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This landmark book tells the story of one of the most enduring forms of popular culture in Australia. Prior to the 1950s, country music was called hillbilly music. Hillbilly was the rock ‘n’ roll of its day. The latest craze, straight from America, it was young, exciting and glamorous. This book traces the journey hillbilly took to become country: the rural nationalistic form it is known as today. Yodelling Boundary Riders is the first book to contextualise country music into a broader story about Australian history. Not just concerned with the development of music itself, it is also a history of the ways in which Australians have responded to the rapid rate of change in the twentieth century and the global fascination with “authenticity”. True to its subject matter, the writing is colourful and entertaining. Along the way Martin introduces some wonderful characters and events: yodelling stockmen, singing cowgirls, sentimental cowboys, coo-ees in Nashville, hobos on the mail train, the Sheik of Scrubby Creek and Australia’s craziest hillbillies.
Described on its first publication in 1967 as “a scholarly account of Australian music that is also entertaining social history”, Roger Covell’s Austrlaia’s Music: Themes of a New Society has become a classic of Australian music history for its beautifully written explorations of almost two hundred years of music-making across classical, Indigenous and Anglo-Celtic traditions. This revised edition, including more than sixty musical examples, is supplemented by a new postscript written by the author.
Welcome to the traditional lands of the Wurundjeri People. We are part of this land and the land is part of us This is where we come from. Wominjeka Wrundjeri balluk yearmenn koondee bik. Welcome to Country.
Lee Kernaghan's very outback memoir is an affectionate celebration of the sounds, characters and milestones (as well as the odd calamity) behind the making of an Australian music legend. Lee Kernaghan is 'the Boy From the Bush', an iconic star and 2008 Australian of the Year whose music has shaped a generation of country music fans. For the first time, Lee steps off the stage and invites you behind the scenes, into the ute and over the rutted red dirt on a rollocking journey through his songs and the stories that inspired them. In a plot with more twists than the Gwydir River, Lee bounces from a disastrous caravan-obliterating encounter on Nine Mile Hill to the triumph of the Starmaker stage, from his infamous teenage rock'n'roll-fuelled Albury High lunchtime music room invasion to the frenzy of the Deniliquin Ute Muster. He shares the doubts that nearly ended his career before it began, the heartache of the bush in crisis and reveals the secrets behind scores of his hit songs. It's a tapestry of yarns that will fascinate, amuse and entertain diehard fan and newcomer alike. She's My Ute, the Outback Club, Hat town, Planet Country - Lee's hits have earned him 33 Golden Guitars and 3 ARIA Awards, climbed to the top of the Aussie charts 32 times and propelled over 2 million albums off the shelves and into the lives of everyday Australians. Now the songs that celebrate the life and times of our rural heart take on a whole new dimension as Lee draws us into his confidence, into the studio, onto the tour bus and up the hill to his hidden songwriting shack, along the way initiating readers into fully-fledged membership of the Outback Club. A unique memoir for everyone, Lee Kernaghan's Boy from the Bush is an affectionate, inspiring and unforgettable montage of characters, conquests and calamities that tumble from the real-life adventures of an Australian legend.
There is a growing awareness around the world of the pressing need to archive the material remnants of popular music so as to safeguard the national and local histories of this cultural form. Current research suggests that in the past 20 or so years there has been an expansion of DIY heritage practice, with the founding of numerous DIY popular music institutions, archives and museums around the world. This edited collection seeks to explore the role of DIY or Pro-Am (Professional-Amateur) practitioners of popular music archiving and preservation. It looks critically at ideas around "DIY preservationism," "self-authorised" and "unauthorised" heritage practice and the "DIY institution," while also unpacking the potentialities of bottom-up, community-based interventions into the archiving and preservation of popular music’s material history. With an international scope and an interdisciplinary approach, this is an important reference for scholars of popular music, heritage studies and cultural studies.
Introducing the ultimate guide to exploring the world, "All Countries of the World". This comprehensive book provides a wealth of information on every country on the planet (they are in alphabetical order from volume 1 to 10 - each volume will contain 20 countries), covering all aspects of their history, language, food, sports, nature, arts, religion, economy, education, people, culture, music, interesting facts, and geography. Each chapter dives deep into the unique features and characteristics of each country, providing insights into what makes them special and how they contribute to the diversity of our world. Whether you're an avid traveler, a curious learner, or simply someone who wants to expand their knowledge of the world, "All Countries of the World" is the perfect resource for you. With detailed information, this book will take you on a journey across the globe, discovering new and exciting places along the way. To test your comprehension and enhance your learning, multiple choice questions are provided at the end of each country's description, with answers included. Get ready to embark on an adventure like no other with "All Countries of the World" - the ultimate guide to exploring the world's rich and diverse cultures.
Throughout the world, the number of festivals has grown exponentially in the last two decades, as people celebrate local and regional cultures, but perhaps more importantly as local councils and other groups seek to use festivals both to promote tourism and to stimulate rural development. However, most studies of festivals have tended to focus almost exclusively on the cultural and symbolic aspects, or on narrow modelling of economic multiplier impacts, rather than examining their long-term implications for rural change. This book therefore has an original focus. It is structured in two parts: the first discusses broad issues affecting music festivals globally, especially in the context of rural revitalisation. The second part looks in more detail at a range of types of festivals commonly found throughout North America, Europe and Australasia, such as country music, jazz, opera and alternative music festivals. The authors draw on in-depth research undertaken over the past five years in a range of Australian places, which traces the overall growth of festivals of various kinds, examines four of the more important and distinctive music festivals, and makes clear conclusions on their significance for rural and regional change.
High Lean Country captures the rich history and haunting character of the New England region of northern New South Wales. The authors explore how memory - of land, of family, of patterns of life on the other side of the world - has influenced the identity of New England. They also consider how the high country itself has shaped its people and their sense of regional uniqueness. In doing so, this book sets a new direction for understanding Australia as a whole. Weaving together the histories of human settlement, economic, social and cultural development, as well as interactions with the environment, High Lean Country shows how colonial settlers strived for decades to literally create a new England. It traces the story of the graduates of Oxford and Cambridge who turned their hands to sheep husbandry and developed a squattocracy, the establishment of schools and other institutions, and the cultivation of traditional arts. It also examines the early colonial bushranging period, and a history of not always friendly relations between white settlers and the local Aboriginal population. A project of the Heritage Futures Research Centre at the University of New England, High Lean Country is a fascinating study of this distinctive Australian high country.
Presents the history, geography, government, economy, environment, religion, people, and social life and customs of the island continent of Australia.
Women have been pivotal in the country music scene since its inception, as Charles K. Wolfe and James E. Akenson make clear in The Women of Country Music. Their groundbreaking volume presents the best current scholarship and writing on female country musicians. Beginning with the 1920s career of teenage guitar picker Roba Stanley, the contributors go on to discuss Polly Jenkins and Her Musical Plowboys, 50s honky-tonker Rose Lee Maphis, superstar Faith Hill, the relationship between Emmylou Harris and poet Bronwen Wallace, the Louisiana Hayride's Margaret Lewis Warwick, and more.