Download Free The Abyss Of Representation Book in PDF and EPUB Free Download. You can read online The Abyss Of Representation and write the review.

DIVA theoretical work, a mediation on the nature of representation--the Vorstellung/Darstellung distinction--in relation to theoretical practices of Hegelianism, psychoanalysis (especially Lacan), and Marxism. Explores the works of Kant, Lacan, Hegel, Althu/div
From the Copernican revolution of Immanuel Kant to the cognitive mapping of Fredric Jameson to the postcolonial politics of Gayatri Chakravorty Spivak, representation has been posed as both indispensable and impossible. In his pathbreaking work, The Abyss of Representation, George Hartley traces the development of this impossible necessity from its German Idealist roots through Marxist theories of postmodernism, arguing that in this period of skepticism and globalization we are still grappling with issues brought forth during the age of romanticism and revolution. Hartley shows how the modern problem of representation—the inability of a figure to do justice to its object—still haunts today's postmodern philosophy and politics. He reveals the ways the sublime abyss that opened up in Idealist epistemology and aesthetics resurfaces in recent theories of ideology and subjectivity. Hartley describes how modern theory from Kant through Lacan attempts to come to terms with the sublime limits of representation and how ideas developed with the Marxist tradition—such as Marx’s theory of value, Althusser’s theory of structural causality, or Zizek’s theory of ideological enjoyment—can be seen as variants of the sublime object. Representation, he argues, is ultimately a political problem. Whether that problem be a Marxist representation of global capitalism, a deconstructive representation of subaltern women, or a Chicano self-representation opposing Anglo-American images of Mexican Americans, it is only through this grappling with the negative, Hartley explains, that a Marxist theory of postmodernism can begin to address the challenges of global capitalism and resurgent imperialism.
Jacques Derrida's writings often embed the key themes of deconstruction in a notion of the thing. The Event of the Thing is the most complete examination to date of Derrida's understanding of thinghood and its crucial role in psychoanalysis, ethics, literary theory, aesthetics, and Marxism. Arguing that the thing, as a figure of otherness, destabilizes the metaphysical edifice it underlies, Michael Marder reveals the contributions it makes to critiques of humanism and idealism. Subsequently, the new realism that emerges from deconstruction holds the possibility of an event that problematizes all attempts to objectify the thing. An illuminating analysis of Derrida and phenomenology, The Event of the Thing is an innovative and compelling study of a crucial aspect of one of the twentieth century's greatest thinkers.
First published in 1992. "Acts of Literature", compiled in close association with Derrida, brings together for the first time a number of Derrida's writings on literary texts on the question of literature. The essays discuss literary figures such as Rousseau, Mallarme, Joyce, Shakespeare and Kafka. Comprising pieces spanning Derrida's career, the collection includes a substantial new interview with him on questions of literature, deconstruction, politics, feminism and history. Derek Attridge provides an introductory essay on deconstruction and the question of literature, and offers suggestions for further reading. These essays examine the place and function of literature in Western culture. They highlight Derrida's interest in literature as a significant cultural institution and as a peculiarly challenging form of writing, with inescapable consequences for our thinking about philosophy, politics and ethics. This book should be of interest to undergraduates and academics in the field of literary theory and criticism and continental philosophy.
This book asks how we may undertake to represent representation.
The book explores concepts throughout the history of philosophy that suggest the possibility of unconscious thought and lay the foundation for ideas of unconscious thought in modern philosophy and psychoanalysis. The focus is on the workings of unconscious thought and the role it plays in thinking, language, perception, and human identity.
This book, first published in 1988, does not concern the theory of poetry so much as the poetry of theory: a poetry that theorizes, that has a "view" on things, that thinks. What or what things does poetry think about, and what do we mean by thinking? The author attempts to answer these questions by examining the work of three poets – Wallace Stevens, César Vallejo, and René Char – and reflects upon the poetry itself. This title will be of interest to students of literature and literary theory.
What can Finland’s greatest and supposedly least translatable novel tell us about translation and world literature?
This book considers how a culture of crisis management&—what Cazdyn calls "the new chronic"&— has come to dominate all aspects of contemporary life, from biomedicine to economics to politics. Drawing from his own experiences battling leukemia and the subsequent effects of his illness on the process of becoming a Canadian citizen, Cazdyn unravels the logic of the new chronic where people find themselves suspended in a space between life and death.
This book is part of a three-volume book-set published under the general title of Performative Inter-Actions in African Theatre. Each of the three books in the set has a unique subtitle that works to better focus its content, and differentiates it from the other two volumes. The contributors’ backgrounds and global spread adequately reflect the international focus of the three books that make up the collection. The contributions, in their various ways, demonstrate the many advances and ingenious solutions adopted by African theatre practitioners in tackling some of the challenges arising from the adverse colonial experience, as well as the “one-sided” advance of globalisation. The contributions attest to the thriving nature of African theatre and performance, which in the face of these challenges, has managed to retain its distinctiveness, while at the same time acknowledging, contesting, and appropriating influences from elsewhere into an aesthetic that is identifiably African. Consequently, the three books are presented as a comprehensive exploration of the current state of African theatre and performance, both on the continent and diaspora. Performative Inter-Actions in African Theatre 1: Diaspora Representations and the Interweaving of Cultures explores the idea that, in and from their various locations around the world, the plays of the African diaspora acknowledge and pay homage to the cultures of home, while simultaneously articulating a sense of their Africanness in their various inter-actions with their host cultures. Contributions in Diaspora Representations and the Interweaving of Cultures equally attest to the notion that the diaspora – as we see it – is not solely located outside of the African continent itself, but can be found in those performances in the continent that engage performatively with the West and other parts of the world in that process of articulating identity.