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In 1983, Tears For Fears' debut album, The Hurting, was released after the success of their iconic single, 'Mad World'. Whilst embracing the popularity of synth pop, Roland Orzabal and Curt Smith created an album that had a darker edge to it. Commercially it was a bold move but with memorable melodies and catchy rhythms, it paid off - all whilst making reference to the work of psychologist Arthur Janov. In this book, music author Laura Shenton MA LLCM DipRSL offers an in depth perspective on The Hurting from a range of angles including how the album came to be, how it was presented and received at the time (live as well as on record), and what it means in terms of Tears For Fears' legacy today. As the author explains: "Basically, the book covers how the album was made, what was going on with the music in terms of the artist's intentions, how it did musically and commercially and what happened next." The narrative is essentially driven by contemporary interviews with the artists with small bits of music theory where relevant... in some cases they delve into the structure / key signatures / time signatures, based on the original sheet music without straying away from being an engaging read for non-musicians.
Robert Cohen is a Motivational Speaker and writer of a book of poetry inspired by life experiences. Cohen is a native of Savannah Georgia and grew up in the Chatham County School system. He received a undergraduate Bachelor of Science in Sociology with a minor in Psychology from Savannah State University in December 2005. On March 2006 Cohen received his license to minister. For the past ten years Cohen has worked for the City of Savannah as a Summer Camp Counselor and is on the Board of Directors for the Chatham Savannah Citizens Advocacy. In his role for the Chatham Savannah Citizens Advocacy, he has developed and implemented programs to assist the disabled better their life skills. He is excited to be a member of GoodWill Good Guides mentoring program. He is also a part of a Cerebral Palsy support group. As a writer Robert is constantly seeking creative ways to foster a dynamic learning environment and to promote life to those less fortunate through his books.
Solomon Capri is a semi-retired pop star who appears to be settling contentedly into middle-age. With his gorgeous, successful wife, Jenny, his country pile, and gold discs hanging in his plush bathroom, he seems to have it all. But all is not well between Jenny and Solomon; as her business continues to grow, her affection for her husband begins to diminish, and soon divorce is on the cards. To try and win Jenny back, Solomon throws his bruised heart into trying out for a reality TV show that turns lapsed pop acts into opera singers. The ace up his sleeve is an eccentric octogenarian opera coach he employs to get ahead of the competition but, to his surprise, Solomon learns far more than how to improve the quality of his vibrato; especially when his coach asks Solomon to duet with newly single Samantha... Sex, Drugs & Opera is the debut novel of Tears for Fears musician, Roland Orzabal.
A landmark history of post-punk, the basis of the documentary film directed by Nikolaos Katranis Renowned music journalist Simon Reynolds celebrates the futurist spirit of such bands as Joy Division, Gang of Four, Talking Heads, and Devo, which resulted in endless innovations in music, lyrics, performance, and style and continued into the early eighties with the video-savvy synth-pop of groups such as Human League, Depeche Mode, and Soft Cell, whose success coincided with the rise of MTV. Full of insight and anecdotes and populated by charismatic characters, Rip It Up and Start Again re-creates the idealism, urgency, and excitement of one of the most important and challenging periods in the history of popular music.
Ghastly and ghostly children, 'dirty little white girls', the child as witness and as victim, have always played an important part in the history of cinema, as have child performers themselves. In exploring the disruptive power of the child in films made for an adult audience across popular films, including "Taxi Driver" and Japanese horror, and 'art-house' productions like "Mirror" and "Pan's Labyrinth", Karen Lury investigates why the figure of the child has such a significant impact on the visual aspects and storytelling potential of cinema.Lury's main argument is that the child as a liminal yet powerful agent has allowed filmmakers to play adventurously with cinema's formal conventions - with far-reaching consequences. In particular, she reveals how a child's relationship to time allows it to disturb and question conventional master-narratives. She explores too the investment in the child actor and expression of child sexuality, as well as how confining and conservative existing assumptions can be in terms of commonly held beliefs as to who children 'really are'.
Andy Till was the youngest of nine children and suffered years of physical and mental abuse at the hands of his parents. He started boxing at 11. This is Till's harrowing and inspiring story of his fight for more than a title.