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Part autobiographical journal, part social-historical novel, Wild Man tracks Tobias Schneebaum's fascinating and almost epic life story, from his earliest contemplation of homoerotic desire through his life in Peru, Borneo, and beyond. A young man from New York, Schneebaum "disappeared" in 1955 on the eastern slopes of the Andes. He was, in actuality, living for more than a year among the remote Harakhambut people, discovering a way of being that was strange, primitive, and powerfully attractive to him. This longing to find the "wild man" in other cultures—and in himself—eventually led him on an odyssey through South America, India, Tibet, Africa, Borneo, New Guinea, and Southeast Asia. He lived among isolated forest peoples, including headhunters and cannibals, in regions where few, if any, white men had ever been.
This "thought-provoking, hilarious, eloquent" (Kirkus Reviews) debut novel by a remarkable new talent explores the relationship between identity and place, marvels at the speed at which a well-planned life can change forever, and asks the question, " How can a total stranger understand you better than the people you've known your entire life?" When Lance's '93 Buick breaks down in the middle of nowhere, he tells himself Don't panic. After all, he's valedictorian of his class. First-chair trumpet player. Scholarship winner. Nothing can stop Lance Hendricks. But the locals don't know that. They don't even know his name. Stuck in a small town, Lance could be anyone: a delinquent, a traveler, a maniac. One of the townies calls him Wildman, and a new world opens up. He's ordering drinks at a roadhouse. Jumping a train. Talking to an intriguing older girl who is asking about his future. And what he really wants. As one day blurs into the next, Lance finds himself drifting farther from home and closer to a girl who makes him feel a way he's never felt before-like himself.
Part autobiographical journal, part social-historical novel, Wild Man tracks Tobias Schneebaum's fascinating and almost epic life story, from his earliest contemplation of homoerotic desire through his life in Peru, Borneo, and beyond. A young man from New York, Schneebaum "disappeared" in 1955 on the eastern slopes of the Andes. He was, in actuality, living for more than a year among the remote Harakhambut people, discovering a way of being that was strange, primitive, and powerfully attractive to him. This longing to find the "wild man" in other cultures—and in himself—eventually led him on an odyssey through South America, India, Tibet, Africa, Borneo, New Guinea, and Southeast Asia. He lived among isolated forest peoples, including headhunters and cannibals, in regions where few, if any, white men had ever been.
She's about to walk on the wild side . . . While filling the display case in her bakery, the bell over the door sounds and Tessa O'Hara looks up to see the man of her dreams. Within thirty seconds he asks her out for a beer. But after four months of dating, she discovers he's an undercover DEA agent-and he's investigating her possible role in her ex-husband's drug business. For Tess, this means their relationship is over. Brock disagrees. He's committed to his anti-drug mission, but he's fallen in love with the beautiful woman who's as sweet as her cupcakes-and he'll do anything to win her back. Standing between Tess and Brock are their own exes, one of them a drug lord who's determined to get what he wants. Now as danger threatens, can Brock break the rules he's lived by and let loose his wild side to protect the woman he loves? 125,000 words
Wild Man from Borneo offers the first comprehensive history of the human-orangutan encounter. Arguably the most humanlike of all the great apes, particularly in intelligence and behavior, the orangutan has been cherished, used, and abused ever since it was first brought to the attention of Europeans in the seventeenth century. The red ape has engaged the interest of scientists, philosophers, artists, and the public at large in a bewildering array of guises that have by no means been exclusively zoological or ecological. One reason for such a long-term engagement with a being found only on the islands of Borneo and Sumatra is that, like its fellow great apes, the orangutan stands on that most uncomfortable dividing line between human and animal, existing, for us, on what has been called “the dangerous edge of the garden of nature.” Beginning with the scientific discovery of the red ape more than three hundred years ago, this work goes on to examine the ways in which its human attributes have been both recognized and denied in science, philosophy, travel literature, popular science, literature, theatre, museums, and film. The authors offer a provocative analysis of the origin of the name “orangutan,” trace how the ape has been recruited to arguments on topics as diverse as slavery and rape, and outline the history of attempts to save the animal from extinction. Today, while human populations increase exponentially, that of the orangutan is in dangerous decline. The remaining “wild men of Borneo” are under increasing threat from mining interests, logging, human population expansion, and the widespread destruction of forests. The authors hope that this history will, by adding to our knowledge of this fascinating being, assist in some small way in their preservation.
“Richard Rohr’s work has been life-changing in my own experience. Over the last twenty years, no other teacher has had a more formative impact on my mind and heart than this unpretentious Franciscan brother. Being set free from the need to perform—to get it right—has been a particularly important gift for me.”—Belden C. Lane, from the foreword A newly revised edition of Richard Rohr's perennial bestseller, this book reflects and incorporates his years of experience with men's work as well as changes in society. With Richard Rohr as mentor and guide, men—and women who care about men—will want to study and discuss the ideas presented here. A new foreword from Belden C. Lane emphasizes the need for this work to continue.
In 1955, armed with a penknife and instructions to keep the river on his right, Brooklyn-born artist Tobias Schneebaum set off into the jungles of Peru in search of a tribe of cannibals. Forgoing all contact with civilization, he lived as a brother with the Akaramas -- shaving and painting his body, hunting with Stone Age weapons, sleeping in the warmth of the body-pile.
Much of the modern-day vision of Santa Claus is owed to the Clement Moore poem "The Night Before Christmas." His description of Saint Nicholas personified the "jolly old elf" known to millions of children throughout the world. However, far from being the offshoot of Saint Nicholas of Turkey, Santa Claus is the last of a long line of what scholars call "Wild Men" who were worshipped in ancient European fertility rites and came to America through Pennsylvania's Germans. This pagan creature is described from prehistoric times through his various forms--Robin Hood, The Fool, Harlequin, Satan and Robin Goodfellow--into today's carnival and Christmas scenes. In this thoroughly researched work, the origins of Santa Claus are found to stretch back over 50,000 years, jolting the foundation of Christian myths about the jolly old elf.
Max is sent to bed without supper and imagines sailing away to the land of Wild Things,where he is made king. Winner, 1964 Caldecott Medal Notable Children's Books of 1940–1970 (ALA) 1981 Boston Globe–Horn Book Award for Illustration 1963, 1982 Fanfare Honor List (The Horn Book) Best Illustrated Children's Books of 1963, 1982 (NYT) A Reading Rainbow Selection 1964 Lewis Carroll Shelf Award Children's Books of 1981 (Library of Congress) 1981 Children's Books (NY Public Library) 100 Books for Reading and Sharing 1988 (NY Public Library)