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The 1720 Imperial Circumcision Celebrations in Istanbul offers the first holistic examination of an Ottoman public festival through an in-depth inquiry into different components of the 1720 event. Through a critical and combined analysis of the hitherto unknown archival sources along with the textual and pictorial narratives on the topic, the book vividly illustrates the festival’s organizational details and preparations, its complex rites (related to consumption, exchange, competition), and its representation in court-commissioned illustrated festival books (sūrnāmes). To analyze all these phases in a holistic manner, the book employs an interdisciplinary approach by using the methodological tools of history, art history, and performance studies and thus, provides a new methodological and conceptual framework for the study of Ottoman celebrations.
This multi-disciplinary volume reflects the wealth of recent scholarship devoted to early modern Istanbul. It embraces manifold perspectives on the city through new subjects and questions, while offering fresh approaches to older debates, crisscrossing the socioeconomic, political, cultural, environmental, and spatial.
Introduction -- 1. Preparing the Festival -- 2. Staging the Festival -- 3. Representing the Festival -- Conclusions -- Selected Bibliography -- Index.
A study of the chief of the African eunuchs who guarded the sultan's harem in Istanbul under the Ottoman Empire.
In Making Sense of History: Narrativity and Literariness in the Ottoman Chronicle of Naʿīmā, Gül Şen offers the first comprehensive analysis of narrativity in the most prominent official Ottoman court chronicle
The richly illustrated essays in Turcologica Upsaliensia tell the stories of scholars, travellers, diplomats and collectors who made discoveries in the Turkic-speaking world while affiliated with Sweden’s oldest university, at Uppsala. The study of Oriental languages, including Turkic, has a long tradition at Uppsala. The first part of the volume tells of famous Uppsala professors who were experts not only in Ottoman and Chaghatay, but also in smaller Turkic languages, and of their high esteem for Turkic culture. It also tells how collectors benefited from the Swedish court’s cordial relations with the Ottomans. The second part describes selected manuscripts, art objects and maps, calling readers’ attention to the cultural heritage preserved at the University Library, which is also accessible online. Contributors include: Göran Bäärnhielm, Jan von Bonsdorff, Bernt Brendemoen, Ulla Birgegård, Éva Á. Csató, Per Cullhed, Kristof D’hulster, Josef Eskhult, Mohammad Fazlhashemi, Gunilla Gren-Eklund, Hans Helander, Lars Johanson, Birsel Karakoç, Sabira Ståhlberg, Ingvar Svanberg, Fikret Turan, and Ali Yıldız.
This book examines how Ottomans were mapped in the narrative and visual imagination of early modern Europe's Christian kingdoms.
The first study exploring the lives of female slaves of the Ottoman imperial court, drawing from hitherto unexplored primary sources
This volume showcases a variety of innovative approaches to the study of Muslim societies and cultures, inspired by and honouring Gudrun Krämer and her role in transforming the landscape of Islamic Studies. With contributions from scholars from around the world, the articles cover an extraordinarily wide geographical scope across a broad timeline, with transdisciplinary perspectives and a historically informed focus on contemporary phenomena. The wide-ranging subjects covered include among others a “men in headscarves” campaign in Iran, an Islamic call-in radio programme in Mombassa, a refugee-related court case in Germany, the Arab revolutions and aftermath from various theoretical perspectives, Ottoman family photos, Qurʾān translation in South Asia, and words that can’t be read.
A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war.