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Few historical icons can match the evocative power of the medieval suit of armour, and this epic new book is a complete course in the tools and techniques of the modern armourer's art. Through more than 1,000 detailed photos and clear instruction, Brian Price presents a working handbook for aspiring and active armourers who want to develop their skills in the production of medieval armour in the style of the 14th century. The book is divided into four sections: a sweeping history of armour and its production from its medieval roots to its modern revival; a practical introduction to all the tools and supplies necessary to equip a modern workshop; a thorough review of key techniques; and a series of actual courses in constructing armoured defenses for the head, body, arm, hand and leg. Taking the reader through the construction of an authentic medieval harness from conception to completion, Techniques of Medieval Armour Reproduction is a vital addition to the libraries of serious craftsmen, historians, collectors and researchers.
Few historical icons can match the evocative power of the medieval suit of armour, and this epic new book is a complete course in the tools and techniques of the modern armourer's art. Through more than 1,000 detailed photos and clear instruction, Brian Price presents a working handbook for aspiring and active armourers who want to develop their skills in the production of medieval armour in the style of the 14th century. The book is divided into four sections: a sweeping history of armour and its production from its medieval roots to its modern revival; a practical introduction to all the tools and supplies necessary to equip a modern workshop; a thorough review of key techniques; and a series of actual courses in constructing armoured defenses for the head, body, arm, hand and leg. Taking the reader through the construction of an authentic medieval harness from conception to completion, Techniques of Medieval Armour Reproduction is a vital addition to the libraries of serious craftsmen, historians, collectors and researchers.
As soon as the armed man realized that iron and steel were the best defences for his body, he would naturally insist that some sort of a guarantee should be given him of the efficacy of the goods supplied by his armourer. This system of proving armour would be effected by using those weapons commonly in use, and these, in the early times, were the sword, the axe, the lance, the bow, and the crossbow. The latter seems to have been the more common forms of proof, though as late as the seventeenth century we have evidence that armour was proved with the "estramaon" or sword blow. -from "The Proof of Armour" Not a history of defensive armor but rather a guide to the actual making of armor, as well as the regulations that governed the artisans who made it, this is a fascinating-and practical-handbook on the production, selling, and wearing metal traditional medieval body armor. First published in 1912, this classic book-by British historian and author CHARLES JOHN FFOULKES (1868-1947), curator of London's Royal Armouries-draws on records of the time to detail the tools and appliances of the trade, the decoration and cleaning of armor, the use of leather and fabrics, and much more to offer a complete reference for readers of period fiction and history, wargamers, costumers, and anyone fascinated by the craft of the armorer. This replica of the 1912 edition is complete with all of the original diagrams, illustrations, and photos.
Picture yourself in a full set of shining mail armor at your next reenactment, fair or costume party. And the best part is that you can say you made it yourself. The Art of Mail Armor shows you how to start with a piece of wire and end with a finished garment that costs a fraction of what it would ready-made and fits perfectly because it was custom made just for you. The book features seven original patterns from the author and step-by-step diagrams and instructions for attractive coifs (head coverings), hauberks (shirts), gauntlets, (gloves) and bishop's collars, as well as juggling balls, necklaces, belts, crosses and other jewelry. Find out how easy it is to assemble your tool kit and materials; acquire the best wire for specific items; measure for a perfect fit; join, enlarge, round, angle and fit sleeves; and incorporate decorative trimmings and inlays to make your designs truly unique. Also learn some quick and easy tricks for keeping your pieces clean and shiny - with no scrubbing or expensive commercial cleaners. Whether you are a Renaissance or medieval enthusiast, reenactor, historian, martial artist, jewelry designer or just someone with an interest in armor, you'll want to add this book to your library. Even experienced mail makers will find new ideas and techniques.
The reconstruction of highly efficient and deadly medieval fighting systems has seen a popular resurgence as students recreate these arts through structured martial arts training and then test their skills in competitive tournaments. Brian R. Price, Principale for one of the largest martial arts / historical fighting schools and author of the immensely popular Techniques of Medieval Armour Reproduction, presents the first English-language book focused solely on the astounding swordsmanship of the late 14th century swordmaster, Fiore dei Liberi. In the Fior di Battaglia the old master recorded an integrated fighting system that includes grappling, work with and against a dagger, baton, the sword in one and two hands, spear and poleaxe, in and out of armour, on foot and on horseback. This system, based on a set of simple principles, is as effective as any martial arts system since devised. Sword in Two Hands distills this system through the use of the hand-and-a-half sword using a proven, logical, systematic approach integrating modern training techniques. The book includes drills and more than 700 color photographs.
14 projects based on medieval designs. Color photos of the original pieces.
A thorough and original study of the linothorax, the linen armor worn by Alexander the Great. Alexander the Great led one of the most successful armies in history and conquered nearly the entirety of the known world while wearing armor made of cloth. How is that possible? In Reconstructing Ancient Linen Body Armor, Gregory S. Aldrete, Scott Bartell, and Alicia Aldrete provide the answer. An extensive multiyear project in experimental archaeology, this pioneering study presents a thorough investigation of the linothorax, linen armor worn by the Greeks, Macedonians, and other ancient Mediterranean warriors. Because the linothorax was made of cloth, no examples of it have survived. As a result, even though there are dozens of references to the linothorax in ancient literature and nearly a thousand images of it in ancient art, this linen armor remains relatively ignored and misunderstood by scholars. Combining traditional textual and archaeological analysis with hands-on reconstruction and experimentation, the authors unravel the mysteries surrounding the linothorax. They have collected and examined all of the literary, visual, historical, and archaeological evidence for the armor and detail their efforts to replicate the armor using materials and techniques that are as close as possible to those employed in antiquity. By reconstructing actual examples using authentic materials, the authors were able to scientifically assess the true qualities of linen armor for the first time in 1,500 years. The tests reveal that the linothorax provided surprisingly effective protection for ancient warriors, that it had several advantages over bronze armor, and that it even shared qualities with modern-day Kevlar. Previously featured in documentaries on the Discovery Channel and the Canadian History Channel, as well as in U.S. News and World Report, MSNBC Online, and other international venues, this groundbreaking work will be a landmark in the study of ancient warfare.
On the great influence of a valiant lord: "The companions, who see that good warriors are honored by the great lords for their prowess, become more determined to attain this level of prowess." On the lady who sees her knight honored: "All of this makes the noble lady rejoice greatly within herself at the fact that she has set her mind and heart on loving and helping to make such a good knight or good man-at-arms." On the worthiest amusements: "The best pastime of all is to be often in good company, far from unworthy men and from unworthy activities from which no good can come." Enter the real world of knights and their code of ethics and behavior. Read how an aspiring knight of the fourteenth century would conduct himself and learn what he would have needed to know when traveling, fighting, appearing in court, and engaging fellow knights. Composed at the height of the Hundred Years War by Geoffroi de Charny, one of the most respected knights of his age, A Knight's Own Book of Chivalry was designed as a guide for members of the Company of the Star, an order created by Jean II of France in 1352 to rival the English Order of the Garter. This is the most authentic and complete manual on the day-to-day life of the knight that has survived the centuries, and this edition contains a specially commissioned introduction from historian Richard W. Kaeuper that gives the history of both the book and its author, who, among his other achievements, was the original owner of the Shroud of Turin.