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"Balancing precariously between history and literature, memoir writers have finally found their place on the bookshelf. But increased notoriety brings intense scrutiny: memoirists are expected to create a narrative worthy of fiction while also saying true to the facts. Historians, too, handle tricky issues of writing from "real life," when imagination must fill gaps in the historical record." "In this landmark collection, Patricia Hampl and Elaine Tyler May have gathered fourteen original essays from award-winning memoirists and historians. They are all storytellers, wrestling with a fascinating gray area where memory intersects with history and where the necessities of narrative collide with mundane facts. And whether the record emerges from archival sources or from personal memory, these writers show how to make the leap to telling a good story, while also telling us true."--BOOK JACKET.
Fourteen accomplished writers investigate the tantalizing gray area where memory and history intersect.
April Swanson is so hopeful about all the possibilities New Year’s might bring, she’s practically Pollyanna. She’s hardly wishing for the world, after all – just a little less family crazy and the promotion she's perfect for. Surely then she can finally let loose and not strive to be such a good girl all the time. For reformed bad boy, Finn Ward, hope is a four letter word, yet he has a New Year’s wish of his own - to silence his dark and twisted past before it unravels his future and hurts the people he cares about. No matter what. So why would fate trick two such disparate souls into a fake first date? Maybe because they’ve both made the wrong wish...
A young Colombian-American woman uncovers the truth about her deceased mother's secret past in this beautiful and poignant debut novel from journalist Leila Cobo. Gabriella always loved the picture of her mother kneeling in front of a bed of roses, smiling, beautiful and impossibly happy. But then she learns that her late mother hated gardening; that she had never wanted the house in the Hollywood hills, the successful movie producer husband, and possibly, her only daughter. When Gabriella discovers a journal--a book that begins as a new mother's letters to her baby girl, but becomes a secret diary--the final entry leaves one question unanswered: the night her mother died, was she returning to Colombia to end an affair, or was she abandoning her family for good? Tell Me Something True is the bittersweet story of a daughter learning to see her mother as a woman, and not just a parent.
'There is no one on earth quite so wonderful' STEPHEN FRY 'As outrageously entertaining as you'd expect' Daily Express BAFTA-winning actor, voice of everything from Monkey to the Cadbury's Caramel Rabbit, creator of a myriad of unforgettable characters from Lady Whiteadder to Professor Sprout, MIRIAM MARGOLYES, OBE, is the nation's favourite (and naughtiest) treasure. Now, at the age of 80, she has finally decided to tell her extraordinary life story - and it's well worth the wait. Find out how being conceived in an air-raid gave her curly hair; what pranks led to her being known as the naughtiest girl Oxford High School ever had; how she ended up posing nude for Augustus John as a teenager; why Bob Monkhouse was the best (male) kiss she's ever had; and what happened next after Warren Beatty asked 'Do you fuck?' From declaring her love to Vanessa Redgrave to being told to be quiet by the Queen, this book is packed with brilliant, hilarious stories. With a cast list stretching from Scorsese to Streisand, a cross-dressing Leonardo di Caprio to Isaiah Berlin, This Much Is True is as warm and honest, as full of life and surprises, as its inimitable author.
Finally, what the world has been waiting for - a big, oversized collection of Gerald Jabolonski's psychedelically underground, absurdly avant-garde comics! Jablonski has been comics' best-kept secret for decades, telling the tales of imposter ants, bear-faced grumps, and stoic farmers with pun-laden word balloons that wildly snake around the page. This book also includes a discussion with Gary Groth, the artist's first interview in print. Jablonski belongs in the ingeniously baffling auteur pantheon with John Cage, James Joyce, and Andy Warhol. Yes, you read that right.
Ernest Hemingway was an American novelist, short-story writer, journalist, and sportsman. His economical and understated style—which he termed the iceberg theory—had a strong influence on 20th-century fiction, while his adventurous lifestyle and his public image brought him admiration from later generations. Hemingway's writing includes themes of love, war, travel, wilderness, and loss. Hemingway often wrote about Americans abroad. He was awarded the 1954 Nobel Prize in Literature for "his mastery of the art of narrative, most recently demonstrated in The Old Man and the Sea, and for the influence that he has exerted on contemporary style. THE NOVELS THE TORRENTS OF SPRING THE SUN ALSO RISES A FAREWELL TO ARMS TO HAVE AND HAVE NOT FOR WHOM THE BELL TOLLS ACROSS THE RIVER AND INTO THE TREES THE OLD MAN AND THE SEA THE SHORT STORY COLLECTIONS THREE STORIES AND TEN POEMS IN OUR TIME MEN WITHOUT WOMEN WINNER TAKE NOTHING THE FIFTH COLUMN AND THE FIRST FORTY-NINE STORIES THE FIFTH COLUMN AND FOUR STORIES OF THE SPANISH CIVIL WAR MISCELLANEOUS SHORT STORIES THE PLAY THE FIFTH COLUMN THE NON-FICTION DEATH IN THE AFTERNOON GREEN HILLS OF AFRICA NEWSPAPER ARTICLES THE AUTOBIOGRAPHIES HEMINGWAY, THE WILD YEARS A MOVEABLE FEAST
In the fall of 1948, Ernest Hemingway made his first extended visit to Italy in thirty years. His reacquaintance with Venice, a city he loved, provided the inspiration for Across the River and into the Trees, the story of Richard Cantwell, a war-ravaged American colonel stationed in Italy at the close of the Second World War, and his love for a young Italian countess. A poignant, bittersweet homage to love that overpowers reason, to the resilience of the human spirit, and to the worldweary beauty and majesty of Venice, Across the River and into the Trees stands as Hemingway's statement of defiance in response to the great dehumanizing atrocities of the Second World War. Hemingway's last full-length novel published in his lifetime, it moved John O'Hara in The New York Times Book Review to call him “the most important author since Shakespeare.”