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Teutonic Titans: Hindenburg, Ludendorff, and the Kaiser's Military Elite covers the era 1847-1955-heavily illustrated with over 500 images of German Emperor Wilhelm II's First World War marshals and generals, emphasizing their lives, careers, battles, and campaigns. The book covers both Western and Eastern Fronts, as well as the Balkans, Baltics, Middle, and Far East. It is also heavily detailed with maps, cartoons, graphics, and photographs, plus descriptions of strategies, tactics, weapons, statistics on all losses, and results. Period cartoons add to the vast array of photographic sources worldwide: United States National Archives and Library of Congress, Washington and College Park, Maryland; Imperial War Museum London: Bundesarchiv, Bonn, and also His Majesty's own albums at Doorn House, Holland, many of them previously unpublished. German Crown Prince Wilhelm and Bavarian Crown Prince Rupprecht, all German Chiefs of General Staff and War Ministers are detailed as well, plus all top Allied leaders and commanders: Woodrow Wilson, John J. Pershing; David Lloyd George, King George V, Sir Douglas Haig, and Sir John French among them; Tsar Nicholas II, Grand Duke Michael, and more; Frenchmen Henri Petain, Joffre, Foch, and Weygand; as well as those of Serbia, Italy, Greece, Rumania, and Bulgaria.
Ernest Newman's four-volume Life of Wagner, originally published between 1933 and 1947, remains a classic work of biography. The culmination of forty years' research on the composer and his works (Newman's first Study of Wagner was first published in 1899), these books present a detailed portrait of perhaps the most influential, the most controversial and the most frequently reviled composer in the whole history of western music. Newman was aware that no biography can ever claim to be complete or completely accurate: 'The biographer can at no stage hope to have reached the final truth. All he can do is to make sure that whatever statement he may make, whatever conclusion he may come to, shall be based on the whole of the evidence available at the time of writing.' In this aim he triumphantly succeeds. Volume IV completes the story from 1866 to Wagner's death in 1883. It covers the composition of Die Meistersinger and Parsifal, the completion of the Ring, Wagner's marriage to Cosima Liszt von Bülow, and the building of Bayreuth.
Newman's Life of Wagner, published between 1933 and 1947, the culmination of forty years' research, is a classic biography.
The German Idealism Reader is a comprehensive account of the key ideas and arguments central to German idealists and their immediate critics. Expanding the scope beyond the four best-known representatives - Kant, Fichte, Schelling, and Hegel - and including those thinkers often considered as secondary, but who are also crucial for understanding of this period, the Reader presents an influential era in all its philosophical complexity. Through its broad coverage of philosophers and their texts, it offers a complete dynamic picture of the intellectual period and features: - Selections from key texts by Kant, Fichte, Schelling and Hegel - Readings from Reinhold, Schiller, Maimon, Schulze, Jacobi, Hölderlin, and Novalis - Responses to and critiques of German idealist thought by late nineteenth century thinkers, such as Schopenhauer, Feuerbach, Marx, Kierkegaard, and Nietzsche - Selections extending beyond the typical focus on epistemology and metaphysics to include ethics, religion, society, and art - A general introduction and timeline, together with a chronology and bibliography to each thinker and introductory overviews to both thinkers and text With readings carefully selected to illustrate thinkers in dialogue with each other, The German Idealism Reader provides a better appreciation of the philosophical discussions central to the period. This is essential reading for all students of German idealism and the nineteenth-century German and Continental philosophies, as well as to those studying the important movements and periods of European intellectual history.
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
1939 was a glorious year for Hermann Goering. He spent it entertaining dignitaries visiting the Third Reich, attending galas, going on official visits, giving rousing speeches at factories and military parades, and indulging in his love of fine art, rich cuisine and sumptuous clothes and jewels. Ever vain, pompous and ambitious, in 1939 he attained the summit of his power and popularity when Hitler, speaking to a packed Reich Chancellery on 1 September, named him his successor. Goering's rise was inseparable from that of his Luftwaffe. As commander-in-chief, he basked in the glory of the Condor Legion's victory in Spain in April 1939 and the Luftwaffe's decisive role in the Blitzkrieg of Poland in September. From these encounters, the Luftwaffe emerged as the world's most feared and respected air force-but beyond the trappings of victory, there were deep-seated flaws. Fearing their exposure against a more powerful enemy, Goering did not want Germany to go to war with Great Britain and France. Hermann Goering: From Madrid to Warsaw and Beyond, 1939 is a photographic chronicle of a momentous year in the life of the Luftwaffe's commander-in-chief, showing him at his most happy and self-confident, and equally, at his most anxious about what the future might bring.