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Willy has the coolest train set ever. Even though everything in it is really small, it takes up half the basement. But ever since Willy added Hurley the Hobo to his tiny collection, Tiny Town has been...well, strange. Willy's toys aren't always where he left them, and sometimes Willy even hears the Tiny Town train hooting in the night. But tiny little figures can't really be plotting to take over Willy's house- can they?
Truman Capote was one of the most gifted and flamboyant writers of his generation, renowned for such books as Other Voices, Other Rooms, Breakfast at Tiffany's, and his masterpiece, the nonfiction novel In Cold Blood. What has received comparatively little attention, however, is Capote's last, unfinished book, Answered Prayers, a merciless skewering of cafe society and the high-class women Capote called his "swans." When excerpts appeared he was immediately blacklisted, ruined socially, labeled a pariah. Capote recoiled--disgraced, depressed, and all but friendless. In Tiny Terror, a new volume in Oxford's Inner Lives series, William Todd Schultz sheds light on the life and works of Capote and answers the perplexing mystery--why did Capote write a book that would destroy him? Drawing on an arsenal of psychological techniques, Schultz illuminates Capote's early years in the South--a time that Capote himself described as a "snake's nest of No's"--no parents to speak of, no friends but books, no hope, no future. Out of this dark childhood emerged Capote's prominent dual life-scripts: neurotic Capote, anxious, vulnerable, hypersensitive, expecting to be hurt; and Capote the disagreeable destroyer, emotionally bulletproof, nasty, and bent on revenge. Schultz shows how Capote would strike out when he felt hurt or taken for granted, engaging in caustic feuds with Gore Vidal, Tennessee Williams, and many other writers. And Schultz reveals how this tendency fed into Answered Prayers, an exceedingly corrosive and thinly disguised roman a clef that trashed his high-society friends. What emerges by the end of this book is a cogent, immensely insightful portrait of an artist on the edge, brilliantly but self-destructively biting the jet-set hands that fed him. Anyone interested in the inner life of one of America's most fascinating literary personalities will find this book a revelation.
Literary Nonfiction. Art. THE LITTLE BOOK OF TERROR is a treasure that defies easy classification: more than a collection of paintings, more than a compilation of piquant, compelling essays, it can be thought of as a secular missal, offering a new liturgy for observing the Rite of The Contrary. THE LITTLE BOOK OF TERROR is a literary missile, as well—Daisy Rockwell's searing images and carefully-crafted prose aim directly at the bloated heart of Imperial pretension. On impact, Rockwell's work makes rubble of propaganda passing as conventional wisdom, leaving in its place a new vista from which to consider the "Global War on Terror" and its complicated combatants. For Rockwell's legions of readers and admirers, THE LITTLE BOOK OF TERROR is a blast of a different kind: a stirring read, a poignant comment, and a collection of sights not soon forgotten.
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Willy has the coolest train set ever. Even though everything in it is really small, it takes up half the basement. But ever since Willy added Hurley the Hobo to his tiny collection, Tiny Town has been...well, strange. Willy's toys aren't always where he left them, and sometimes Willy even hears the Tiny Town train hooting in the night. But tiny little figures can't really be plotting to take over Willy's house- can they?
Old man Riverton only cares about the money and not his dogs that he abuses. He sends two of his dogs to a place known as "the pit." This place the pit is where the dogs are sent when they are useless. Janet doesn't survive, but Old Lucky is the "lucky" one who survives and gets rescued by Thomas and Doctor Watson. Little does Old man Riverton and the other trainers know what is in store for them.
100 stories. 100 words each. Tiny snippets of terror for your consumption. Take them in one at a time and savor the twisted flavor of death and destruction, or devour them all in one sitting--a nonstop feast of terrifying creatures and horrible happenings. The choice is yours, as will be the fear. You may want to sleep with the light on.