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In just over two thousand years, Loot has transformed from an orphan Viking to the most powerful caster and greatest superhero on Earth. One day after a ship lands on Loot and Safrins beloved island, they destroy their home and head to the safety of a cave deep within the Smoking Mountains. But unfortunately within his chaotic world, safety is always short-lived. When Loot learns a fleet of ships is approaching and that the king of the Vikings in Norrland wants to find new lands for his sons to rule, he realizes war appears imminent and decides to help the Giants of the north. Two hundred years after he demonstrates his abilities and trains others like Dento in his quest to assist the Vikings in their win, Loot is sent on a dangerous journey to hunt for the vampire lair where he meets Merlin the great, Jack the Ripper, and Dracula with all of his children. But can he save the king of his new friends, before it is too late? In this continuing fantasy tale, a superhero must rely on help from a band of magical characters as he embarks on a new quest to help the Vikings and battle vampires.
Entomologist Gene Kritsky presents the first full-length discussion of the ways in which bees were a part of life in ancient Egypt. From the presence of bees in paintings and hieroglyphs in tombs to the use of beeswax in a variety of products, bees had a significant presence in ancient Egyptian culture.
The world of magic has disappeared. The dragons, witches, wizards, fey, and unicorns are all gone, and many are left wondering what happened to them. Are they really gone, or are they just in hiding? Loot is a young orphan boy who lives among the Viking clan. He has no knowledge of his past, and his future is just as unknown. He has only just returned to the village of his childhood after a year spent wandering the Smoking Mountains. He survives a dangerous encounter with the Clan of Dragons, enemies of his adopted people. Even so, Loot’s return does not bring celebration, and some people even feel he should be punished. They have no idea that Loot is the key to the world’s salvation. The boy has the power to save the human race and perhaps even to return the ancient dragons to places of power. As his mysterious past begins to reveal itself, it soon becomes clear that he is much more than a weak orphan boy. Before he can become a hero, though, he must first come to terms with his hidden history—and prepare for battle.
According to Egyptian mythology, when the ancient Egyptian sun god Re cried, his tears turned into honey bees upon touching the ground. For this reason, the honey bee was sacrosanct in ancient Egyptian culture. From the art depicting bees on temple walls to the usage of beeswax as a healing ointment, the honey bee was a pervasive cultural motif in ancient Egypt because of its connection to the sun god Re. Gene Kritsky delivers a concise introduction of the relationship between the honey bee and ancient Egyptian culture, through the lenses of linguistics, archeology, religion, health, and economics. Kritsky delves into ancient Egypt's multifaceted society, and traces the importance of the honey bee in everything from death rituals to trade. In doing so, Kritsky brings new evidence to light of how advanced and fascinating the ancient Egyptians were. This richly illustrated work appeals to a broad range of interests. For archeology lovers, Kritsky delves into the archeological evidence of Egyptian beekeeping and discusses newly discovered tombs, as well as evidence of manmade hives. Linguists will be fascinated by Kritsky's discussion of the first documented written evidence of the honeybee hieroglyph. And anyone interested in ancient Egypt or ancient cultures in general will be intrigued by Kritsky's treatment of the first documented beekeepers. This book provides a unique social commentary of a community so far removed from modern humans chronologically speaking, and yet so fascinating because of the stunning advances their society made. Beekeeping is the latest evidence of how ahead of their times the Egyptians were, and the ensuing narrative is as captivating as every other aspect of ancient Egyptian culture.
In contrast to other traditions, cultic laments in Mesopotamia were not performed in response to a tragic event, such as a death or a disaster, but instead as a preemptive ritual to avert possible catastrophes. Mesopotamian laments provide a unique insight into the relationship between humankind and the gods, and their study sheds light on the nature of collective rituals within a crosscultural context. Cultic laments were performed in Mesopotamia for nearly 3000 years. This book provides a comprehensive overview of this important ritual practice in the early 2nd millennium BCE, the period during which Sumerian laments were first put in writing. It also includes a new translation and critical edition of Uruamairabi (‘That city, which has been plundered’), one of the most widely performed compositions of its genre.
Reprint of the original, first published in 1836.