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that tongued belonging, the newest book from award-winning MŽtis poet Marilyn Dumont, is a collection of poems which search for acceptance in language, culture, love and geographical landscapes. These poems celebrate the humour and tenacity of Aboriginal women, lament the death of a mother, deride the political correctness of those ignorant of Aboriginal issues, recall the degradation of Aboriginal women, and chide the writer against the seduction of pop stardom, while challenging accepted ideas of love, age and femininity. Marilyn Dumont has published two collections of poetry A Really Good Brown Girl and green girl dreams Mountains. These works have won the League of Canadian Poets Gerald Lampert Memorial Award and the Writer's Guild of Alberta Stephan F. Stephansson Award. She has been Writer-in-Residence at many universities, teaches Creative Writing through Athabasca University, and is a mentor for the Wired Writing Program at the Banff Centre for the Arts. Dumont is currently working on a project that explores MŽtis history, politics and identity through her ancestral figure, Gabriel Dumont.ÒThroughout this text, Marilyn Dumont, articulates touche and settles the nerve of Cree. The reader wanders through the patched quilt life of families, of communities, of relatives and of the Cree nation itself. Always, we are immersed in ancient Cree ways as expressed in Cree borrowed English. Brilliantly and lyrically presented we are forever reminded that Cree culture, Cree people have not been eradicated,quite the contrary, through DumontÕs that tongued belonging we celebrate the renaissance, the transformation and the continuum of the poetics, being and heroism of the Cree.Ó - Lee Maracle, Author, Bobbi Lee, Indian Rebel and Will's Garden
First published in 1996, A Really Good Brown Girl is a fierce, honest and courageous account of what it takes to grow into one's self and one's Metis heritage in the face of myriad institutional and cultural obstacles. It is an indispensable contribution to Canadian literature
A picture of the Riel Resistance from one of Canada's preeminent MéŽtis poets With a title derived from John A. Macdonald's moniker for the MéŽtis, The Pemmican Eaters explores Marilyn Dumont's sense of history as the dynamic present. Combining free verse and metered poems, her latest collection aims to recreate a palpable sense of the Riel Resistance period and evoke the geographical, linguistic/cultural, and political situation of Batoche during this time through the eyes of those who experienced the battles, as well as through the eyes of Gabriel and Madeleine Dumont and Louis Riel. Included in this collection are poems about the bison, seed beadwork, and the Red River Cart, and some poems employ elements of the Michif language, which, along with French and Cree, was spoken by Dumont's ancestors. In Dumont's The Pemmican Eaters, a multiplicity of identities is a strengthening rather than a weakening or diluting force in culture.
"A curated selection from hundreds of poems written over two years of a near-daily haiku practice. Sections of selected poems such as 'recovery,' 'courting,' and 'ceremony,' tell a story of what 2016-2018 was like in the life of a two-spirit, transmasculine, Ktunaxa PhD Candidate in their late 20s, living in Peterborough Ontario."--
THE SELLOUT meets INTERIOR CHINATOWN in this satirical debut about race, sexuality and truth. German-Polish-Indian student Nivedita's world is upended when she discovers that her beloved professor who passed for Indian was born white. Nivedita (a.k.a. Identitti), a doctoral student who blogs about race with the help of Hindu goddess Kali, is in awe of Saraswati, her outrageous superstar post-colonial and race studies tutor. But Nivedita's life and sense of self begin to unravel when it emerges that Saraswati is actually white. Hours before she learns the truth Nivedita praises her tutor in a radio interview, jeopardising her own reputation and igniting an angry backlash among her peers and online community. Dumped by her boyfriend and disowned by her friends in the uproar, Nivedita is drawn to her supervisor in search of answers not only about Saraswati's identity, but also around her own. In her thought-provoking, complex and genre-bending debut, Mithu Sanyal collages commentary from real-life intellectuals, blogs, articles, race theory and academic warfare, combining campus novel and coming-of-age drama. A darkly comedic tour de force astutely translated by Alta L. Price, Identitti showcases the outsized power of social media in the current debates around identity politics and the power of claiming your own voice.
An accidental friendship unfolds between a widowed octogenarian Orthodox rabbi and a gay, Jewish twenty-something in this witty & thoughtful novel. In Yiddish, there is a word for it: bashert—the person you are fated to meet. Twentysomething Benji Steiner views the concept with skepticism. But the elderly rabbi who stumbles into Benji’s office one day has no such doubts. Jacob Zuckerman’s late wife, Sophie, was his bashert. And now that she’s gone, Rabbi Zuckerman grapples with overwhelming grief and loneliness. Touched by the rabbi’s plight, Benji becomes his helper—driving him home after work, sitting in his living room listening to stories. Their friendship baffles everyone, especially Benji’s sharp-tongued, modestly observant mother. But Benji is rediscovering something he didn’t know he’d lost. Yet the test of friendship, and of both men’s faith, lies in the difficult truths they come to share. With each revelation, Benji learns what it means not just to be Jewish, but to be fully human—imperfect, striving, and searching for the pieces of ourselves that come only through another’s acceptance. Praise for Sweet Like Sugar “A story that is beautifully told, profound and funny.” —Jonathan Rosen, author of Joy Comes In The Morning “A stirring story about the face of love on many different levels.” —Carolyn Hessel “An unforeseen tale of friendship and faith.” —Dave King, author of The Ha-Ha
Terror heads out to sea when talk-show psychologist Dr. Susan Chandler searches for a killer who stalks vulnerable, single women on cruise ships. But will she become his next victim? Simultaneous release with Clark's new hardcover "We'll Meet Again."
During the last century, global domestic cat numbers rocketed past 200 million, along with a surge in cat diseases and numbers of feral cats and sick, injured and malnourished cats. Cat shelters are overflowing. Hundreds of thousands of cats are euthanised every year by despondent animal welfare workers. Misplaced sentimentality, sometimes promoted by corporate greed of cat food companies, has exacerbated this situation through promoting irresponsible feeding of strays. Ecologist and author John Read has travelled the world consulting cat experts and collating the most recent science. In Among the Pigeons he balances the allure of indoor cats with the animal welfare, human health, and conservation issues they create when allowed to roam. But he also presents solutions, from breeding ideal indoor pet cats to development of humane and targeted tools to control feral cats. In striking parallel to the repercussions of human-induced climate change, warnings about the damage wrought by free-ranging cats have been largely denied or overlooked. But we ignore these issues at our peril. For our own mental health and endangered wildlife worldwide, time is running out.
Everyone has secrets. Some we keep to protect ourselves, others we keep to protect those we love. Cornelia Brown surprised herself when she was gripped by the sudden, inescapable desire to move with her husband to the suburbs. Her mettle is quickly tested by her impeccably dressed, overly judgmental neighbor Piper Truitt—the embodiment of everything Cornelia feared she'd find in suburbia. With Lake, another recent arrival, Cornelia shares a love of literature and old movies—as she forms an instant bond with this warm yet elusive woman and her perceptive, brilliant young son, Dev. But there are shocking secrets and unexpected surprises lurking beneath the peaceful veneer of suburban life—and nothing is quite what it seems.
Winner of the 2022 PEN Open Book Award! Winner of the 2022 Kingsley Tufts Poetry Award! Finalist for the 2022 CLMP Firecracker Awards in Poetry! Curb maps our post-9/11 political landscape by locating the wounds of domestic terrorism at unacknowledged sites of racial and religious conflict across cities and suburbs of the United States. Divya Victor documents how immigrants and Americans navigate the liminal sites of everyday living: lawns, curbs, and sidewalks, undergirded by violence but also constantly repaved with new possibilities of belonging. Curb witnesses immigrant survival, familial bonds, and interracial parenting in the context of nationalist and white-supremacist violence against South Asians. The book refutes the binary of the model minority and the monstrous, dark "other" by reclaiming the throbbing, many-tongued, vermillion heart of kith.