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The rich textile traditions of Central and South America date back to pre-Hispanic Conquest times. This fascinating book looks at both the differences and the similarities between the weaving and textile techniques and traditions of the various Latin American countries, and explores the symbolic meanings of the designs woven into or imprinted onto the cloth. Topics covered include: · Design and production, including the different types of loom and weaving techniques and the various spinning and dyeing methods. · Fibres and threads, yarns and fabric sources. · Manipulated thread crafts, including knitting and crochet, plaiting, knotting and netting, and the Spanish Sol needle-laces. · Embroidery, both hand and machine, as well as the chain-stitch embroidery worked in Peru, the politically inspired embroidery of Arpilleras, and the appliqué pictures of Chile, Peru and Guatemala. · Beadwork, both embroidered and strung. · Finishing, decorative edging and fringing. AUTHOR: For the last twenty years Angela Thompson has travelled the world in search of textiles to add to her collection. Angela has lectured on and tutored a variety of textile subjects in the UK, USA and Australia. She has written numerous articles for embroidery and textile magazines and published a series of textile related books including The Embroiderers' and Quilters' Source Book [2005]. She is a member of the Textile Society, The Spinners & Weavers Guild, The Embroiderers' Guild and The Lace Guild. 200 colour photos
In this volume, anthropologists, art historians, fiber artists, and technologists come together to explore the meanings, uses, and fabrication of textiles in Mexico, Guatemala, Ecuador, Peru, and Bolivia from Precolumbian times to the present. Originally published in 1991 by Garland Publishing, the book grew out of a 1987 symposium held in conjunction with the exhibit "Costume as Communication: Ethnographic Costumes and Textiles from Middle America and the Central Andes of South America" at the Haffenreffer Museum of Anthropology, Brown University.
The Ethnological Museum in Berlin, Germany, houses Europe's largest collection of PreColumbian textiles-around 9000 well-preserved examples. Lena Bjerregaard was conservator of these materials 2000-2014, and she worked with many international researchers to analyze and publicize the collection. This book includes seven of their essays on the museum's holdings - by Bea Hoffmann, Ann Peters, Susan Bergh, Lena Bjerregaard, Jane Feltham, Katalin Nagy, and Gary Urton. Its second part is a 177-page catalogue of 273 selected representative items, arranged by period and style. There are more than 380 photographs. Styles or cultures shown include Paracas, Nasca, Sican/Lambayeque, Ychsma, Chavin, Siguas, Tiwanaku, Wari, Chimu, Central Coast, Chancay, South Coast, Inca, and Colonial. Items pictured include tunics, clothing, tapestry, hats, belts, headbands, samplers, borders, and khipus. Materials include camelid fibers, feathers, hair, cotton, reed, straw, and other plant fibers.
First published in 1984, this remains the definitive study of textiles as they were used in early American homes.
Published in conjunction with an exhibition held at The Metropolitan Museum of Art, New York, Sept. 16, 2013-Jan. 5, 2014.
Covers British trade with the republics of Argentina, Chile, and Uruguay.
"This unique volume illustrates and discusses in detail more than 160 extraordinary fine and decorative art works of the colonial Andes, including examples of the intricate Inca weavings and metalwork that preceded the colonial era as well as a few of the remarkably inventive forms this art took after independence from Spain. An international array of scholars and experts examines the cultural context, aesthetic preoccupations, and diverse themes of art from the viceregal period, particularly the florid patternings and the fanciful beasts and hybrid creatures that have come to characterize colonial Andean art."--Jacket.
This is the first work on British textile exports to South America during the nineteenth century. During this period, textiles ranked among the most important manufactures traded in the world market and Britain was the foremost producer. Thanks to new data, this book demonstrates that British exports to South America were transacted at very high rates during the first decades after independence. This development was due to improvements in the packing of textiles; decreasing costs of production and introduction of free trade in Britain; falling ocean freight rates, marine insurance and import duties in South America; dramatic improvements in communications; and the introduction of better port facilities. Manuel Llorca-Jaña explores the marketing chain of textile exports to South America and sheds light on South Americans' consumer behaviour. This book contains the most comprehensive database on Anglo-South American trade during the nineteenth century and fills an important gap in the historiography.
Clothing the New World Church makes a significant contribution to the fields of textile studies, art history, Church history, and Latin American studies, and to interdisciplinary scholarship on material culture and indigenous agency in the New World.