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This book explores stage conjuring during its “golden age,” from about 1860 to 1910. This study provides close readings highlighting four paradigmatic illusions of the time that stand in for different kinds of illusions typical of stage magic in the “golden age” and analyses them within their cultural and media-historical context: “Pepper’s Ghost,” the archetypical mirror illusion; “The Vanishing Lady,” staging a teleportation in a time of a dizzying acceleration of transport; “the levitation,” simulating weightlessness with the help of an extended steel machinery; and “The Second Sight,” a mind-reading illusion using up-to-date communication technologies. These close readings are completed by writings focusing on visual media and expanding the scope backwards and forwards in time, roughly to 1800 and to 2000. This exploration will be of great interest to students and scholars in theatre and performance studies.
From impossible shapes to three-dimensional sketches and trick art, you won't believe your eyes as you learn to draw optical illusions in graphite and colored pencil. Perfect for beginning artists, The Art of Drawing Optical Illusions begins with a basic introduction to optical illusions and how they work. Jonathan Stephen Harris then guides you step-by-step in creating mind-blowing pencil drawings, starting with basic optical illusions and progressing to more difficult two- and three-dimensional trick art. Perspective and dimension are difficult to capture for both beginning and established artists, but now you can hone those skills in the most unique way possible, while also exercising your mind with these brain-boosting, unbelievable tricks!
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Discover how artists have been tricking the human eye for centuries in this gorgeous and wide-ranging exploration of the art of illusion. This spellbinding look at the history and development of illusionistic art reveals wide-ranging techniques that have piqued the public's fascination with this medium. Beautifully reproduced, the images featured in the book includes centuries-old work such as the scenery at the Teatro Olimpico in Vicenza, Italy, and the ceiling frescos at the Würzburg Residence in Germany, that showcase processes such as trompe l'oeil and anamorphosis. It also features work from the 20th and 21st centuries, including René Magritte's classic Surrealist works; M.C. Escher's magical and mathematically precise drawings; the seemingly undulating paintings of Bridget Riley; the manipulated photography of Andreas Gursky; Duane Hanson's eerily lifelike sculptures; JR's larger-than-life portrait photographs; and Georges Rousse's mind-bending constructions. The book also has examples of amazing street art including subway graffiti and a sidewalk painting that makes pedestrians think twice. This extraordinary and informative guide to all kinds of artistic trickery will satisfy scholars as well as everyday fans.
Learn how to create the illusion of three-dimensional space in your drawings It is as mundane as it is astounding: placed in the right way, a couple of lines on paper create three-dimensional space. To be more exact, the illusion of space. The interest in three-dimensional drawing may initially arise from the intention to depict visible reality. However, the creation of depth is a fascinating challenge in every artistic composition. Drawing Perspective Methods for Artists is suitable for beginners and professionals alike. Authors Peter Boerboom and Tim Proetel have arranged, commented on, and with a guiding hand intuitively and tangibly presented 85 fundamental methods of three-dimensional illustration, offering a refreshing, simple approach to the graphic depiction of three-dimensionality.
Rings of seahorses seem to rotate and butterflies seems to transform into warriors right on the page. Astonishing creations of visual trickery by masters of the art, such as Escher, Dali, and Archimbolo make this breathtaking collection the definitive book of optical illusions. Includes an illuminating Foreword by the Pulitzer Prize-winning author Hofstadter.
From the world’s greatest master illusion artists, including Guido Moretti, Tracy Lee Stum, Vladimir Kush, Rob Gonsalves and Bev Doolittle, to Istvan Orosz, John Langdon, Scott Kim, Oscar Reutersvard, and Donald "Rusty" Rust, THE ART OF DECEPTION is not just an ordinary collection of optical illusions. Author Brad Honeycutt has collected 200 of the finest deceptive images ever assembled that will excite both novices and long-time fans of illusion art. The spectrum spans from classic optical illusions to art that is "made real from the impossible." This collection includes famous paintings, stunning photographs, and computer enhanced visual eye treats that will make your mind's eye blink twice . . . and then smile. Every image was handpicked to feature a specific segment of the illusory spectrum that has one sole purpose--to illustrate the best artistic presentation possible. With commentary by the artists about their vision and techniques, this is an extraordinary book on the art and science of the illusion.
Landscape Illusion provides a new understanding of the principles of, and the techniques necessary for, creating successful spatial illusions, which in turn leads to the creation of successful paintings. Chard covers conception, techniques, color mixing, and more. 160 color plates; 275 illustrations.
Get ready to learn one of the most powerful illusion techniques in existence. This is a crash course in all things Black Art. You will learn everything from methods to lighting and the science behind it in great detail. This is 110 pages of amazing. Once you have learned the techniques and strategies, you get 10 illusion creations to put it all to work. What's more, the book includes the Audience Member Vanish, a closely guarded illusion with any audience member (no stooges!). Chris Stolz is one of the top magic consultants working today. He has used the knowledge and techniques in this book to astound audiences all over the world and now, you can too. HIDING IN THE SHADOWS is your Black Art playbook. It's excellent! Finally a book that addresses the subject of black art in illusion design in a practical, no nonsense way. This book belongs on every magician's bookshelf! "Chris Stolz has written an important treatise on the subject of black art illusions and methodology that should be studied by magicians & illusionists of all levels." JC SUM IllusionBooks.com Review What's Inside Methods & Concepts: In this section, I take you through a series of effective Black Art methods, from masking, to shadows on a prop, to tunnels and more. I also take you through dealing with common challenges like blue curtains and wood finish floors! Lighting Theory: Here, I take you through some of the basics of stage lighting along with many of the lighting concepts we use to hide black on stage. I cover everything from pupil constriction to volumetric beams of light used to hide your B.A. Interview With A Lighting Designer: We get some valuable insights from a Lighting Design who has done everything from corporate to Broadway. Lighting Setups: This section contains a series of simple lighting setups you can use to light any of the methods and illusions covered in the book. These are effective setups that I still use today and will give you a great base on which to build your lighting design. Illusions: There are 9 illusions in the bookids. Most of the illusions are workers that you can take from venue to venue along with a couple big crazy concepts for those looking to add a little more adventure to your lives! Which ones you build and perform is of course up to you, but I promise you that each illusion will educate you and inspire new ideas!