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In this action-packed adventure and coming-of-age story that finely weaves fact and fiction, thirteen-year-old Ming lives in a small village in Maoist China in the 1970s. His father is convinced that Emperor Qin’s tomb—and the life-size terra-cotta army created to serve and protect the emperor in the afterlife—lies hidden in the hills around them. But if Ming’s father doesn’t prove it soon, the town’s Political Officer will condemn him to the brutal labor camps. From the stories of a terra-cotta soldier who has survived through the centuries, Ming learns the history of Emperor Qin, known for building the Great Wall of China, and how and why the terra-cotta soldiers came to be. As their unlikely friendship develops, Ming experiences the mysterious tomb firsthand, braving deadly traps and witnessing the terra-cotta army in action. Most importantly, he comes to see how he can save both the terra-cotta soldiers and his father from the corrupt Political Officer and his Communist cronies. The book is illustrated with photographs of Communist Chinese village life in the 1970s, the Great Wall, and, of course, the excavated tomb with its many terra-cotta soldiers. It also features a special recipe from the story. Praise for Secrets of the Terra-Cotta Soldier "Historical photos and Indiana Jones–style adventure enrich this tale of an unusual meeting between the Qin Dynasty and the 20th century." --Kirkus Reviews "Despite the hardships, both courageous characters work to uphold their respective duties: Shi to protect the tomb and Ming to protect the cultural legacy of China’s people. With archival art, recipes, and end notes, this title is sure to be a hit in the classroom." --Booklist
Explores the the army of terra-cotta soliders found at the tomb of China's first emperor Qin Shi Haungdi.
The articles collected and reprinted here appeared originally in the pages of Hesperia. "Two Centuries of Hellenistic Pottery," by Homer A. Thompson, presented in 1934 some of the pottery found in the early excavations of the American School in the Athenian Agora. The series titled "Three Centuries of Hellenistic Terracottas," by Dorothy B. Thompson, includes ten articles that were published between 1952 and 1966. The working chronology that the authors established has made these studies basic references for investigations of Attic pottery and terracottas of the Hellenistic period, wherever found. In recognition of subsequent discoveries, the Thompsons' work has now been augmented by a preface with bibliography for each, prepared by Susan I. Rotroff, which comments particularly on the changes in chronology resulting from the continuing excavations in the Agora and elsewhere. In "Afterthoughts" Dorothy Thompson has made new observations concerning certain terracottas.
Edited by G. Papantoniou, D. Michaelides and M. Dikomitou-Eliadou, Hellenistic and Roman Terracottas is a collection of 29 chapters with an introduction presenting diverse and innovative approaches (archaeological, stylistic, iconographic, functional, contextual, digital, and physicochemical) in the study of ancient terracottas across the Mediterranean and the Near East, from the Hellenistic period to Late Antiquity. The 34 authors advocate collectively the significance of a holistic approach to the study of coroplastic art, which considers terracottas not simply as works of art but, most importantly, as integral components of ancient material culture. The volume will prove to be an invaluable companion to all those interested in ancient terracottas and their associated iconography and technology, as well as in ancient artefacts and classical archaeology in general.
The Regia was the house of the Pontifex Maximus, Rome's High Priest, who lived in the Forum. The men who held this office played an important role in the life of the Roman state for centuries: the earliest Regia dates to the seventh century B.C.E., and it was rebuilt frequently. Susan B. Downey has extensively studied the sixth-century phase of the building, and in this valuable work she lays out the scheme for the architectural terracottas. These fragments allow the reconstruction of almost the entire decorative system for the building. Art historians and archaeologists will welcome this book. It also contains much of interest for Roman social historians and for students and scholars of early Italy and its communities.