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The landmark photographic survey of the human body at a moment when body image and body politics are being redefined. In a world of selfies and body shaming, Photoshopping and gender fluidity, body image has never been more at the forefront of popular cultural dialogue. Body is a definitive, democratic statement at a time when our fixation with images of the human form is greater than ever before. Curator and art historian Nathalie Herschdorfer brings together over three hundred and fifty images created predominantly in the twenty-first century that explore our relationship with the body. This watershed publication presents work from major names in art photography, including Bettina Rheims, Lauren Greenfield, Cindy Sherman, Viviane Sassen, and Sally Mann, alongside others whose fashion work has shaped our view of the human form, such as Solve Sundsbo and Daniel Sannwald. Interwoven with these major works are images that explore the numerous other ways in which we have represented the body, and the ways in which imaging of the body has been used, shared, and changed over the last quarter-century. Capturing the complex and often paradoxical relationship we have with our bodies—from fantasy to reality and curiosity to obsession—Body is a timely homage to, and introspection of, the human form as it sits in our current culture.
Here is a comprehensive, accessible and authoritative illustrated reference to the history, art and science of photography. In one single, elegant volume, it features over 300 iconic photographs and contains more than 1,200 concise yet fully detailed entries on all aspects of the subject. Though much information can today be found online, locating it takes time and sources can have questionable provenance and uncertain academic credentials. All previous dictionaries of photography are now outdated, as well, focusing either on the famous and influential practitioners of the genre or presented as mere glossaries of technical terms. This landmark publication, newly available in paperback, is the culmination of ten years of development and research. Working with an international expert panel of 150 consultants and 79 researchers, Nathalie Herschdorfer has triumphed in creating the first source of information for all scholars, practitioners and collectors of photography to turn to in the future.
This is a new release of the original 1937 edition.
An introduction to the rich and diverse art of California, this book highlights its distinctive role in the history of American art, from early-20th-century photography to Chicanx mural painting, the Fiber Art Movement and beyond. Shaped by a compelling network of geopolitical influences including waves of migration and exchange from the Pacific Rim and Mexico, the influx of African Americans immediately after World War II, and global immigration after quotas were lifted in the 1960s, California is a centre of artistic activity whose influence extends far beyond its physical boundaries. Furthermore, California was at the forefront of radical developments in artistic culture, most notably conceptual art and feminism, and its education system continues to nurture and encourage avant-garde creativity. Organized chronologically and thematically with illustrations throughout, this attractive study stands as an important reassessment of Californias contribution to modern and contemporary art in the United States and globally.
"John Ingledew: Photography provides a basic introduction for students across the visual arts. This accessible, inspirational guide to creative photography explores the subjects and themes that have always obsessed photographers and explains technique in a clear and simple way. Embracing the whole spectrum of photography from traditional to digital, it introduces the work of the masters of the art as well as showing fresh, dynamic images created by young photographers from all over the world. An essential resource, the book also provides a valuable overview of careers in photography and a comprehensive reference section, including a glossary of technical vocabulary."--BOOK JACKET.
"Excellent, concise . . . highly recommended." —Choice This extensively illustrated dictionary provides information on over 2,500 artists, paintings, sculptures, drawings, prints, schools and movements throughout the world, including entries on contemporary art and artists, techniques, materials, terms, and writers who have influenced artists.
A lively and accessible introduction to self- portraiture, reflecting on the work of over sixty artists from the Renaissance to the present day. After six centuries, self-portraiture shows no sign of losing its ability to capture the public imagination. Self-portraits have the power to illuminate a range of universal concerns, from identity, purpose, and authenticity, to frailty, futility, and mortality. In this new volume in the Art Essentials series, author Natalie Rudd expertly casts fresh light on the self-portrait and its international appeal, exploring the historical contexts within which self-portraits developed and considering the meanings they hold today. With commentaries on works by artists ranging from Jan van Eyck, Francisco Goya, and Vincent van Gogh, to Frida Kahlo, Faith Ringgold, and Cindy Sherman, this book explores the emotive and expressive potential of self-portraiture. The Self-Portrait also considers a wide range of materials available for self-expression, from painting and photography to installation and performance. In the process, the book explores the central question of why artists return to the self-portrait again and again. In her vibrant and timely text, Rudd dissects this and other important questions, revealing the shifting faces of individuality and selfhood in an age where we are interrogating notions of personal identity more than ever before.
The Thames & Hudson Introduction to Art is a comprehensive guide to all aspects of the visual arts. Part 1 introduces the visual language of art, while Part 2 explains how art is made, from such traditional media and processes as stone carving, fresco and oil painting, to contemporary approaches, such as digital and conceptual art and installations. Part 3 offers an overview of the history of art from prehistoric times to the 21st century in all parts of the world, and Part 4 examines art through the major themes that, across cultures and throughout history, have inspired artists to create great works of art. More than 800 images of art are shown and discussed in a clear and vivid way, offering stimulating insights into the visual arts. Additionally, the authors have selected eight iconic works that represent the extraordinary variety of art created throughout time and around the world. As these great works are examined from different points of view in the four parts of the book, the reader gains a deeper understanding of the skill involved in artistic creation, and the endless expressive possibilities of art. This is a beautifully illustrated book that emphasizes the astonishing diversity of art in all its forms. Here the reader encounters the timeless primal power of the Woman from Willendorf, made as long ago as 24,000 BCE; dramatically differing architectural masterpieces, from Temple 1 in the Great Plaza of Tikal in Guatemala, built between 300 and 900 BCE, to the twentieth-century innovations of Le Corbusier; the delicate detail of fifteenth-century portraits by Jan Van Eyck alongside Andy Warhol's Double Elvis; and contemporary works ranging from the traditionally crafted Japanese kimonos of Sonoko Sasaki to the dynamic and thought-provoking video art of Bill Viola. The Thames & Hudson Introduction to Art is the most accessible and complete visual arts guide available, and an indispensable resource for art students and enthusiasts alike.
Andrew Graham-Dixon unveils the long-kept secret of Britain's rich and vital visual culture.
The first chronicle of the whole story of female self portraiture through the centuries—a key work in the study of women’s art For centuries, women’s self-portraiture was a highly overlooked genre. Beginning with the self-portraits of nuns in medieval illuminated manuscripts, Seeing Ourselves finally gives this richly diverse range of artists and portraits, spanning centuries, the critical analysis they deserve. In sixteenth-century Italy, Sofonisba Anguissola paints one of the longest series of self-portraits, from adolescence to old age. In seventeenth-century Holland, Judith Leyster shows herself at the easel as a relaxed, self-assured professional. In the eighteenth century, from Elisabeth Vigée-Lebrun to Angelica Kauffman, artists express both passion for their craft and the idea of femininity; and the nineteenth century sees the art schools open their doors to women and a new and resonant self-confidence for a host of talented female artists, such as Berthe Morisot. The modern period demolishes taboos: Alice Neel painting herself nude at eighty years old, Frida Kahlo rendering physical pain on the canvas, Cindy Sherman exploring identity, and Marlene Dumas dispensing with all boundaries. Frances Borzello’s spirited text, now fully revised, and the intensity of the accompanying self-portraits are set off to full advantage in this new edition, now in reading-book format.