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A comprehensive collection of essays by leading scholars in the field that address, in a single volume, several key issues in interpreting Terence offering a detailed study of Terence’s plays and situating them in their socio-historical context, as well as documenting their reception through to present day • The first comprehensive collection of essays on Terence in English, by leading scholars in the field • Covers a range of topics, including both traditional and modern concerns of gender, race, and reception • Features a wide-ranging but interconnected series of essays that offer new perspectives in interpreting Terence • Includes an introduction discussing the life of Terence, its impact on subsequent studies of the poet, and the question of his ethnicity
"This is a book worthy of high praise... All versions are exceedingly witty and versatile, in verse that ripples from one's lips, pulling all the punches of Plautus, the knockabout king of farce, and proving that the more polished Terence can be just as funny. Accuracy to the original has been thoroughly respected, but look at the humour in rendering Diphilius' play called Synapothnescontes as Three's a Shroud... Students in schools and colleges will benefit from short introductions to each play, to Roman stage conventions, to different types of Greek and Roman comedy, and there is a note on staging, with a diagram illustrating a typical Roman stage and further diagrams of the basic set for each play. The translators have paid more attention to stage directions than is usually given in translations, because they aim to show how these plays worked.
The play Adelphoe provides an introduction to the world of Roman comedy from one of its best practitioners, Terence. As with all Focus translations, the emphasis is on an inexpensive, readable edition that is close to the original, with an extensive introduction, notes and appendices.
Provides a comprehensive critical engagement with Roman comedy and its reception presented by leading international scholars in accessible and up-to-date chapters.
In The Lyon Terence Giulia Torello-Hill and Andrew J. Turner take an unprecedented interdisciplinary approach to map out the influence of late-antique and medieval commentary and iconographic traditions over this seminal edition of the plays of Terence, published in Lyon in 1493, and examine its legacy. The work had a profound impact on the way Terence’s plays were read and understood throughout the sixteenth century, but its influence has been poorly recognised in modern scholarship. The authors establish the pivotal role that this book, and its editor Badius, played in the revitalisation of the theoretical understanding of classical comedy and in the revival of the plays of Terence that foreshadowed the establishment of early modern theatre in Italy and France.
The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain.
This book offers a new explanation of how the plays of Plautus and Terence worked as musical theatre.
The riveting true story of decadence, deception, and murder among British aristocrats in colonial Kenya In 1941, with London burning in the Blitz, a group of hedonistic English nobles partied shamelessly in Kenya. Far removed from falling bombs, the wealthy elites of “Happy Valley” indulged in morphine, alcohol, and unrestricted sex, often with their friends’ spouses. But the party turned sinister in the early hours of a January morning for Josslyn Hay, Lord Erroll, who had been enjoying the favors of the beautiful young wife of a middle-aged neighbor. Hay was found dead, a bullet in his brain. The murder shocked the close-knit community of wealthy expatriates in Nairobi and shined a harsh light on their louche lifestyle. Three decades later, author James Fox researched the slaying of Lord Erroll, an unsolved crime still sheathed in a thick cloud of rumor and innuendo. What he discovered was both unsettling and luridly compelling. White Mischief is a spellbinding true-crime classic, a tale of privileged excess and the wages of sin, and an account of one writer’s determined effort to crack a cold and craven killing.
Stories about brothers were central to Romans' public and poetic myth making, to their experience of family life, and to their ideas about intimacy among men. Through the analysis of literary and legal representations of brothers, Cynthia Bannon attempts to re-create the context and contradictions that shaped Roman ideas about brothers. She draws together expressions of brotherly love and rivalry around an idealized notion of fraternity: fraternal pietas--the traditional Roman virtue that combined affection and duty in kinship. Romans believed that the relationship between brothers was especially close since their natural kinship made them nearly alter egos. Because of this special status, the fraternal relationship became a model for Romans of relationships between friends, lovers, and soldiers. The fraternal relationship first took shape at home, where inheritance laws and practices fostered cooperation among brothers in managing family property and caring for relatives. Appeals to fraternal pietas in political rhetoric drew a large audience in the forum, because brothers' devotion symbolized the mos maiorum, the traditional morality that grounded Roman politics and celebrated brothers fighting together on the battlefield. Fraternal pietas and fratricide became powerful metaphors for Romans as they grappled with the experience of recurrent civil war in the late Republic and with the changes brought by empire. Mythological figures like Romulus and Remus epitomized the fraternal symbolism that pervaded Roman society and culture. In The Brothers of Romulus, Bannon combines literary criticism with historical legal analysis for a better understanding of Roman conceptions of brotherhood.
An edition of the Latin comedy, "The Brothers", with introduction and detailed commentary.