Jazz Age.
DigiCat present to you the collection of the great novels and stories written after the turmoil, the trauma and the heroism experienced during the American Civil War: The Red Badge of Courage (Stephen Crane) The Little Regiment (Stephen Crane) The Veteran (Stephen Crane) An Occurrence at Owl Creek Bridge (Ambrose Bierce) A Horseman in the Sky (Ambrose Bierce) Chickamauga (Ambrose Bierce) The Private History of a Campaign That Failed (Mark Twain) A Curious Experience (Mark Twain) The Guns of Bull Run (Joseph A. Altsheler) The Guns of Shiloh (Joseph A. Altsheler) The Scouts of Stonewall (Joseph A. Altsheler) The Sword of Antietam (Joseph A. Altsheler) The Star of Gettysburg (Joseph A. Altsheler) The Rock of Chickamauga (Joseph A. Altsheler) The Shades of the Wilderness (Joseph A. Altsheler) The Tree of Appomattox (Joseph A. Altsheler) The Crisis (Winston Churchill) Miss Ravenel's Conversion from Secession to Loyalty (John William De Forest) With Lee in Virginia (G. A. Henty) Who Would Have Thought It? (María Ruiz de Burton) The Long Roll (Mary Johnston) Cease Firing (Mary Johnston) The Victim: A Romance of the Real Jefferson Davis (Thomas Dixon Jr.) Kincaid's Battery (George Washington Cable) The Border Spy (Harry Hazelton) The Battle Ground (Ellen Glasgow) Who Goes There? (B. K. Benson) Ailsa Paige (Robert W. Chambers) Special Messenger (Robert W. Chambers) How Private George W. Peck Put Down the Rebellion (George W. Peck) Raiding with Morgan (Byron A. Dunn) Mohun; Or, the Last Days of Lee and His Paladins (John Esten Cooke) Brother Against Brother (John R. Musick) The Last Three Soldiers (W. H. Shelton) A War-Time Wooing (Charles King) The Iron Game (Henry F. Keenan) The Blockade Runners (Jules Verne) The Lost Despatch (Natalie Sumner Lincoln) My Lady of the North (Randall Parrish) Uncle Daniel's Story of "Tom" Anderson (John McElroy) The Red Acorn (John McElroy) Winning His Way (Charles Carleton Coffin) A Daughter of the Union (Lucy Foster Madison) Chasing an Iron Horse (Edward Robins) The Man Without a Country (Edward Everett Hale) History of the Civil War, 1861-1865 (James Ford Rhodes)
“A big-hearted story that’s as sweet as it is awesome.” —R.J. Palacio, author of Wonder “An honest, emotionally rich take on disability, family, and growing up.” —Kirkus Reviews (starred review) In the tradition of Wonder and Out of My Mind, this big-hearted middle grade debut tells the story of an irrepressible girl with cerebral palsy whose life takes an unexpected turn when she moves to a new town. Ellie’s a girl who tells it like it is. That surprises some people, who see a kid in a wheelchair and think she’s going to be all sunshine and cuddles. The thing is, Ellie has big dreams: She might be eating Stouffer’s for dinner, but one day she’s going to be a professional baker. If she’s not writing fan letters to her favorite celebrity chefs, she’s practicing recipes on her well-meaning, if overworked, mother. But when Ellie and her mom move so they can help take care of her ailing grandpa, Ellie has to start all over again in a new town at a new school. Except she’s not just the new kid—she’s the new kid in the wheelchair who lives in the trailer park on the wrong side of town. It all feels like one challenge too many, until Ellie starts to make her first-ever friends. Now she just has to convince her mom that this town might just be the best thing that ever happened to them!
From Al Jolson in blackface to Song of the South, there is a long history of racism in Hollywood film. Yet as early as the 1930s, movie studios carefully vetted their releases, removing racially offensive language like the “N-word.” This censorship did not stem from purely humanitarian concerns, but rather from worries about boycotts from civil rights groups and loss of revenue from African American filmgoers. Cinema Civil Rights presents the untold history of how Black audiences, activists, and lobbyists influenced the representation of race in Hollywood in the decades before the 1960s civil rights era. Employing a nuanced analysis of power, Ellen C. Scott reveals how these representations were shaped by a complex set of negotiations between various individuals and organizations. Rather than simply recounting the perspective of film studios, she calls our attention to a variety of other influential institutions, from protest groups to state censorship boards. Scott demonstrates not only how civil rights debates helped shaped the movies, but also how the movies themselves provided a vital public forum for addressing taboo subjects like interracial sexuality, segregation, and lynching. Emotionally gripping, theoretically sophisticated, and meticulously researched, Cinema Civil Rights presents us with an in-depth look at the film industry’s role in both articulating and censoring the national conversation on race.