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Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. Two award-winning authors reveal everything you need to know to develop your own distinctive voice and craft compelling, creative nonfiction “Tell all the Truth but tell it Slant.” —Emily Dickinson With these words, Dickinson offers sound advice for nonfiction writers: Tell the truth but become more than mere transcribers of daily life. Since 2003, Tell It Slant has set the standard for creative nonfiction instruction, showing writers how to move beyond mere facts and, instead, make the most of their own “slant” on the world. This revised and updated third edition offers: • New and expanded chapters on writing about identity, maintaining a productive work/life balance, and navigating the publishing industry • An anthology with diverse pieces that range from traditional essay to the graphic memoir • Expanded discussion of contemporary and emerging literary forms • New “Try It” writing exercises throughout the book Whether planning a course or learning on your own, Tell It Slant provides everything you need to know to develop a distinctive voice and to craft compelling creative nonfiction. This book provides the basis for a complete education in nonfiction writing, wherever your classroom might be. “Tell It Slant is a valuable and comprehensive resource for nonfiction writers, filled with exhilarating examples, powerful exercises, and pure inspiration. Miller and Paola are gifted teachers and writers with endless wisdom to share and a lovely way of sharing it with struggling writers at every level.” —Dinty W. Moore, author of The Mindful Writer: Noble Truths of the Writing Life
Creative nonfiction is the fastest-growing segment in the writing market. Yet, the majority of writing guides are geared toward poetry and fiction writers. Tell It Slant fills the gap. Designed for aspiring nonfiction writers, this much-needed reference provides practical guidance, writing exercises, and a detailed discussion of the range of subcategories that make up the genre, including memoir, travel writing, investigative reporting, and more.
Eugene Peterson considers the words of the Word made flesh. His probing of the parables and prayers of Jesus will inform and inspire all who love the Gospels. He explores the common speech of the Bible, and carefully exercises God's gift of language so that Jesus' words of storytelling and prayer "dazzle us with truth."
An accessible and personable guide to writing creative nonfiction
Honored as one of "10 Favorite Books of 2014" —Dwight Garner, The New York Times Honored as a "Standout Book of 2014" —American Poet magazine “Belieu oscillates between dark humor, self-consciousness, and pointed satire in a fourth collection that’s equal-opportunity in its critique. In the world of these poems, no one is innocent; everyone is confined to the complexity, absurdity, and, above all, fallibility of their human condition…. Anchoring the work is a conversational, lyrical speaker willing to implicate herself as part of the political and social constructs she criticizes, as when she depicts a Southern American culture still reeling from its history of social injustice, and even the Civil War: “Don’t tell us/ history. Nobody hearts a cemetery/ like we do.” It’s a fantastic collection; Belieu desires not to dress issues up but confront them.”—Publishers Weekly, starred review “A smart and nettling book of poems — about love, sex, social class and our free-floating anxieties — from a writer who is a comedian of the human spirit. Her crisp free verse has as many subcurrents as a magnetic field.”—Dwight Garner, The New York Times "Politics, pop culture, and parenthood appear here along with reflections on our collective moments of hypocrisy and hope. '12-Step,' one of the most resonant entries, begins innocuously with a meditation about lighthouses, then the speaker gathers speed and confidence and reaches a risky but profound one-word stanza—'myself'—before ending with a haunting inversion of the Serenity Prayer used by Alcoholics Anonymous. Amid the quips and the elegant observations about immortality, Belieu's speakers never forget their responsibilities, or their possibilities." —Booklist "From poem to poem in the smart, savvy Slant Six, Belieu channels an updated American idiom, one of stubborn in-betweenhood. Like the plain-spoken poetry that plumbed the depths of American consciousness in the 20th century, Belieu trawls the shallows of today’s America and finds just as much caught in its oily reflections as in its murkier subcurrents. It’s '[b]etter,' she suggests, 'to forget perfection.'" —The Boston Globe “I’ve never read a poem by Erin Belieu that I didn’t want to immediately rip from its bindings so I could fold it up and carry around in my pockets and read so many times that the paper turned back into pulp. She’s just that good. That honest and brave and beautiful and wise and funny. She writes poems we need. Poems that say who I am and who you are and how and why we got to be this way. Poems that wonder if we can ever change. Poems that know us and show us and grace us. Poems that remember us and forget us and leave us dazzled in their dust. In Slant Six, she’s outdone herself. It’s a spellbinding, heart-opening beauty of a book.” —Cheryl Strayed "Erin Belieu . . . is always ready to surprise, to astonish, and, ultimately, to defy comparison."—Boston Book Review "[One] of America's finest poets."—Robert Olen Butler Erin Belieu's fourth collection, Slant Six, is an inundation of the humor and horror in contemporary American life—from the last saltine cracked in the sleeve, to the kitty-cat calendar in an office cubicle. With its prophecies of impending destruction, and a simultaneous flood of respect for Americans, Erin Belieu's poems close like Ziploc bags around a human heart. From "12-Step": I am considering lighthouses in a completely new light— their butch neutrality, their grand but modest surfaces. A lighthouse could appear here at any moment. I have been making this effort, placing myself in uncomfortable positions, only for the documented health benefits . . .
Winner of the Hemingway Foundation/PEN Award, this is one of the defining books of the 1970s, an experimental novel about a young journalist trying to navigate life in America. When Speedboat burst on the scene in the late ’70s it was like nothing readers had encountered before. It seemed to disregard the rules of the novel, but it wore its unconventionality with ease. Reading it was a pleasure of a new, unexpected kind. Above all, there was its voice, ambivalent, curious, wry, the voice of Jen Fain, a journalist negotiating the fraught landscape of contemporary urban America. Party guests, taxi drivers, brownstone dwellers, professors, journalists, presidents, and debutantes fill these dispatches from the world as Jen finds it. A touchstone over the years for writers as different as David Foster Wallace and Elizabeth Hardwick, Speedboat returns to enthrall a new generation of readers.
Emily Dickinson said: “Tell all the truth, but tell it slant.” Artist Rosanna Bruno does just as the poet asked in a series of several dozen witty, hand-drawn cartoons inspired by what we know--and don’t know--about Dickinson’s life and work. The Slanted Life of Emily Dickinson explores--often hilariously, and always respectfully--the myth surrounding the reclusive poet using her own words to skew, or slant, a story that is already somewhat fuzzy in detail. Beginning with a line or two from Dickinson’s poems or letters, Rosanna Bruno presents an image of a real or imagined event. For example, she imagines Dickinson’s Facebook page (“Relationship Status: It’s Complicated”), her OkCupid dating profile (“I am small, like the wren; and my hair is bold, like the chestnut burr…”), her senior yearbook page (“Girl Most Likely to Talk to Birds”), and several other hilarious scenes and fictional artifacts. The result is a wickedly funny portrait of one of the most beloved (and mythologized) poets in the American canon.
"Listening Against the Stone brings together selections spanning the breadth of the work of Brenda Miller, including six essays that have won the Pushcart Prize. These deeply personal essays paint a picture of how her sense of spirituality has evolved and shifted through the years: always rooted in a strong desire for connection. Together, they tell the story of a single woman making her way, stumbling but always seeking out touchstones-a dog, a friend, a painting, a tree-to help her gain her true bearings."--Publisher's website.
Lauren, a Korean American adoptee, is best friends with the prettiest girl in school. Julie has an endless amount of confidence. Lauren doesn’t. It’s not that she wants to look like everyone else in her suburban Connecticut school—she’d just be happy if Sean, the cutest boy in her class, noticed her. And she could do without the names, too. Like “Slant.” When Sean slips one day and calls her by the taunt, she knows she has to take matters into her own hands. Using her life savings, Lauren decides to undergo a special eye surgery that will deepen the crease of her eyelid so she just blends in. After she convinces her father to agree, Lauren learns a secret about her dead mother and finds herself faced with a dilemma: should she get the operation that might make her more confident and well-liked, or can she find that confidence within? Sensitive and beautifully written, Laura E. Williams’s novel offers a powerful lesson to young readers whose self-esteem depends too much on how they look.