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Informative and beautifully illustrated.... It is both a detailed anthropological study, which delves into aspects of Mayan culture and examines historical and sociological forces brought to bear on Mayan communities of Guatemala, and a catalog of the stunning collections, containing descriptions of techniques, dying processes, and textile production. -- Booklist
The vibrant character of Guatemala is most visible in its handwoven textiles, which are still in everyday use and readily available in native markets all over the country. A Textile Traveler's Guide to Guatemala is an excellent resource for discovering artisans, markets, shops, and those storied regional textile traditions. Geared to independent-minded travelers, this guide presents the safest and most accessible methods of travel, where and when to go, where to stay, and what to eat. Expert advice helps the traveler know what to look for, how to distinguish high-quality work, and how to bargain intelligently and ethically. With abundant photographs, this guide celebrates the color, joy, and energy of folklife in Guatemala.
Rigt illustreret værk om tekstiler fra Guatemala. Om materialer, indfarvning og vævning samt om Guatemalas historie, specielt Maya-kulturenes indflydelse på tekstiltraditionerne
The name "maguey" refers to various forms of the agave and furcraea genus, also sometimes called the century plant. The fibers extracted from the leaves of these plants are spun into fine cordage and worked with a variety of tools and techniques to create textiles, from net bags and hammocks to equestrian gear. In this fascinating book, Kathryn Rousso, an accomplished textile artist, takes a detailed look at the state of maguey culture, use, and trade in Guatemala. She has spent years traveling in Guatemala, highlighting maguey workers’ interactions in many locations and blending historical and current facts to describe their environments. Along the way, Rousso has learned the process of turning a raw leaf into beautiful and useful textile products and how globalization and modernization are transforming the maguey trade in Guatemala. Featuring a section of full-color illustrations that follow the process from plant to weaving to product, Maguey Journey presents the story of this fiber over recent decades through the travels of an impassioned artist. Useful to cultural anthropologists, ethnobotanists, fiber artists, and interested travelers alike, this book offers a snapshot of how the industry stands now and seeks to honor those who keep the art alive in Guatemala.
Het rijke erfgoed van gevarieerde en kleurrijke textielkunsten - weven, borduren, lussen, haken - in Guatemala is nu, door middel van dit boek, toegankelijk voor de wever van vandaag. De auteur, een professionele fotografe en schrijfster, heeft vele jaren in Midden-Amerika doorgebracht met het verzamelen van materiaal en het documenteren van de verschillende soorten stoffen die momenteel worden gemaakt. Het boek laat de mannen en vrouwen aan het werk zien die geweven kledingstukken en lappen stof maken, hun weefgetouwen en weefopstellingen en hun materialen. Er wordt speciale nadruk gelegd op de specifieke technieken die worden gebruikt om verschillende soorten stoffen te weven, met name aanvullende inslagpatronen, die lange tijd als de beste prestatie van de Guatemalteekse wevers werden beschouwd. Na een kort overzicht van de oorsprong en geschiedenis van het weven in Guatemala, bespreekt de auteur de achtergrond van het ambacht vandaag de dag, de levensstijl van de wever, het traditionele gebruik van het textiel en recente weeftrends. Het volgende hoofdstuk beschrijft de verschillende vezels die gebruikt worden in de textielproductie: hoe ze gesponnen en geverfd worden en welke soorten weefgetouwen en weefapparatuur gebruikt worden. De verschillende benaderingen van het weven in Guatemala worden beschreven en vergeleken in een lang hoofdstuk over het weven met de rugband (waaronder technieken die gebruikt worden in patroonweven, brokaat en gaas). Een hoofdstuk over weven op weefgetouwen toont de uitrusting en weeftechnieken voor onder andere platbinding, tapisserie en jacquardweven. De auteur beschrijft ook lussen, borduren, breien en haken voor het maken van tassen en netten. De conclusie beschrijft nieuwe richtingen in het weven in Guatemala. Het boek geeft zowel de glorie van de geproduceerde stoffen weer als een portret van het geduld, de vaardigheid en de veeleisende eisen van het weefambacht.
"Guatemala is a land of contrasts: stunning mountain, river, and cloud forest landscapes with the constant threat of volcanic eruptions, mudslides, earthquakes, and brutal upheavals. Against this backdrop, the indigenous Maya and their Ladino compatriots persist in creating some of the loveliest and most colorful textiles the world has known. Their weaving, spinning, and basketmaking have sustained them economically and culturally against the pressures of change and a thirty-six year armed conflict that decimated their population. In Traditional Weavers of Guatemala, twenty artisans share their personal histories, hopes, and dreams along with the products of their hands and looms"--Inside cover.
In this volume, anthropologists, art historians, fiber artists, and technologists come together to explore the meanings, uses, and fabrication of textiles in Mexico, Guatemala, Ecuador, Peru, and Bolivia from Precolumbian times to the present. Originally published in 1991 by Garland Publishing, the book grew out of a 1987 symposium held in conjunction with the exhibit "Costume as Communication: Ethnographic Costumes and Textiles from Middle America and the Central Andes of South America" at the Haffenreffer Museum of Anthropology, Brown University.
Guatemala is one of the few places on earth where traditional textile arts from ancient cultures survive: Mayan spinners and weavers still produce the traditional motifs developed by their ancestors, but modern dyes add brilliant, luminous color to their textiles. This book presents 150 superb photographs by Gianni Vecchiato, providing a magnificent view of the textiles people, and daily life of Guatemala. It is truly a feast for the eye and spirit.
The Maya Textile Tradition provides an in-depth look at the life and art of the Maya of southern Mexico and Central America. Some 145 stunning images, made by the award-winning photographer Jeffrey Jay Foxx and arranged in breathtaking color portfolios, capture the glorious Maya arts and culture as preserved since ancient times. The photographs combine with artful line drawings made especially for this book, an introduction by Linda Schele, co-author of the groundbreaking study of Maya civilization The Blood of Kings, and texts by four leading Mayanists to provide a unique portrait of these proud and vital people. Ecologist James D. Nations introduces us to the history and ecology of the Maya world; Guatemalan author and curator Linda Asturias de Barrios discusses how the old ways still guide the people in their farming, marketing, and weaving; textile specialist Margot Blum Schevill writes on innovation and change in Maya textile art; and anthropologist Robert S. Carlsen discusses ceremony and ritual in the Maya world.