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A history and criticism of psychedelic music of the late 60s.
An exploration of the personal and spiritual truths revealed through LSD • Reveals that LSD visions weave an ongoing story from trip to trip • Shows that trips progress through three stages: personal issues and pre-birth consciousness, ego-loss, and on to the sacred • Explores psychedelic use throughout history, including the mass hallucinations common in the Middle Ages and the early therapeutic use of LSD Toward the end of his fifties, Christopher Gray took, for the first time in years, a 100-microgram acid trip. So extraordinary, and to his surprise so enjoyable, were the effects that he began to take the same dose in the same way--quietly and on his own--once every two to three weeks. In The Acid Diaries, Gray details his experimentation with LSD over a period of three years and shares the startling realization that his visions were weaving an ongoing story from trip to trip, revealing an underlying reality of personal and spiritual truths. Following the theories of Stanislav Grof and offering quotes from others’ experiences that parallel his own--including those of Aldous Huxley, Albert Hofmann, and Gordon Wasson--he shows that trips progress through three stages: the first dealing with personal issues and pre-birth consciousness; the second with ego-loss, often with supernatural overtones; and the third with sacred, spiritual, and even apocalyptic themes. Pairing his experiences with an exploration of psychedelic use throughout history, including the ergot-spawned mass hallucinations that were common through the Middle Ages and the early use of LSD for therapeutic purposes, Gray offers readers a greater understanding and appreciation for the potential value of LSD not merely for transpersonal growth but also for spiritual development.
Albert Hofmann referred to lysergic acid diethylamide, better known as LSD, as his "problem child." The wonderful but worrisome psychedelic drug discovered by Hofmann both inspired and unsettled the world, with the mischief of Timothy Leary, the "acid tests" of the Merry Pranksters, and social experiments during the Summer of Love and Woodstock--two events that altered popular music--capturing headlines in the 1960s. This second edition encyclopedia updates and adds more than 200 new entries, from Hank Williams III and Tucker Carlson to dinosaurs. New entries provide documentation of LSD's influence during the 1960s and address a recent resurgence of cultural relevance for the drug.
A 24-year-old on the spectrum of autism who has no friends and barely any money becomes friends with Robby Rogers, the best actor in Hollywood who is known as the nicest guy in Hollywood, who got exiled from Hollywood from five false accusations. Robby puts every damn dime he has into the budget to method act, direct, and produce The Acid Actor to prove he isn't the demon everyone thinks he is. While the kid on the spectrum helps house and feed Robby and make sure he doesn't lose his mind from method acting in The Acid Actor, Robby helps the kid on the spectrum learn how to be more confident and happy, find purpose and meaning in life, and overcome depression and suicidal contemplation.
The records discussed in GATHERING OF THE TRIBE: ACID explore the key aspects of the acid experience, these being principally the way in which psychedelic drugs intensify sensory impressions (sound and vision); the ability to experience different dimensions simultaneously and mystical dimensions where the individual feels unified with the cosmos. This music also explores aspects of the infamous ‘bad trip’ or the ‘terror that was wrong’, where positive feelings are replaced by paranoia, depression, anxiety and disturbing flashbacks, the ‘other side of anguish’. About the series: GATHERING OF THE TRIBE is an on-going series about the mysterious power of sound and tone, with each book devoted to reviewing records that reveal divine and cosmic laws, voyages to other worlds or use sound as a tool for transformation. While highly selective, the series offers a practical guide to the ultimate occult record collection. Rare album sleeves complement each review.
First Cut offers an opportunity to learn what film editing really is, and to learn from the source. Gabriella Oldham's interviews with twenty-three award-winning film editors give a full picture of the complex art and craft of editing a film. Filled with animated anecdotes and detailed examples, and updated with a new preface, this book provides a comprehensive treatment of both documentary and feature film editing.
This is a rock n roll fiction that spans 23 years and two generations of aspiring young musicians. Its journey begins in Reanton in 1989, a time and place where long haired music culture set the ground rules for the fickle teenage social scene. A young outsider with very definite ideas that the established style of music has become inbred strove to do something new. Mallory Kendall ran against the grain but was visionary and a few people saw it at the time, but the little things she said and did had a knock on effect that left the world changed. Those who stood with her and those who opposed her saw her become a god of rock in an historic sense and their lives were changed profoundly. As the years rolled on they came to terms with the mark she made and gained something they never expected, the respect of a new generation of young budding rock n roll dreamers with their own social scene. Old feuds run bitter and never get forgiven or forgotten, and where there seemed to be high times and the youthful spark of music super heros, along comes the spider. Lauda is a super villain heart and soul, and wherever he walks everything is sucked of life. His understudy Doc Nicks is set to become even worse except, wherever he walks things seem to heal up and turn out better. Doc needed to leave Lauda to take the whole world for himself, but when he did he didn't need the world anymore.
Following the leader of the notorious "Merry Pranksters" from his birth in Colorado to his literary success and the cross-country journey that inspired the "Electric Kool-Aid Acid Test," this candid biography chronicles the life and times of 1960s cultural icon Ken Kesey. Presenting an incisive analysis of the author who described himself as "too young to be a beatnik, and too old to be a hippie,” this account conducts a mesmerizing journey from author Mark Christensen's point of view, who grew up in Southern California and migrated to Oregon to be part of the Kesey "flock." From interviews with family members and those within his inner circle, this exploration reveals the bestselling author of One Flew Over the Cuckoo's Nest in his many forms, placing him within the framework of his time, his generation, and the zeitgeist of the psychedelic era.
(Limelight). Songwriting: A Complete Guide to the Craft is both a comprehensive course for beginning and experienced songwriters and a rich source of new ideas, inspiration, and tricks of the trade for those who have already achieved professional standing. This fresh new edition not only contains all of the original volume's cogent advice on how to write the always-popular genres the country song, the ballad, and the love song but has been revised to include: Examples of hard rock, acid, heavy metal, bubblegum, hip-hop, salsa, rap, gangsta, reggae, ska, soul, and many other of today's most recorded styles; Finding a song concept, distilling the hook, choosing a form, adding harmony, and selecting rhythm; An appendix telling how to copyright, computerize, notate, record, and sell your song; Full glossary of musical and songwriting terms, an explanation of rap-speak with a useful section on rhyme for rap songs, many musical examples of well-known songs, and a complete index. Unlike other books, Songwriting emphasizes the art without being arty and technique of creating a song. For the novice, Stephen Citron goes step-by-step through the writing of a song presupposing no prior knowledge of notation, harmony, rhythmic values, or rhyme. For the more experienced songwriter, Songwriting will serve as a one-stop reference and as an endless source of fresh ideas.
Provides a social history of how the CIA used the psychedelic drug LSD as a tool of espionage during the early 1950s and tested it on U.S. citizens before it spread into popular culture, in particular the counterculture as represented by Timothy Leary, Allen Ginsberg, Ken Kesey, and others who helped spawn political and social upheaval.