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The daring and destructive life of the man who popularized the word "zombie" In the early twentieth century, travel writing represented the desire for the expanding bourgeoisie to experience the exotic cultures of the world past their immediate surroundings. Journalist William Buehler Seabrook was emblematic of this trend – participating in voodoo ceremonies, riding camels cross the Sahara desert, communing with cannibals and most notably, popularizing the term “zombie” in the West. A string of his bestselling books show an engaged, sympathetic gentleman hoping to share these strange, hidden delights with the rest of the world. He was willing to go deeper than any outsider had before. But, of course, there was a dark side. Seabrook was a barely functioning alcoholic who was deeply obsessed with bondage and the so-called mystical properties of pain and degradation. His life was a series of traveling highs and drunken lows; climbing on and falling off the wagon again and again. What led the popular and vivid writer to such a sad state? Cartoonist Joe Ollmann spent seven years researching Seabrook’s life, accessing long neglected archives in order to piece together the peripatetic life of a forgotten American writer. Often weaving in Seabrook’s own words and those of his biographers, Ollmann posits Seabrook the believer versus Seabrook the exploiter, and leaves the reader to consider where one ends and the other begins.
"Ollmann spent 10 years researching Seabrook's strange, ramshackle life, and it shows: his book is wonderfully rich and detailed. Nothing seems to escape his attention or his compassion." —Rachel Cooke, The Guardian The daring and destructive life of the man who popularized the word “zombie” In the early twentieth century, travel writing represented the desire for the expanding bourgeoisie to experience the exotic cultures of the world past their immediate surroundings. Journalist William Buehler Seabrook was emblematic of this trend—participating in voodoo ceremonies, riding camels cross the Sahara desert, communing with cannibals and most notably, popularizing the term “zombie” in the West. A string of his bestselling books show an engaged, sympathetic gentleman hoping to share these strange, hidden delights with the rest of the world. He was willing to go deeper than any outsider had before. But, of course, there was a dark side. Seabrook was a barely functioning alcoholic who was deeply obsessed with bondage and the so-called mystical properties of pain and degradation. His life was a series of traveling highs and drunken lows; climbing on and falling off the wagon again and again. What led the popular and vivid writer to such a sad state? Cartoonist Joe Ollmann spent seven years researching Seabrook’s life, interviewing surviving family and accessing long neglected archives, in order to piece together the peripatetic life of a forgotten American writer. Often weaving in Seabrook’s own words and those of his biographers, Ollmann’s The Abominable Mr. Seabrook posits Seabrook the believer versus Seabrook the exploiter, and leaves the reader to consider where one ends and the other begins.
A recovering alcoholic lives in the shadow of a world famous comic strip and its tyrannical creator Caleb is a middle-aged painter with a non-starter career and a checkered past. He also happens to be the only child of one of the world’s most famous cartoonists, Jimmi Wyatt. Known for the internationally beloved father and son comic Sonny Side Up, Jimmi made millions drawing saccharine family stories while neglecting his own son. Now sober, Caleb is haunted by his wasted past and struggling to take responsibility for his present before it’s too late. His always patient boyfriend, James, is reaching the end of his rope. When Caleb gets the chance to step out from his father’s shadow and shape the most public aspect of the family business, he makes every bad decision and watches his life fall apart. Is it too late to repair the harm? Are we forever doomed to make the same mistakes our parents did?
New life and opportunities arise from the wreckage of a north american city urban renewal at what cost? A new mother takes us on a tour of Hamilton, a Rust Belt city born of the Industrial Revolution and dying a slow death due to globalization. This mother represents the city’s next wave of inhabitants—the artists and young parents who swarm a run-down area for its affordability, inevitably reshaping the neighborhoods they take over. Creation looks at gentrification from the inside out—an artist mother making a home and neighborhood for her family, struggling to find her place amid the existing and emerging communities. While pushing her child’s stroller around Hamilton, Sylvia Nickerson shows us the warehouse filled with open barrels of toxic sludge, the parking lot where the city’s homeless population sleeps, and the refurbished Victorian house (complete with elegant chandeliers) that is now a state-of-the-art yoga studio. Creation presents the city as a living thing—a place where many small lives intersect and where death, motherhood, pollution, poverty, and violence are all interconnected. Drawn in evocative watercolor, Creation is unafraid to leave questions open-ended as Nickerson wanders the city and ponders just where the personal and the political intersect, and where they ought to intersect.New life and opportunities arise from the wreckage of a north american city urban renewal at what cost?
This 1929 volume offers firsthand accounts of Haitian voodoo and witchcraft rituals. Author William Seabrook introduced the concept of the walking dead to the West with this illustrated travelogue.
Mid-Life is the story of a forty-year-old man, John, who becomes a father again with his much-younger second wife which results in a slow, painful attack by flowered baby bags and front facing baby carriers on his former virility and self identity. John always believed that age is a state of mind, however, his adult daughters, baby son, energetic wife, stressful job, house full of cats, and flabby body complete with bloated stomach and sagging bosom all lead John reluctantly to admit that he is having a midlife crisis. The crisis drives John to yell at his wife, pick fights with his daughters and miss deadlines at work that put his job on the line. John takes solace from the stress of everyday life with a seemingly harmless infatuation with the pretty children's performer Sherry Smalls who sings adoringly to him directly from his son's DVD. Sherry, meanwhile, is equally desperate to find a distraction in life. Her path to rock stardom has been rudely overtaken by a semi-successful but completely loathsome gig as a children’s performer. It pays the bills, and a Saturday-morning television show is on the horizon—that is, if she is able to fire her alcoholic on-again, off-again boyfriend/bandmate. As their lives snowball, John’s infatuation turns into obsession and a haphazard, fateful e-mail leads to a necessary reality check that neither John nor Sherry may have wanted, but that both will surprisingly welcome.
Xeric Award-winning cartoonist Kevin Mutch skewers theory-spouting academics, sleazy art dealers, and obnoxious over-sharers. In this graphic novel, Adam Kline is an aspiring digital artist stuck in a thankless university adjunct position, married to an ambitious woman sick of supporting his pipe dreams, and is completely ignored by the New York art scene. Miraculously, though, his fortunes seem to be turning around. However, there's just one problem ― his mysterious medical condition keeps blacking him out at the most inopportune times, and slowly blurs his perceptions of reality and fantasy… And, if that wasn't enough, he has to content with eerie, pitch-black void, flesh-eating zombies, and a vast, secret network of bug-eyed, bald-headed aliens.
Note: This eBook file contains many richly detailed full-color images and makes use of unconventional page layouts. Because of this, readers will be required to zoom in on each page to read the text and see the finer detail of the artwork. [It has not been optimized for devices that display only in black and white.] From the National Book Award finalist Lauren Redniss, author of Radioactive, comes a dazzling fusion of storytelling, visual art, and reportage that grapples with weather in all its dimensions: its danger and its beauty, why it happens and what it means. WINNER OF THE PEN/E. O. WILSON LITERARY SCIENCE WRITING AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE, KIRKUS REVIEWS, AND SHELF AWARENESS Weather is the very air we breathe—it shapes our daily lives and alters the course of history. In Thunder & Lightning, Lauren Redniss tells the story of weather and humankind through the ages. This wide-ranging work roams from the driest desert on earth to a frigid island in the Arctic, from the Biblical flood to the defeat of the Spanish Armada. Redniss visits the headquarters of the National Weather Service, recounts top-secret rainmaking operations during the Vietnam War, and examines the economic impact of disasters like Hurricane Katrina. Drawing on extensive research and countless interviews, she examines our own day and age, from our most personal decisions—Do I need an umbrella today?—to the awesome challenges we face with global climate change. Redniss produced each element of Thunder & Lightning: the text, the artwork, the covers, and every page in between. She created many of the images using the antiquated printmaking technique copper plate photogravure etching. She even designed the book’s typeface. The result is a book unlike any other: a spellbinding combination of storytelling, art, and science. Praise for Thunder & Lightning “[An] aesthetically charged and deeply researched account . . . a wild rainstorm of a book, pelting the reader with ideas and inspiration.”—Nature “A gorgeous and illuminating illustrated study of weather in all its tempestuous variety . . . Redniss’s combo of fact, folklore, and vibrant etched copperplate prints enthralls.”—O: The Oprah Magazine “Eerily beautiful . . . Contains plenty of scientific explanation (including more than a few nods toward global warming), but also far-flung personal stories that illuminate the beauty, wonder and chaos inherent in the elements.”—The New York Times “Magical . . . Redniss has . . . shown us how human beings live with nature—fighting, coexisting, taming, predicting via leech barometer and radar and intuition.”—The New York Times Book Review “[A] twenty-first-century genius . . . The reader willing to put herself fully in Redniss’s hands will be rewarded with a delicious feeling of being enveloped by a phenomenon that eclipses the chiming trivialities of daily life.”—Elle “Redniss is one of the most creative science writers of our time—her combination of beautiful artwork, reporting, and poetic prose brings science to life in ways that words alone simply cannot.”—Rebecca Skloot “Redniss combines her own dual punch of expressive art and impressive erudition to give an entirely new take on all that happens above our heads.”—Adam Gopnik “A strange and wonderful thing, the work of a first-class mind that refuses to submit to any categories or precedent.”—Dave Eggers
Fred Inglis traces the rise of the holiday from its early roots in the Grand Tour, through the coming of Thomas Cook and his Blackpool packages, to sex tourism and the hippie trail to Kathmandu.