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Those who teach the literature of medicine have questioned why there appears to be a lack of rich materials connecting nursing with the humanities. Tenderly Life Me is a compassionate and complex combination of biography, photography, and poetry that gives nurses a voice. Author and poet Jeanne Bryner has gathered these biographical sketches of remarkable nurses, each accompanied by poetry, photographs and drawings. The complete text becomes a multigenre presentation, with each sketch commenting on and informing the others. This is the first book in the Literature and Medicine Series that concentrates on nurses' voices and their experiences with providing health care. It enhances and extends perspectives on how health care is understood and delivered by recognizing nurses as the primary care givers.
First published in 1855 with Whitman’s own money, Leaves of Grass is a highly sensual collection of verses that became a monument to American poetry. The journalist, philosopher, clerk, and Civil War nurse spent the following four decades revising and expanding the work from twelve poems to a massive four-hundred-poem compilation. Celebrating nature and human sexuality with explicit imagery, his poetry was controversial but also drew high praise from the likes of Alfred Tennyson and D. H. Lawrence, who called him the “greatest modern poet.” With its sensuous and highly imaginative free-form verses, Walt Whitman’s greatest masterpiece is now available in an elegantly designed clothbound edition with an elastic closure and a new introduction.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
From New York Times bestselling author Naomi Wolf, Outrages explores the history of state-sponsored censorship and violations of personal freedoms through the inspiring, forgotten history of one writer’s refusal to stay silenced. Newly updated, first North American edition--a paperback original In 1857, Britain codified a new civil divorce law and passed a severe new obscenity law. An 1861 Act of Parliament streamlined the harsh criminalization of sodomy. These and other laws enshrined modern notions of state censorship and validated state intrusion into people’s private lives. In 1861, John Addington Symonds, a twenty-one-year-old student at Oxford who already knew he loved and was attracted to men, hastily wrote out a seeming renunciation of the long love poem he’d written to another young man. Outrages chronicles the struggle and eventual triumph of Symonds—who would become a poet, biographer, and critic—at a time in British history when even private letters that could be interpreted as homoerotic could be used as evidence in trials leading to harsh sentences under British law. Drawing on the work of a range of scholars of censorship and of LGBTQ+ legal history, Wolf depicts how state censorship, and state prosecution of same-sex sexuality, played out—decades before the infamous trial of Oscar Wilde—shadowing the lives of people who risked in new ways scrutiny by the criminal justice system. She shows how legal persecutions of writers, and of men who loved men affected Symonds and his contemporaries, including Christina and Dante Gabriel Rossetti, Algernon Charles Swinburne, Walter Pater, and the painter Simeon Solomon. All the while, Walt Whitman’s Leaves of Grass was illicitly crossing the Atlantic and finding its way into the hands of readers who reveled in the American poet’s celebration of freedom, democracy, and unfettered love. Inspired by Whitman, and despite terrible dangers he faced in doing so, Symonds kept trying, stubbornly, to find a way to express his message—that love and sex between men were not “morbid” and deviant, but natural and even ennobling. He persisted in various genres his entire life. He wrote a strikingly honest secret memoir—which he embargoed for a generation after his death—enclosing keys to a code that the author had used to embed hidden messages in his published work. He wrote the essay A Problem in Modern Ethics that was secretly shared in his lifetime and would become foundational to our modern understanding of human sexual orientation and of LGBTQ+ legal rights. This essay is now rightfully understood as one of the first gay rights manifestos in the English language. Naomi Wolf’s Outrages is a critically important book, not just for its role in helping to bring to new audiences the story of an oft-forgotten pioneer of LGBTQ+ rights who could not legally fully tell his own story in his lifetime. It is also critically important for what the book has to say about the vital and often courageous roles of publishers, booksellers, and freedom of speech in an era of growing calls for censorship and ever-escalating state violations of privacy. With Outrages, Wolf brings us the inspiring story of one man’s refusal to be silenced, and his belief in a future in which everyone would have the freedom to love and to speak without fear.
Lift My Eyes fictionally portrays the life of celebrated feminist painter Matilda Lotz. The daughter of a faithful Christian family of German immigrants, Matilda is only six when she is caught up in the bloody Battle of Franklin, only ten when she and her family are pursued by the Ku Klux Klan and forced to flee from Tennessee to California. Like Joseph sold into slavery in Egypt, no adversity can crush her. The talented young artist becomes the protégé first of Penelope Hearst and later of French feminist painter Rosa Bonheur. No typical Victorian woman, she overcomes both sexism and self-doubt to paint dukes in England, counts in Hungary, and Bedouins in North Africa. She refuses to marry until fifty-five, when she falls in love with another painter, a Hungarian nobleman. But when a second war, the Great War, strips her of nearly everything, Matilda is challenged to one final battle – with her own heart.
Walt Whitman spent most of his professional life writing and re-writing Leaves of Grass, revising it multiple times until his death. The first edition was a small book of twelve poems and the last, a compilation of over 400. The poems of Leaves of Grass represent Whitman's celebration of his philosophy of life and humanity. His poetry praises nature and the individual human's role in it. Leaves of Grass (First Edition): Song of Myself A Song for Occupations To Think of Time The Sleepers I Sing the Body Electric Faces Song of the Answerer Europe the 72d and 73d Years of These States A Boston Ballad There Was a Child Went Forth Who Learns My Lesson Complete Great Are the Myths Leaves of Grass (Final Edition): Inscriptions One's-Self I Sing As I Ponder'd in Silence In Cabin'd Ships at Sea To Foreign Lands To a Historian To Thee Old Cause Eidolons For Him I Sing When I Read the Book Beginning My Studies Starting from Paumanok Song of Myself Children of Adam From Pent-Up Aching Rivers I Sing the Body Electric A Woman Waits for Me Spontaneous Me One Hour to Madness and Joy Out of the Rolling Ocean the Crowd Calamus Salut au Monde! Song of the Open Road Crossing Brooklyn Ferry Song of the Answerer Our Old Feuillage A Song of Joys Song of the Broad-Axe Song of the Exposition Song of the Redwood-Tree A Song for Occupations A Song of the Rolling Earth Birds of Passage A Broadway Pageant Sea-Drift By the Roadside Drum-Taps First O Songs for a Prelude Eighteen Sixty-One Beat! Beat! Drums! From Paumanok Starting I Fly Like a Bird Song of the Banner at Daybreak Rise O Days from Your Fathomless Deeps Virginia—The West City of Ships The Centenarian's Story Cavalry Crossing a Ford Memories of President Lincoln By Blue Ontario's Shore Autumn Rivulets Proud Music of the Storm Passage to India Prayer of Columbus The Sleepers To Think of Time Whispers of Heavenly Death Thou Mother with Thy Equal Brood From Noon to Starry Night Songs of Parting Sands at Seventy Good-Bye My Fancy
This work is an autobiography of an early Mormon Pioneer, James Stephens Brown, who was a notable writer and speaker, was a prominent participant in the discovery of gold at Sutter's Mill in California. This significant work provides a window into the past. Brown's relationship with historical events of the moment contains the time when the territorial area of the great Republic was almost doubled by the addition of the Pacific slope and the Rocky Mountain region and when the great gold in California was discovered. The narrative of this book is presented in the simple and straightforward language of the people, with a clarity and power of expression that will be pleasing and impressive to every reader. The aim of the writer was to tell the story of his life for the advantage and amusement of his children and friends and of all others who may read it. Brown describes several compelling and startling incidents of his life with ease in this autobiography.
In the tumultuous decades of rapid expansion and change between the American Founding and the Civil War, Americans confronted a cluster of overlapping crises whose common theme was the difficulty of finding authority in written texts. The issue arose from several disruptive developments: rising challenges to the traditional authority of the Bible in a society that was intensely Protestant; persistent worries over America's lack of a “national literature” and an independent cultural identity; and the slavery crisis, which provoked tremendous struggles over clashing interpretations of the Declaration of Independence and the Constitution, even as these “parascriptures” were rising to the status of a kind of quasi-sacred secular canon. At the same time but from the opposite direction, new mass media were creating a new, industrial-scale print culture that put a premium on very non-sacred, disposable text: mass-produced “news,” dispensed immediately and in huge quantities but meant only for the day or hour. Perpetual Scriptures in Nineteenth-Century America identifies key features of the writings, careers and cultural politics of several prominent Americans as responses to this cluster of challenges. In their varied attempts to vindicate the sacred and to merge the timeless with the urgent present, Joseph Smith, Ralph Waldo Emerson, Margaret Fuller, Theodore Parker, Harriet Beecher Stowe, Walt Whitman, Frederick Douglass, Martin Delany, Abraham Lincoln, and other religious and political leaders and men and women of letters helped define American literary culture as an ongoing quest for new “bibles,” or what Emerson called a “perpetual scripture.”