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"Iep jāltok is a collection of poetry by a young Marshallese woman highlighting the traumas of her people through colonialism, racism, forced migration, the legacy of nuclear testing by America, and the impending threats of climate change"--Provided by publisher.
Testing the Waters is an intimate collection of poems and word-sketches centered around the quest for self-realization in the author's early life journey. Kevin Haszto's first work, he writes vulnerably about tender love and loss, struggles with faith and the hope to carry on, separation within one's own heart and the quest for finding self-worth through growth and commitment from within the confines of addiction. Glimpses of early spirituality, seeking God, marking one's territories while signaling future growth are present, extending to the reader a chance to feel they also are walking in the heartfelt compassion of another young soul taking their own unique but common human journey.
Audisee® eBooks with Audio combine professional narration and text highlighting for an engaging read aloud experience! Two poets, one white and one black, explore race and childhood in this must-have collection tailored to provoke thought and conversation. How can Irene and Charles work together on their fifth grade poetry project? They don't know each other . . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is Black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko (of The Case for Loving: The Fight for Interracial Marriage), this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.
This "gorgeously written" National Book Award finalist is a dazzling, heart-rending story of an oil rig worker whose closest friend goes missing, plunging him into isolation and forcing him to confront his past (NPR, One of the Best Books of the Year). One night aboard an oil drilling platform in the Atlantic, Waclaw returns to his cabin to find that his bunkmate and companion, Mátyás, has gone missing. A search of the rig confirms his fear that Mátyás has fallen into the sea. Grief-stricken, he embarks on an epic emotional and physical journey that takes him to Morocco, to Budapest and Mátyás's hometown in Hungary, to Malta, Italy, and finally to the mining town of his childhood in Germany. Waclaw's encounters along the way with other lost and yearning souls—Mátyás's angry, grieving half-sister; lonely rig workers on shore leave; a truck driver who watches the world change from his driver's seat—bring us closer to his origins while also revealing the problems of a globalized economy dependent on waning natural resources. High as the Waters Rise is a stirring exploration of male intimacy, the nature of memory and grief, and the cost of freedom—the story of a man who stands at the margins of a society from which he has profited little, though its functioning depends on his labor.
The instant New York Times bestseller featured on NPR's Weekend Edition with Scott Simon! B. J. Novak (bestselling author of The Book With No Pictures) described this groundbreaking poetry collection as "Smart and sweet, wild and wicked, brilliantly funny--it's everything a book for kids should be." Lauded by critics as a worthy heir to such greats as Silverstein, Seuss, Nash and Lear, Harris's hilarious debut molds wit and wordplay, nonsense and oxymoron, and visual and verbal sleight-of-hand in masterful ways that make you look at the world in a whole new wonderfully upside-down way. With enthusiastic endorsements from bestselling luminaries such as Lemony Snicket, Judith Viorst, Andrea Beaty, and many others, this entirely unique collection offers a surprise around every corner. Adding to the fun: Lane Smith, bestselling creator of beloved hits like It's a Book and The Stinky Cheese Man and Other Fairly Stupid Tales, has spectacularly illustrated this extraordinary collection with nearly one hundred pieces of appropriately absurd art. It's a mischievous match made in heaven! "Ridiculous, nonsensical, peculiar, outrageous, possibly deranged--and utterly, totally, absolutely delicious. Read it! Immediately!" --Judith Viorst, bestselling author of Alexander and the Terrible, Horrible, No Good, Very Bad Day
Irving Feldman is a master chronicler of our collective experience and an overlooked treasure of American poetry. Feldman’s rich body of work exhibits his mastery of language from the biblical to the conversational, his Yiddish flair for the comic, his profound social insight and lucidity. He writes about everything from the Coney Island days of his childhood and his bohemian years in postwar New York to the art of Picasso and George Segal, from the Holocaust to its aftermath—in narrative and dramatic poems and personal lyrics that are by turns ardent, witty, biting, ecstatic, and heartbreaking. Long a favorite among his fellow poets (John Hollander has called his work “amazing in its moral intensity”), Feldman has remained true to the soul’s deepest callings: I have questioned myself aloud at night in a voice I did not recognize, hurried and disobedient, hardly brighter. What have I kept? Nothing. Not bread or the bread-word. What have I offered? Rebel in the kingdom, my gift has wanted a grace. This glorious gathering of poems displays Feldman’s entire career in all its variety and passion, and confirms his place among the great poets of our time.
Lorna Goodison is a poet alive to places, from the loved and lived-in world of Jamaica where she began and started a family, to the United States and Canada where she has made her teaching career, but always re-connecting with her Caribbean roots. She travels with an ear alert to histories and voices. How differently English sounds in the tropi and in colder lands, at seaside in sunlight and on prairies, mountains and in cities. The same words say quite different things, depending on who speaks them and who's listening, obeying or resisting. She covers a wide range of subjects and themes, too. Her instinct is to celebrate being alive in a world that is rich but in peril. 'And what is the rare quality that has gone out of poetry that these marvellous poems restore?' asks Derek Walcott. 'Joy.' The 'mango of poetry', eaten straight from the tree, Goodison somehow finds growing in Wordsworth country and in Sligo, in Russia and Norway, in Spain and Portugal which spilled their empires into the Caribbean, in Hungary and Far Rockaway. // 'The publication of Lorna Goodison's Collected Poems – with their extraordinary music, sensuous texture, and powerful historical imagination – is a major event. These are poems stunningly alive to the nuances of language, beautifully pitched and tuned, rich with feeling and insight.' Jahan Ramazani // 'Lorna Goodison brings herself into the presence of every poem, and so into the presence of her readers. Like the ideal teacher, she enables us to hear history sing its joy and shout its rage in her own personal tones of voice, and to feel the folds and textures of her various homelands like a display of rich cloths. She excels in both the emblematic and descriptive powers of popular poetry, and introduces us to an array of characters sharply but generously perceived, and often as deliciously audible after death as in life. This is an inspiring collection for a time when hopes for transnational unity are profoundly challenged. Goodison's poems frequently acknowledge the complex unhealed scars of imperial greed and violence, but the impulse is towards hope, and our imaginations are enchanted by a potential global spring of warmth, nourishment, camaraderie and sheer fun. In the poet's own words of gratitude to "Miss Mirry African bush healing woman", we should "turn thanks now" to Lorna Goodison for addressing us across so many years on her unique world-service of human truth – and stay tuned.' Carol Rumens
American expansion, says Richard Drinnon, is characterized by repression and racism. In his reinterpretation of "winning" the West, Drinnon links racism with colonialism and traces this interrelationship from the Pequot War in New England, through American expansion westward to the Pacific, and beyond to the Phillippines and Vietnam. He cites parrallels between the slaughter of bison on the Great Plains and the defoliation of Vietnam and notes similarities in the language of aggression used in the American West, the Philippines, and Southeast Asia.
The Ungendered is a collection of Poems on various and diverse genres ranging from Apocalyptic; with the poem Eyes of Armageddon to seductive; with the poem Desire. Ungendered is said to be the gender of the Angels. The definition of ungendered is: to be incomparable, to make no comparison.; no one should ever compare themselves to any other.
Like the ancient medical text by Hippocrates that gives this book its title, Airs, Waters, Places looks with intensity and purpose at the elemental world to understand the possibility of an expanded notion of health in an often disconnected and disconnecting social order. In the poet's words, To call language a nervous system might be useful: if each sentient being is analogous to cells within the organism, language is analogous to the nerves as well as the messages sent along those nerves. There is, there, if not eternity, at least delusion. This is a book of various appetites in constant motion.