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Temporal Circumstances provides powerful and detailed interpretations of the most important and challenging of the Canterbury Tales. Well-informed and clearly written, this book will interest both those familiar with Chaucer's masterpiece and readers new to it.
Temporal Circumstances provides powerful and detailed interpretations of the most important and challenging of the Canterbury Tales. Well-informed and clearly written, this book will interest both those familiar with Chaucer's masterpiece and readers new to it.
Phonetic, phonological, morphologic, semantic, and syntactic description of Gooniyandi, a language of the southern Kimberleys; relationship with nearby languages, especially Bunuba; kinship terms.
The narrator (the answer to the question "who speaks in the text?") is a commonly used notion in teaching literature and in literary criticism, even though it is the object of an ongoing debate in narrative theory. Do all fictional narratives have a narrator, or only some of them? Can narratives thus be "narratorless"? This question divides communicational theories (based on the communication between real or fictional narrator and narratee) and noncommunicational or poetic theories (which aim to rehabilitate the function of the author as the creator of the fictional narrative). Clarifying the notion of the narrator requires a historical and epistemological approach focused on the opposition between communicational theories of narrative in general and noncommunicational or poetic theories of the fictional narrative in particular. The Narrator offers an original and critical synthesis of the problem of the narrator in the work of narratologists and other theoreticians of narrative communication from the French, Czech, German, and American traditions and in representations of the noncommunicational theories of fictional narrative. Sylvie Patron provides linguistic and pragmatic tools for interrogating the concept of the narrator based on the idea that fictional narrative has the power to signal, by specific linguistic marks, that the reader must construct a narrator; when these marks are missing, the reader is able to perceive other forms and other narrative effects, specially sought after by certain authors.
This handbook provides academics and students with a comprehensive and holistic understanding of the phenomenon of innovation.
Whether you are a young actor seeking to land your first screen role or a workshop leader looking for relevant exercises that won't involve vast technical support, this book belongs on your shelf. Many screen actors begin their careers lacking the appropriate pre-shoot preparation and knowledge of studio protocols. This book helps actors new to screen performance to be fully prepared artistically - and technically. Screen Acting Skills augments existing theoretical and academic studies by offering practical, focused exercises that can be explored in low-tech workshop situations. Written in an accessible, jargon-free and often humorous style, Screen Acting Skills enables creativity on the workshop floor, allowing young - and older! - actors to access their own talent, and to hone their skills. This book offers students and tutors a straightforward approach to acting for the screen and how to prepare for studio work. The book is published alongside online videos of workshops with screen acting students.
In this unique book, Peter J. Stanlis, the leading Burke scholar in America, has collected all the most important works and speeches of Edmund Burke (1729-1797), British statesman, political philosopher, and founder of modern conservative thought and, with due care to preserve the beauty of Burke's prose, edited them down to their essentials. "The main purpose of these selections," Stanlis explains, "is to present extensive and in the main unbroken samples of Burke's most representative thought in his most characteristic style, on a great variety of subjects." In this major effort you can find--to name only a few topics covered--Burke's defense of ordered liberty, his advocacy of secure property rights, his love of Christianity and Europe's moral tradition, and his impassioned jeremiad against the orgy of destruction that the French Revolution became. Stanlis's general introduction gives important insight into Burke's early life, education, professional training, literary and political career, prose style, political philosophy, and more. In addition, each selection is preceded by a headnote that clarifies the selections in their historical context and includes a brief analytical interpretation. A chronology highlights important dates in Burke's life and career. In its compactness and comprehensiveness, this volume is the quintessential Burke reader. It will be of interest to historians, political scientists, and students of literature and intellectual history.
Janet E. Smith has been among the world’s preeminent voices in the study of the issues raised by Pope Paul VI’s 1968 encyclical letter Humanae vitae. Self-Gift: Essays on Humanae Vitae and the Thought of John Paul II presents Smith’s critical collection of essays on the vocation of marriage, human sexuality, contraception, and more. Her groundbreaking scholarship touches on all the areas implicated in Humanae vitae: from natural family planning to parenthood and natural law to personalism. This collection not only includes Smith’s English translation of the encyclical from the original Latin text, but also helpful background on the development and release of this authoritative magisterial document. With a particular emphasis on the personalist and Thomistic philosophy of Pope St. John Paul II and how it illuminates the two-millennia tradition of Catholic teaching on human sexuality, Self-Gift delivers crucial insight into the Creator’s plan for human sexuality and our full flourishing in Christ.