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In her greed for money after learning about the tooth fairy, Buttercup forms a plan to knock out the teeth of all of Townsville's villains.
NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK A modern classic of personal journalism, The Orchid Thief is Susan Orlean’s wickedly funny, elegant, and captivating tale of an amazing obsession. Determined to clone an endangered flower—the rare ghost orchid Polyrrhiza lindenii—a deeply eccentric and oddly attractive man named John Laroche leads Orlean on an unforgettable tour of America’s strange flower-selling subculture, through Florida’s swamps and beyond, along with the Seminoles who help him and the forces of justice who fight him. In the end, Orlean—and the reader—will have more respect for underdog determination and a powerful new definition of passion. In this new edition, coming fifteen years after its initial publication and twenty years after she first met the “orchid thief,” Orlean revisits this unforgettable world, and the route by which it was brought to the screen in the film Adaptation, in a new retrospective essay. Look for special features inside. Join the Random House Reader’s Circle for author chats and more. Praise for The Orchid Thief “Stylishly written, whimsical yet sophisticated, quirkily detailed and full of empathy . . . The Orchid Thief shows [Orlean’s] gifts in full bloom.”—The New York Times Book Review “Fascinating . . . an engrossing journey [full] of theft, hatred, greed, jealousy, madness, and backstabbing.”—Los Angeles Times “Orlean’s snapshot-vivid, pitch-perfect prose . . . is fast becoming one of our national treasures.”—The Washington Post Book World “Orlean’s gifts [are] her ear for the self-skewing dialogue, her eye for the incongruous, convincing detail, and her Didion-like deftness in description.”—Boston Sunday Globe “A swashbuckling piece of reporting that celebrates some virtues that made America great.”—The Wall Street Journal
"Help, I've been robbed! It'sth a disthasthter!" Grandpa's teeth, handmade by the finest Swiss craftsman, are gone -- stolen from his bedside table! Grandpa suspects anyone who doesn't smile widely enough to prove that their teeth are their own. Soon everyone in town is smiling -- all the time -- and their ghastly grins are frightening the tourists away. Can the culprit be caught before the whole town cracks up Popular Australion cartoonist Rod Clement, illustrator of Edward The Emu and Edwina The Emu by Sheena Knowles, has created a rollicking whodunit with a surprise ending that will have readers grinning from ear to ear. 00-01 CA Young Reader Medal Masterlist
“A meditation on how sounds are made, circulated and used by people around the world.” —Guardian In 2001, Jace Clayton was an amateur DJ who recorded a three-turntable, sixty-minute mix called Gold Teeth Thief and put it online to share with his friends. Within months, the mix became an international calling card, whisking Clayton away to a sprawling, multitiered nightclub in Zagreb, a tiny gallery in Osaka, a former brothel in São Paolo, and the atrium of MoMA. And just as the music world made its fitful, uncertain transition from analog to digital, Clayton found himself on the front lines of an education in the creative upheavals of art production in the twenty-first-century globalized world. Uproot is a guided tour of this newly opened cultural space, mapped with both his own experiences and his relationships with other industry game-changers such as M.I.A. and Pirate Bay. With humor, insight, and expertise, Clayton illuminates the connections between a Congolese hotel band and the indie rock scene, Mexican surfers and Israeli techno, Japanese record collectors and hidden rain-forest treasure, and offers an unparalleled understanding of music in a digital age. Uproot takes readers behind the turntable decks to tell a story that only a DJ—and writer—of this caliber can tell.
A global study of dental variation offering insights into modern human origins.
Best Music Writing has faithfully collected the year's most compelling writing on music for a decade now, so it's appropriate this special edition be guest-edited by one of the best-known writers on music and popular culture, Greil Marcus, author of Lipstick Traces, Mystery Train, Like a Rolling Stone, and other groundbreaking excursions into the very fabric of music, America, and beyond. As always, Series Editor Daphne Carr has culled an impressively wide range of essays, profiles, news articles, interviews, creative non-fiction, fiction, book reviews, long-format reviews, blog posts, and journal articles on music and music culture, from rock and hip-hop to RandB and jazz to pop, blues, and more. Writers who have been published in Best Music Writing include Alex Ross, Jonathan Lethem, Ann Powers, Dave Eggers, Susan Orlean, and more.