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Plato, Buddha, Christ--what brings these men to the far future to witness the end of the world? Ten billion days—that is how long it will take the philosopher Plato to determine the true systems of the world. One hundred billion nights—that is how far into the future Jesus of Nazareth, Siddhartha, and the demigod Asura will travel to witness the end of all worlds. Named the greatest Japanese science fiction novel of all time, Ten Billion Days and One Hundred Billion Nights is an epic eons in the making. Originally published in 1967, the novel was revised by the author in later years and republished in 1973.
Ten billion days—that is how long it will take the philosopher Plato to determine the true systems of the world. One hundred billion nights—that is how far into the future Jesus of Nazareth, Siddhartha, and the demigod Asura will travel to witness the end of all worlds. Named the greatest Japanese science fiction novel of all time, Ten Billion Days and One Hundred Billion Nights is an epic eons in the making. Originally published in 1967, the novel was revised by the author in later years and republished in 1973. “‘Ten Billion Days and One Hundred Billion Nights,’ that's a lot of time, but Ryu Mitsuse covers all of it in under 300 pages, and the result is quite fabulous.” –Alan Cheuse, All Things Considered -- VIZ Media
Aki Shiraishi is a high school student working in the astronomy club and one of the few witnesses to an amazing event--someone is building a tower on the planet Mercury. Soon, the enigmatic Builders have constructed a ring around the sun, and the ecology of Earth is threatened by its immense shadow. Aki is inspired to pursue a career in science, and the truth. She must determine the purpose of the ring and the plans of its creators, as the survival of both species--humanity and the alien Builders--hangs in the balance. -- VIZ Media
In a world where humans are a minority and androids have created their own civilization, a wandering storyteller meets the beautiful android Ibis. She tells him seven stories of human/android interaction in order to reveal the secret behind humanity's fall. The tales Ibis tells are science fiction stories about the events surrounding the development of artificial intelligence (AI) in the twentieth and twenty-first centuries. At a glance, these stories do not appear to have any sort of connection, but what is the true meaning behind them? What are Ibis's real intentions? -- VIZ Media
NOW A LOCUS AWARD FINALIST! “A classic space opera...a universe we’ve never seen before.” —Delilah S. Dawson, New York Times bestselling author From Hugo Award finalist Max Gladstone comes a smart, swashbuckling, wildly imaginative adventure; the saga of a rag-tag team of brilliant misfits, dangerous renegades, and enhanced outlaws in a war-torn future. A wildly successful innovator to rival Steve Jobs or Elon Musk, Vivian Liao is prone to radical thinking, quick decision-making, and reckless action. On the eve of her greatest achievement, she tries to outrun people who are trying to steal her success. In the chilly darkness of a Boston server farm, Viv sets her ultimate plan into motion. A terrifying instant later, Vivian Liao is catapulted through space and time to a far future where she confronts a destiny stranger and more deadly than she could ever imagine. The end of time is ruled by an ancient, powerful Empress who blesses or blasts entire planets with a single thought. Rebellion is literally impossible to consider--until Vivian Liao arrives. Trapped between the Pride—a ravening horde of sentient machines—and a fanatical sect of warrior monks who call themselves the Mirrorfaith, Viv must rally a strange group of allies to confront the Empress and find a way back to the world and life she left behind. A magnificent work of vivid imagination and universe-spanning action, Empress of Forever is a feminist Guardians of the Galaxy crossed with Star Wars and spiced with the sensibility and spirit of Iain M. Banks and William Gibson. “Empress of Forever is tense and vast, complex and twisty, a space opera epic that’s a lot faster on the draw than Star Wars or Star Trek ever dreamed of being. But at its core, it’s an epic about the value of empathy and the importance of compassion. It’s amazingly good.”—Locus “With Empress of Forever, Max Gladstone’s remarkable talent is operating at full stretch, demonstrating the strength, power, and originality at his command. This unique and propulsive novel yields a deep, cellular-level enchantment filled at every turn with curiosity and delight.”—Peter Straub “Empress of Forever is a story that will make you weep with wonder. The whole book is filled with the kind of snark that I love and an endless majesty of stars. It broke me to pieces and then stitched me back together with golden thread. Simply glorious.”—K.B. Wagers, author of Behind the Throne “Galaxy-saving space opera with cool original settings and a unique band of adventurers that change each other for the better. It was a wild ride and I really enjoyed it.”—Martha Wells, Hugo Award-winning author of The Murderbot Diaries “Incorporates wonder and wit to create a feminist, humanist playground. Introduces one mind-blowing concept after another, capitalizing on the concept of personal power while candidly addressing personal failure. This feast for the imagination intelligently captures the complexities of a variety of relationships in an adrenaline-fueled series of escapades and will leave readers both exhausted and elated.”—Publishers Weekly, starred review “A fantastic tale of adventure on the grandest scale of epic space opera, spanning galaxies full of battles and traps as well as trade and negotiation, all told with humor as the crew seeks allies, weapons, and ships to fight back against The Empress to save the galaxy—and so Viv can find her way home.”—Booklist, starred review “Vivian is an amazing woman: with no more than her sharp wit in a universe of AIs and enhanced beings, she still ends up being the key to the truth. Gladstone's epic space opera and fast-paced adventure will thrill readers.”—Library Journal, starred review At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
In the tradition of Liar's Poker and Barbarians at the Gate, dot.bomb is a gripping insider's account of e-business gone berserk -- the unforgettable story of the rise and crash of a major Internet startup.
"This picture book is one in a gazillion."--Jane O'Connor, the New York Times-bestselling author of the Fancy Nancy series Did you know that the earth is covered in three trillion trees? And that seven billion people weigh about the same as ten quadrillion ants? Our world is full of constantly changing numbers, from a hundred billion trillion stars in space to thirty-seven billion rabbits on Earth. Can you imagine that many of anything? The playful illustrations from New York Times-bestselling artist Isabel Greenberg and the friendly, straightforward voice of author Seth Fishman illuminate some of the biggest numbers in the universe--a hundred billion trillion stars--and the smallest--one unique and special YOU. Here is a book for story time, for science time, for math time, for bedtime, and all the times in between. Perfect for curious children, classrooms eager for STEM content, and readers who have devoured Ada Twist, Scientist and How Much Is a Million?
This collection of seven stories and a thirty-one thousand word original novella revisits the vivid world of near future India that McDonald so successfully depicted in River of Gods (a BSFA Award winner). Readers will discover a new, muscular superpower of one and a half billion people in an age of artificial intelligences, climate-change induced drought, water wars, strange new genders, genetically improved children that age at half the rate of baseline humanity, and a population where males outnumber females four to one. This future India has fractured into a dozen states from Kerala to the headwaters of the Ganges in the Himalayas. Includes one Hugo Award nominee and one Hugo Award winner. From the Trade Paperback edition.
“A riveting scientific detective story” (The Washington Post) by two Pulitzer Prize–winning journalists who chronicle a young Wisconsin boy with a never-before-seen disease and the doctors who save his life by taking a new step into the future of medicine. In this landmark medical narrative, Pulitzer Prize-winning journalists Mark Johnson and Kathleen Gallagher share the story of Nic Volker, the first patient to be saved by a bold breakthrough in medicine—a complete gene sequencing, aimed at finding the cause of an otherwise undiagnosable illness. At just two years old, Nic experienced a brief flicker of pain that signaled the awakening of a new and deadly disease, one that would hurl him and his family into a harrowing journey in search for a lifesaving cure. After his symptoms stump every practitioner, it becomes clear that Nic’s is a one in a billion case, a disease that no one has ever seen before. As Nic and his family search for answers, the scientific community is racing to bring about the next revolution in medicine—translating results from the Human Genome Project to treatments for actual patients. At the forefront is the brilliant geneticist Howard Jacob, who starts a lab at the Medical College of Wisconsin. Then Nic’s head physician reaches out to Jacob with an unprecedented of idea. A disease like Nic’s is likely due to a rare mutation: if they could sequence his genes to try to find the mutation, the boy might live. Jacob doesn’t know if he can do it; Nic’s doctors don’t know if it will even work; and no one knows what else might lie in the Pandora’s Box of Nic’s genome. But they decide to try—and in doing so, they step into a new era of medicine. One in a Billion is “a compelling story of a modern medical miracle—the first instance of personalized medicine” (Milwaukee Journal Sentinel) and the birth of a scientific revolution.
The twenty-first century has witnessed an explosion of speculative fiction in translation (SFT). Rachel Cordasco examines speculative fiction published in English translation since 1960, ranging from Soviet-era fiction to the Arabic-language dystopias that emerged following the Iraq War. Individual chapters on SFT from Korean, Czech, Finnish, and eleven other source languages feature an introduction by an expert in the language's speculative fiction tradition and its present-day output. Cordasco then breaks down each chapter by subgenre--including science fiction, fantasy, and horror--to guide readers toward the kinds of works that most interest them. Her discussion of available SFT stands alongside an analysis of how various subgenres emerged and developed in a given language. She also examines the reasons a given subgenre has been translated into English. An informative and one-of-a-kind guide, Out of This World offers readers and scholars alike a tour of speculative fiction's new globalized era.