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And, of course, one poem about Texas that is magnificent in its awfulness, "Lasca," with memorable lines like "Scratches don't count/In Texas down by the Rio Grande."".
The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.
An extraordinary lyric and visual meditation on place, nature, and art rippling out from Marfa, Texas Situated in the outreaches of southwest Texas, the town of Marfa has long been an oasis for artists, immigrants looking for work, and ranchers, while the ghosts of the indigenous and the borders between languages and nations are apparent everywhere. The poet and translator Jeffrey Yang experienced the vastness of desert, township, sky, and time itself as a profound clash of dislocation and familiarity. What does it mean to survive in a physical and metaphorical desert? How does a habitat long associated with wilderness and death become a center for nourishment and art? Out of those experiences and questions, Yang has fashioned a fascinating, multifaceted work—an anti-travel guide, an anti-Western, a book of last words—that is a lyrical, anthropological investigation into history, culture, and extremity of place. Paintings and drawings of Marfa’s landscapes and substations by the artist Rackstraw Downes intertwine with Yang’s texts as mutual nodes and lines of energy. Hey, Marfa is a desert diary scaled to music that aspires to emit particles of light.
Poetry collection by Lupe Mendez, poet, teacher and activist. Why I Am Like Tequila is a collection of poetry spanning a decade of writing and performance. This collection exists in 4 parts - each a layered perspective, a look through a Mexican/ Mexican-American voice living in the Texas Gulf Coast. Set within spaces such as Galveston Island, Houston, the Rio Grande Valley and Jalisco, Mexico, these poems peel away at all parts, like the maguey, drawing to craft spirits, quenching a thirst between land and sea.
Poet and cartoonist Austin Kleon has discovered a new way to read between the lines. Armed with a daily newspaper and a permanent marker, he constructs through deconstruction—eliminating the words he doesn't need to create a new art form: Newspaper Blackout poetry. Highly original, Kleon's verse ranges from provocative to lighthearted, and from moving to hysterically funny, and undoubtedly entertaining. The latest creations in a long history of "found art," Newspaper Blackout will challenge you to find new meaning in the familiar and inspiration from the mundane. Newspaper Blackout contains original poems by Austin Kleon, as well as submissions from readers of Kleon's popular online blog and a handy appendix on how to create your own blackout poetry.
Mack Dryden, born and educated in Mississippi, has made a living making people laugh since an air purifier was a box of matches. As a comedian, he's performed on dozens of TV shows, including The Tonight Show and his own show, Comedy Break. He was handpicked by Bill Maher for the writing staff of Politically Incorrect, and his cartoons have appeared in numerous publications, including his first illustrated book, Remember When Safe Sex Meant All the Car Doors Were Locked? Does This Book Make My Head Look Fat? is a collection of this world-class humorist's funniest columns, cartoons, standup riffs, and lyrics, and every page is crammed with belly laughs.
Many books and essays have addressed the broad sweep of Texas music—its multicultural aspects, its wide array and blending of musical genres, its historical transformations, and its love/hate relationship with Nashville and other established music business centers. This book, however, focuses on an essential thread in this tapestry: the Texas singer-songwriters to whom the contributors refer as “ruthlessly poetic.” All songs require good lyrics, but for these songwriters, the poetic quality and substance of the lyrics are front and center. Obvious candidates for this category would include Townes Van Zandt, Michael Martin Murphey, Guy Clark, Steve Fromholz, Terry Allen, Kris Kristofferson, Vince Bell, and David Rodriguez. In a sense, what these songwriters were doing in small, intimate live-music venues like the Jester Lounge in Houston, the Chequered Flag in Austin, and the Rubaiyat in Dallas was similar to what Bob Dylan was doing in Greenwich Village. In the language of the times, these were “folksingers.” Unlike Dylan, however, these were folksingers writing songs about their own people and their own origins and singing in their own vernacular. This music, like most great poetry, is profoundly rooted. That rootedness, in fact, is reflected in the book’s emphasis on place and the powerful ways it shaped and continues to shape the poetry and music of Texas singer-songwriters. From the coffeehouses and folk clubs where many of the “founders” got their start to the Texas-flavored festivals and concerts that nurtured both their fame and the rise of a new generation, the indelible stamp of origins is inseparable from the work of these troubadour-poets. Please see the listing for the print edition to view the table of contents for this title.
?Walk down Greathouse Road, and you?ll see with an observant eye everything you never noticed before. Here is a book with a definite East Texas identity?clear thinking, no waste of words.? ?Violette Newton, former Poet Laureate of Texas
The prose poems--or flash fiction pieces--are set in the late sixties, and are based on Barker's experiences in Berkeley while teaching ninth-graders (not that much older than the students herself), during the time the school district had just become racially "integrated." The poems trace the bittersweet, erotically compelling love affair between a young white married high school teacher and one of her African-American colleagues.
From the Cow's Eye and Other Poems is a 42-page chapbook containing 26 poems by Loretta Diane Walker. The book won the William D. Barney Memorial Chapbook Prize, 2021, from the Fort Worth Poetry Society.