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After her first amateur fight ends in a swift KO, Natsuo is disappointed…not in her dominant performance, but because the win came too easy, a far cry from the brutal challenge that she craves. When she finds out that her rival Yuzuko Mawatari will be entering the rookie selection competition for the big G-Girl tournament at the end of the year, it lights a fire under her. She trains single-mindedly for the chance to pummel Yuzuko's little face in the ring, but her coach thinks it's far too soon to be entering a competition of that caliber, full of killer fighters…a prospect that makes Natsuo only more hungry.
After knocking out her first opponent with a perfectly-timed knee, Natsuo comes face-to-face with Sanae Sawamura in the next round of the tournament. Icily determined to serve Natsuo some long-overdue payback, Sanae proceeds to outclass her with her superior striking skills. As the fight starts to slip away from her, Natsuo finds herself reminiscing about a time, long ago, when she and Sanae had been close…a time when so much in Natsuo's world had been very, very different.
Kathakali Dance-Drama provides a comprehensive introduction to the distinctive and colourful dance-drama of Kerala in South-West India for the first time. This landmark volume: * explores Kathakali's reception as it reaches new audiences both in India and the west * includes two cases of controversial of Kathakali experiments * explores the implications for Kathakali of Keralan politics During these performances heroes, heroines, gods and demons tell their stories of traditional Indian epics. The four Kathakali plays included in this anthology, translated from actual performances into English are: * The Flower of Good Fortune * The Killing of Kirmmira * The Progeny of Krishna * King Rugmamgada's Law Each play has an introduction and detailed commentary and is illustrated by stunning photographs taken during performances. An introduction to Kathakali stage conventions, make-up, music, acting, and training is also provided, making this an ideal volume for both the specialist and non-specialist reader.
"Exciting and fascinating, this reference work succeeds in its goal of bringing "joy as well as enlightenment" about all forms of dance in all countries of the world. An extremely useful synoptic outline of contents" with nine sections (including "Ritual and Religion" and "Popular Entertainment") enables the user to explore dance in its cultural and social aspects, while topical essays complement the 2,000-plus entries. Heavily illustrated with black-and-white photographs, the encyclopedia captures the fluid movement of dance; with its depth and scope, this outstanding work has carved a well-deserved niche."--"Outstanding Reference Sources: the 1999 Selection of New Titles," American Libraries, May 1999. Comp. by the Reference Sources Committee, RUSA, ALA.
This volume opens up new perspectives on Babylonian and Assyrian literature, through the lens of a pivotal passage in the Gilgamesh Flood story. It shows how, using a nine-line message where not all was as it seemed, the god Ea inveigled humans into building the Ark. The volume argues that Ea used a ‘bitextual’ message: one which can be understood in different ways that sound the same. His message thus emerges as an ambivalent oracle in the tradition of ‘folktale prophecy’. The argument is supported by interlocking investigations of lexicography, divination, diet, figurines, social history, and religion. There are also extended discussions of Babylonian word play and ancient literary interpretation. Besides arguing for Ea’s duplicity, the book explores its implications – for narrative sophistication in Gilgamesh, for audiences and performance of the poem, and for the relation of the Gilgamesh Flood story to the versions in Atra-hasīs, the Hellenistic historian Berossos, and the Biblical Book of Genesis. Ea’s Duplicity in the Gilgamesh Flood Story will interest Assyriologists, Hebrew Bible scholars and Classicists, but also students and researchers in all areas concerned with Gilgamesh, word-play, oracles, and traditions about the Flood.
Explores how Soto monks between the 13th and 16th centuries developed new forms of monastic organization and Zen instructions and new applications for Zen rituals within lay life; how these innovations helped shape rural society; and how remnants of them remain in the modern Soto school, now the lar
This comparative study of the peoples of central Borneo offers an unusually detailed description of a pre-colonial society. Professor Rousseau analyses a region characterized by great ethnic diversity and unravels the relation between ethnicity, social organization, language, and cultureamong its peoples.Geographically, central Borneo is divided into several river basins, each of which forms part of a different country. Because of this, the area has traditionally been dealt with in a fragmented way by academics. Yet the records of scholars, missionaries, and administrators that have been keptsince the area came under colonial control at the beginning of the twentieth century provide ethnographic and historical data virtually unmatched in the rest of the insular South East Asia. Professor Rousseau's extensive survey of the available literature and archival material, backed up by manyyears of fieldwork in the region, challenges some long-held views and assumptions. First he shows that, while ethnic identity is normally expected to act as a divider between social groups, this area of great ethnic diversity actually forms a single society. Secondly, although it is thought thatsmall-scale, stateless societies tend to show little evidence of social inequality, he demonstrates that the communities of central Borneo have until recently had a clearly hierarchical structure.The uniquely detailed evidence presented in this study and its comparative approach shed an entirely new light not only on central Borneo, but also on the fundamental nature of societies.
Featuring an interdisciplinary and international group of scholars, Tumultuous Decade examines Japanese domestic and foreign affairs between 1931 and 1941.
In this groundbreaking collection of essays edited by Steven Heine, leading scholars of Buddhism from both sides of the Pacific explore the life and thought of Zen Master Dogen (1200-1253), the founder of the Japanese Soto sect. Through both textual and historical analysis, the volume shows Dogen in context of the Chinese Chan tradition that influenced him and demonstrates the tremendous, lasting impact he had on Buddhist thought and culture in Japan. Special attention is given to the Shobogenzo and several of its fascicles, which express D?gen's views on such practices and rituals as using supranormal powers (jinzu), reading the sutras (kankin), diligent training in zazen meditation (shikan taza), and the koan realized in everyday life (genjokoan). Dogen: Textual and Historical Studies also analyzes the historical significance of this seminal figure: for instance, Dogen's methods of appropriating or contrasting with Chan sources, as well as how Dogen was understood and examined in later periods, including modern times. This book is a crucial contribution to the advancement of specialized studies of Dogen, as well as to the Chan/Zen school in the context of East Asian religions and their social and historical trends.