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This is a long narrative poem written in hexameters about growing up. It was well-received when it was written but some critics believed it 'too scholarly' ever to attract many readers. The poem follows its main character, Philip, as he departs from his Oxford companions who are studying in the Scottish Highlands, to pursue a life filled with love and adventure.
"Compiled in 940 at the court of the kingdom of Shu, the Huajian ji is the earliest extant collection of song lyrics by literati poets. The collection has traditionally been studied as the precursor to the lyrics of the Song dynasty, or in terms of what it contributed to the later development of the genre. But scholars have rarely examined the work as an anthology, and have more often focused on the work of individual poets and their respective contributions to the genre. In this book, Anna Shields examines the influence of court culture on the creation of the anthology and the significance of imitation and convention in its lyrics. Shields suggests that by considering the Huajian ji only in terms of its contributions to a later “model,” we unnecessarily limit ourselves to a single literary form, and risk overlooking the broader influence of Tang culture on the Huajian ji. By illuminating the historical and literary contexts of the anthology, the author aims to situate the Huajian ji within larger questions of Chinese literary history, particularly the influence of cultural forces on the emergence of genres and the development of romantic literature."
Uncover the haunting secrets of "The Abandoned Farm and Connies Mistake." Follow the gripping story of Connie as she stumbles upon an abandoned farm, awakening dark forces that challenge her sanity and test her resolve. Navigate through a maze of suspense, guilt, and redemption in this atmospheric tale of psychological suspense.
'Better than Sharpe... Napoleon’s Run deserves to be a runaway success’ Ben Kane, Sunday Times bestselling author of LionheartOne man against an armada London, 1798. Late one night, a junior naval officer at the Admiralty intercepts a coded despatch, marked with blood: Napoleon Bonaparte is about to launch the largest invasion fleet in history. Target: unknown. England is vulnerable, bereft of allies, and the Sea Lords fear a direct assault on Britain. Admiralty Intelligence sounds the alarm and prepares to unleash Nelson and the Mediterranean squadron. But before they can, they need vital information. They need a special officer to infiltrate by land or by sea to uncover the destination of Napoleon’s armada – a man who never stops. Marine Lt William John Hazzard. But will he agree to help them? Betrayed by the Admiralty at the African Cape three years earlier, Hazzard has vowed never to trust them again. Bitter memories poisoned his return home, and his devoted fiancée Sarah, unable to bear his pain any longer, disappears in Naples – never to be seen again. But the Admiralty knows just how to get him back. They know where Sarah is, and her life is in danger... From pitched sea-battles to back-street duels in a covert war, this is the epic adventure of the new hero of Napoleonic fiction: Hazzard. Perfect for fans of Seth Hunter, Bernard Cornwell and C. S. Forester. Never give up the boat. Praise for Napoleon's Run ‘This is an outstanding novel, made even more remarkable by its début status. I loved it, from the first page to the end. Better than Sharpe, gripping and intense, Napoleon’s Run deserves to be a runaway success’ Ben Kane, Sunday Times bestselling author of Lionheart 'Hornblower meets Mission: Impossible. A thrilling, page-turning debut packed with rousing, rip-roaring action' J. D. Davies, author of the Matthew Quinton Journals 'This book has it all. Combines great action with really good history, and an engaging and original character in Marine officer William Hazzard, who adds a satisfying dash of the swashbuckling Bombay Buccaneers to some solid scholarship. In many ways this captures the true – and surprisingly subversive nature – of early British imperialism' Seth Hunter, author of the Nathan Peake novels 'Outstanding... Packed to the gunwales with action, this fast-paced story introduces us to William Hazzard, a Marine Lieutenant who takes on not just Napoleon, but also the espionage and machinations of the new French Republic during the reign of terror, Neapolitan high society, and even the British Admiralty itself. Leading a crew of wonderfully-drawn characters, Hazzard is not only a convincing action hero, but also one who offers a timeless insight into loyalty, trust and honesty. A thumping read' Chris Lloyd, author of The Unwanted Dead ‘This book has a rich cast of characters who will delight, enthral and keep you turning the pages to the very end. A brilliant, thrilling read, with a new – and very believable – hero. This is my favourite historical novel of the year so far’ Michael Jecks, author of the Last Templar Mysteries 'A strong, fast-moving story by an author with a deep knowledge of the period and the narrative skill of a fine story-teller' Andrew Swanston, author of Waterloo 'A great read! Well-tempered and well-researched, with well-drawn characters who will, I am sure, be with us for a while' Rob Low, author of The Lion Wakes 'Loads of action and plenty of plot twists, meticulously researched with a fine period feel' A.J. MacKenzie, author of The Ballad of John MacLea
Twenty heroes have been stolen. Removed from their times, their worlds, and their lives, they're put in front of a bloodthirsty audience to fight. Every one of these people has fought to save the world. They've killed and died. And now they must become enemies in order to meet the monster behind it all. Showdown is a 30,000-word novella that was originally serialized online as an interactive reader event. It's not intended to be read unless you're a fan of The Descentverse (such as The Descent Series, The Ascension Series, or Seasons of the Moon).
Co-winner of the Perkins Prize from the Society for the Study of Narrative Literature Has twentieth-century political violence destroyed faith in historical knowledge? What happens to historical fiction when history is seen as either a form of Western imperialism or a form of postmodern simulation? In Sublime Desire, Amy Elias examines our changing relationship to history and how fiction since 1960 reflects that change. She contends that postmodernism is a post-traumatic imagination that is pulled between two desires: the political desire to acknowledge the physical violence of twentieth-century history, and the yearning for an escape from that history into a ravishing realm of historical certainty. Torn between these desires, both historical fiction and historiography after 1960 redefine history as the "sublime," a territory beyond lived experience that is both unknowable and seductive. In the face of a failure of Enlightenment ideals about knowledge and the West's own history of violence, post-World War II history becomes a desire for the "secular sacred" sublime—for awe, certainty, and belief. Sublime Desire is an eloquent melding of theory and practice. Mixing the canonical with the unexpected, Elias analyzes developments in the historical romance genre from Walter Scott's novels to novels written today. She correlates developments in the historical romance to similar changes in historiography and philosophy. Sublime Desire draws engagingly on more than thirty relevant texts, from Tolstoy's War and Peace to Jeanette Winterson's Sexing the Cherry, Charles Johnson's Dreamer, and Charles Frazier's Cold Mountain. But the book also examines theories of postmodern space and time and defines the difference between postmodern and postcolonial historical perspectives. The final chapter draws from trauma theory in Holocaust studies to define how fiction can pose an ethical alternative to aestheticized history while remaining open to pluralism and democratic values. In its range and sophistication, Sublime Desire is a valuable addition to postmodernist studies as well as to studies of the historical romance novel.
Journey from drizzly, 18th century Britain to sun-baked Egypt with The William John Hazzard series. Includes all three books; Napoleon’s Run, Lords of the Nile, and the 2022 Wilbur Smith Adventure Writing Prize-longlisted Emperor of Dust. Napoleon's Run: London, 1798. Late one night, a junior naval officer at the Admiralty intercepts a coded despatch, marked with blood: Napoleon Bonaparte is about to launch the largest invasion fleet in history. England is vulnerable, bereft of allies, and the Sea Lords fear a direct assault on Britain. Admiralty Intelligence sounds the alarm and prepares to unleash Nelson and the Mediterranean squadron. But before they can, they need vital information. They need a special officer to uncover the destination of Napoleon’s armada – they need Marine Lt William John Hazzard. Betrayed by the Admiralty at the African Cape three years earlier, Hazzard has vowed never to trust them again. Will he agree to help them? Lords of the Nile: Malta, June 1798. Captured by the French after hurling himself into enemy ranks, Hazzard is now a prisoner of his arch-nemesis, spycatcher Citizen Derrien, but has uncovered the true purpose of Napoleon’s armada: the conquest of Egypt. If Hazzard can’t convince Admiralty Intelligence of a desperate plan, an ancient world will be lost for ever. But help comes from an unexpected quarter: a missing Admiralty agent... As French cannons roar in the desert sands and the Mamluk cavalry sweeps in to attack, can Hazzard prevent a lost cause turning into tragedy? Emperor of Dust: Egypt, September 1798. After tragedy at the Battle of the Nile, Hazzard is possessed by a dark vengeance: with the marines of 9 Company and their Bedouin allies he scours the Nile Delta for his nemesis, the French spy-catcher Citizen Derrien. However, among the sacred ibis and ever-shifting sands, Hazzard catches wind of the stirrings of revolt in Cairo. When riot explodes in the capital, Hazzard fears he is simply too late. Abandoned by the French Government, Napoleon and his army are now trapped in Egypt. When Bonaparte discovers that Al-Djezzar ‘the Butcher’ of Acre is gathering his forces to attack, he accepts the challenge. Riding with the Mamluk and the beautiful Shajar al-Durr, Hazzard engages French cavalry in the shadow of Ozymandias in ancient Thebes – and the Admiralty calls upon him once more as Napoleon launches his bloody crusade on Syria and the Holy Land to become the new Emperor in the East. These epic adventures with a new hero of Napoleonic fiction are perfect for fans of Bernard Cornwell, Simon Scarrow and C. S. Forester. Praise for Jonathan Spencer ‘An outstanding novel... Better than Sharpe, gripping and intense, Napoleon’s Run deserves to be a runaway success.’ Ben Kane, Sunday Times bestselling author of Lionheart ‘Hornblower meets Mission: Impossible. A thrilling, page-turning debut packed with rousing, rip-roaring action.’ J. D. Davies, author of the Matthew Quinton Journals 'Outstanding... Packed to the gunwales with action, this fast-paced story introduces us to William Hazzard ... not only a convincing action hero, but also one who offers a timeless insight into loyalty, trust and honesty. A thumping read' Chris Lloyd, author of The Unwanted Dead ‘Eloquently crafted and dripping with richly detailed historical and fictional characters... a riveting tale of heartbreak, anguish, courage and love. Spencer is a master storyteller, captivating and entertaining.’ Quarterdeck on Emperor of Dust