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This classic of cowboy lore including illustrations by cowboy artist William Moyers, first published in 1976, is now available only from the University of New Mexico Press. "A beautiful job, exact, comprehensive and witty. Should remain a basic history of the subject for many years to come."--Edward Abbey
"Sandstone Seduction", Katie Lee's Arizona memoir, limns her love affair with the Southwest, where she grew up in the 1940s.
David Brower, who has always regretted the Sierra Club's failure to save the Glen Canyon, called it The Place No One Knew. But Katie Lee was among a handful of men and women who knew the 170 miles of Glen Canyon very well. She'd made sixteen trips down the river, even named some of the side canyons. Glen Canyon and the river that ran through it had changed her life. Her descriptions of a magnificent desert oasis and its rich archaeological ruins are a paean to paradise lost.In 1963, the U.S. Government's Bureau of Reclamation (the Wreck-the-nation bureau, Katie calls it) shut off the flow of the Colorado River at Glen Canyon Dam, beginning the process of flooding this natural treasure. Two generations have been born since the dam was built, and in a few more decades there may be no one alive who will have known the place. Katie Lee won't forget Glen Canyon, and she doesn't want anyone else to forget it either. She tells us what there was to love about Glen Canyon and why we should miss it. The canyon had great personal significance for her: She had gone to Hollywood to make her career as an actress and a singer, but the river kept calling her back, showing her a better way to live. She very eloquently weaves her personal story into her breathtaking descriptions of the trips she made down the canyon.In recent years, Katie has found allies in her struggle to restore the canyon. The Glen Canyon Institute has been joined by the Sierra Club in calling for the draining of Lake Powell (Rez Foul, in Katie's words), and the idea is being debated on editorial pages across the country and in congressional hearings. All My Rivers Are Gone celebrates a great American landscape, mournsits loss, and challenges us to undo the damage and forever prevent such mindless destruction in the future.
Did you ever need to spell “dogie” (as in, get-along-little), or need to know what a “sakey” is? This is the book that can tell you how to spell, pronounce, and define over 5,000 terms relative to the American West. Want to know what a “breachy” cow is? Turn to page 43 to learn that it’s an adjective used to describe a cow that has a tendency to find her way through fences where she isn’t supposed to be. Describes some teenagers we know… Spend hours perusing the dictionary at random, or read straight through to give you a flavor of the West from its beginnings to contemporary days. Laced with photographs and maps, the Dictionary of the American West will make you sound like an expert on all things Western, even if you don’t know your dingus from a dinner plate. Compiled of words brought into English from Native Americans, emigrants, Mormons, Hispanics, migrant workers, loggers, and fur trappers, the dictionary opens up history and culture in an enchanting way. From “Aarigaa!” to “zopilote,” the Dictionary of the American West is a “valuable book, a treasure for any literate American’s library.” (Tony Hillerman)
American lore has slighted the cowgirl, although at least one can still be found in nearly every ranching community. Like her male counterpart, she rides and ropes, understands land and stock, and confronts the elements. The writer and photographer Teresa Jordan traveled sixty thousand miles in the American West, talking with more than a hundred authentic cowgirls running ranches and performing in rodeos. The result is a fascinating book that also situates the cowgirl in history and literature. A new preface and updated bibliography have been added to this Bison Book edition.
Katie Lee's book, Glen Canyon Betrayed, should be read by all wilderness lovers. It beautifully invokes what it is like to have the freedom to explore one's deepest values within the intimacy of nature's rapture. Sadly, this freedom is increasingly diminished by the commercial clutter of a river that is increasingly being managed as a theme park for the wealthy. Katie's works are paeans to the wild, sacred heart of a paradise lost. For more than a decade, she regularly ran Glen Canyon before it was buried under trillions of tons of water in 1962. Her book recreates the beauty of the Glen, describes the characters that lived there, and tells how it changed her life.
In recent years an almost overwhelming number of books have appeared covering various aspects of American folk music and its history. Before 1970, most comprised collections of songs with a sprinkling of biographical information on noted performers. Over the past decade, however, scholars, journalists, and folk artists themselves have contributed biographies and autobiographies, instructional books and historical surveys, sociological studies and ethnographic analyses of this musical genre. In 100 Books Every Folk Music Fan Should Own, performer and historian Dick Weissman offers a reliable route through the growing sea of book-length studies, establishing for future scholars a foundation for their research. Beginning with early twentieth-century collections of folk songs, the author brings readers to the present by exploring modern studies of important events, critical collections of primary sources, the most significant musical instruction guides, and in-depth portraits of traditional and contemporary American folk musicians. For each title selected, Weissman provides his own brief summary of its contents and assessment of its significance for the reader—whether fan or scholar. Folk music fans, scholars, and students of the American folk music tradition—indeed, any reader seeking guidance on the best books in the field—will want a copy of this vital work.
Today the images of Robert Burns and Abraham Lincoln are recognized worldwide, yet few are aware of the connection between the two. In Abraham Lincoln and Robert Burns: Connected Lives and Legends, author Ferenc Morton Szasz reveals how famed Scots poet Robert Burns—and Scotland in general—influenced the life and thought of one of the most beloved and important U.S. presidents and how the legends of the two men became intertwined after their deaths. This is the first extensive work to link the influence, philosophy, and artistry of these two larger-than-life figures. Lacking a major national poet of their own in the early nineteenth century, Americans in the fledgling frontier country ardently adopted the poignant verses and songs of Scotland’s Robert Burns. Lincoln, too, was fascinated by Scotland’s favorite son and enthusiastically quoted the Scottish bard from his teenage years to the end of his life. Szasz explores the ways in which Burns’s portrayal of the foibles of human nature, his scorn for religious hypocrisy, his plea for nonjudgmental tolerance, and his commitment to social equality helped shape Lincoln’s own philosophy of life. The volume also traces how Burns’s lyrics helped Lincoln develop his own powerful sense of oratorical rhythm, from his casual anecdotal stories to his major state addresses. Abraham Lincoln and Robert Burns connects the poor-farm-boy upbringings, the quasi-deistic religious views, the shared senses of destiny, the extraordinary gifts for words, and the quests for social equality of two respected and beloved world figures. This book is enhanced by twelve illustrations and two appendixes, which include Burns poems Lincoln particularly admired and Lincoln writings especially admired in Scotland.