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Seeing new media art as an entry point for better understanding of technology and worldmaking futures In this challenging work, a leading authority on new media art examines that curatorial and aesthetic landscape to explore how art resists and rewires the political and economic structures that govern technology. How do inventive combinations of artistic and theoretical improvisation counter the extent to which media art remains at risk, not just from the quarantines of a global pandemic but also from the very viral and material conditions of technology? How does global media art speak back to the corporate closures of digital euphoria as clothed in strategies of digital surveillance, ecological deprivation, and planned obsolescence? In Technics Improvised, Timothy Murray asks these questions and more. At the intersection of global media art, curatorial practice, tactical media, and philosophy, Murray reads a wide range of creative performances and critical texts that envelop artistic and digital materials in unstable, political relations of touch, body, archive, exhibition, and technology. From video to net art and interactive performance, he considers both canonical and unheralded examples of activist technics that disturb the hegemony of biopolitical/digital networks by staging the very touch of the unsettling discourse erupting from within. In the process, critical dialogues emerge between a wide range of artists and theorists, from Hito Steyerl, Ricardo Dominguez, Joan Jonas, Isaac Julien, Ryoji Ikeda, and Shadi Nazarian to Gilles Deleuze, Jean-Luc Nancy, Elizabeth Povinelli, Jean-François Lyotard, Erin Manning, Achille Mbembe, and Samuel Weber. Brilliantly conceived and argued and eloquently written, Technics Improvised points the way to how artistic and theoretical practice can seize on the improvisational accidents of technics to activate creativity, thought, and politics anew.
Enth.: Vol. 1: Theory
There has been a decided shift towards desiring greater “relevance” in management education by serving the needs of management practice. The importance of a careful defi nition of “relevance” and the retention of a critical perspective needs to be asserted. In this respect, what Hugo Letiche and Geoff Lightfoot have done together, and written up in this book, is an outstanding example of a commitment to restore “relevance” via critical engagement to management pedagogy and practice. Their success is a clear demonstration of the practical relevance of imagination, commitment and scholarship. Prof Heather Hopfl (University of Essex)
This facsimile edition of the US 1942 field manual for tank destroyer units describes missions, organization, combat, and training. It scales its information from squad to company to battalion to group. Issued early during the United States' WWII experience, it predates the assignment of authorized tank destroyer gear: "It is prepared for the guidance of units that will be equipped with materiel now being developed..." Readers should recall that US WWII doctrine and the high command forbade tank vs. tank combat. The American tank was meant for targets other than Axis armor. However, tank destroyer units were specifically designed, equipped, and deployed to fight what we now think of as tank battles. This is an historic document that gives us deep insight into a long-forgotten military doctrine. For those who think of tank destroyers as cheap tanks or stopgaps, this will be an eye-opener.
Includes section, "Recent book acquisitions" (varies: Recent United States publications) formerly published separately by the U.S. Army Medical Library.
Title first published in 2003. 'Weber is probably the only person in his generation who is equally at home in and directly informed about contemporary literary theory and its antecedents in Germany, France, and the US. His theoretical interest in psychoanalysis serves as a viewpoint from which a powerful combination of philosophical, linguistic, and political concerns are brought together in an uncommonly productive dialectical interplay' Paul de Man This book presents the first introductory text examining the work of the contemporary thinker, Samuel Weber. Accessible, compelling and challenging, Weber's writing offers a rewarding investigation into the connections between literary and cultural studies, media and technology, and philosophy and aesthetics, in the context of significant intellectual debates and developments linking Europe and North America. The critical practice of Weber's various texts is explored in detail, along with his studies in philosophy, aesthetics, deconstruction, media, technology, psychoanalysis and theatre.
Micrscopy. Equipment. Fixation. Sctioning. General Staining ans mounting procedures. Stains and Fluorochromes. Nuclei, nucleic acids, general oversight methods. Chemical end groups. Cytopasmic ganules and organelles. Enzymes. Endogenous pigments. Metals, anions, exogenous pigments. Lipids. Polysaccharides, mucins. connective tissue fibers and membranes. Smear preparations, bacteria, protozoa, and other parasites. Glia and never cells and fibers. Hard tissues, decalcification. Various special procedures. Bufffers and buffers tables, normal acids and alkalies.
The publication brings together contributions by many scholars, academics and researchers on the work of the German philosopher from a variety of perspectives and approaches. Prominent thinkers from various disciplines engage in a fascinating dialogue with the work of Martin Heidegger in an attempt to explain and critically evaluate his controversial legacy. The volume is an attempt to go beyond the polarised perceptions about the philosophy of Heidegger and present a neo-humanist reading of what can be still considered “livable” in it. Contributions also examine the consequences of Heidegger’s thinking for a wide range of modes of cultural production and aspects of philosophical enterprise. Finally the volume attempts the first post-political interpretation of his work by focusing on the texts themselves for the conceptual values they formulate and the modes of thinking they established. Contributors are: Gianni Vattimo, Jeff Malpas, Anthony Stephens , Peter Murphy, Elizabeth Grierson, Paolo Bartoloni, John Dalton, Colin Hearfield, Jane Mummery, Robert Sinnerbrink, Ashley Woodward, Peter Williams, George Vassilacopoulos and Vrasidas Karalis.
From prehistoric bone flutes to pipe organs to digital synthesizers, instruments have been important to musical cultures around the world. Yet, how do instruments affect musical organization? And how might they influence players' bodies and minds? Music at Hand explores these questions with a distinctive blend of music theory, psychology, and philosophy. Practicing an instrument, of course, builds bodily habits and skills. But it also develops connections between auditory and motor regions in a player's brain. These multi-sensory links are grounded in particular instrumental interfaces. They reflect the ways that an instrument converts action into sound, and the ways that it coordinates physical and tonal space. Ultimately, these connections can shape listening, improvisation, or composition. This means that pianos, guitars, horns, and bells are not simply tools for making notes. Such technologies, as creative prostheses, also open up possibilities for musical action, perception, and cognition. Throughout the book, author Jonathan De Souza examines diverse musical case studies-from Beethoven to blues harmonica, from Bach to electronic music-introducing novel methods for the analysis of body-instrument interaction. A companion website supports these analytical discussions with audiovisual examples, including motion-capture videos and performances by the author. Written in lucid prose, Music at Hand offers substantive insights for music scholars, while remaining accessible to non-specialist readers. This wide-ranging book will engage music theorists and historians, ethnomusicologists, organologists, composers, and performers-but also psychologists, philosophers, media theorists, and anyone who is curious about how musical experience is embodied and conditioned by technology.