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The study of language was central to the thinking of Tennyson and his circle of friends. The period of his education was a time of interest in the subject, as a new form of philology became widely known and accepted in Britain. In this study, Donald S. Hair discusses Tennyson's own view of language, and sets them in the context of the language theories of his day. The scope of the book is broad. Hair draws upon a wide range of Tennyson's poetry, from a quatrain he wrote at the age of eight to an 'anthem-speech' he wrote at the age of eighty-two, and pays particular attention to two major works: In Memoriam and Idylls of the King. He explores these in relation to the two theoretical traditions Tennyson inherited. One is derived from Locke and the language theory set out in Book III of An Essay Concerning Human Understanding, the other from Coleridge and the language theory of what Mill called the 'Germano-Coleridgian' tradition. He goes back to Plato's Cratylus and Aristotle's On Interpretation, and forward to the continental philology introduced into England by Tennyson's friends, Kemble and Trench, among others. Finally, he links Tennyson's language to thinkers such as Whewell, Hallam, and Maurice, who are not in themselves philologists but who make language part of their concerns--and Whewell was Tennyson's tutor, Hallam and Maurice his friends. Hair offers a significant contribution to the development of linguistic theory in Britain while also providing some close readings of key passages of Tennyson's work and examinations of the poet's faith and views of society.
Alternative approaches have emerged which have radically altered our understanding of Tennyson's poetry and his relationship to the Victorian age. This text covers the most significant areas of new work on Tennyson, effectively linking feminist and gender studies with deconstructive, psychoanalytic and linguistic attention. The Introduction discusses ways in which orthodox critical approaches have dominated readings of Tennyson's poetry and provides a critical overview of the radical reappraisal of his work. It also provides a guide to the varied ways in which these new debates have shaped and are shaping themselves, with a final discussion of the future directions which Tennyson criticism is likely to take. The essays chosen cover and reflect a range of modes of critical enquiry compelling in themselves.
Tennyson is the most important English poet of the Victorian age. He knew its key figures and was deeply involved in its science, religion, philosophy and politics. The Palgrave Literary Dictionary for the first time gives easily accessible information, under more than 400 headings, on his poetry, his circle, the period and its contexts.
Alfred Lord Tennyson, Queen Victoria's favorite poet, commanded a wider readership than any other of his time. His ascendancy was neither the triumph of pure genius nor an accident of history: he skillfully crafted his own career and his relationships with his audience. Fame and recognition came, lavishly and in abundance, but the hunger for more never left him. Resolving never to be anything except 'a poet', he wore his hair long, smoked incessantly, and sported a cloak and wide-brimmed Spanish hat.Tennyson ranged widely in his poetry, turning his interests in geology, evolution and Arthurian legend into verse, but much of his work relates to his personal life. The poet who wrote The Lady of Shalott and The Charge of the Light Brigade has become a permanent part of our culture. This enjoyable and thoughtful new biography shows him as a Romantic as well as a Victorian, exploring both the poems and the pressures of his era, and the personal relationships that made the man.