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This is an account of the life and times of Te Whiti o Rongomai set against the politics and Crown policies of the nineteenth century. It traces the forces that shaped his life's journey from Ngamotu, where he was born, to his settling at Parihaka and his evolving sense of the injustices and disempowerment Maori experienced and his response to these. The book discusses the struggles Te Whiti had, as understood by some of his living relatives, against native policy of the time, and it gives insights into the motivations of Te Whiti and his actions. It explores the community at Parihaka, its resistance and the consequences of this and looks at Maori and government actions and responses up to the present day.
"Drawing on previously unpublished manuscripts, many of the teachings and sayings of Te Whiti and Tohu - in Maori and English - are reproduced in full with extensive annotation by Te Miringa Hohaia. Parihaka: The Art of Passive Resistance reaches beyond the art and literary worlds to engage with cultural issues important to all citizens of Aotearoa New Zealand."--Jacket.
Parihaka was a place and an event that could be lost and found, over and over. It moved into view, then disappeared, just like the mountain. In 1881, over 1,500 colonial troops invaded the village of Parihaka near the Taranaki coast. Many people were expelled, buildings destroyed, and chiefs Te Whiti o Rongomai and Tohu Kākahi were jailed. In this BWB Text, Rachel Buchanan tells her own, deeply personal story of Parihaka. Beginning with the death of her father, a man with affiliations to many of Taranaki’s eight iwi, she describes her connection to Taranaki, the land and mountain; and the impact of confiscation. Buchanan discusses the apologies and settlements that have taken place since te pāhuatanga, the invasion of Parihaka.
&‘You approach family stories with caution and care, especially when a thing long forgotten is uncovered in the telling.'In this deft memoir, Richard Shaw unpacks a generations-old family story he was never told: that his ancestors once farmed land in Taranaki which had been confiscated from its owners and sold to his great-grandfather, who had been with the Armed Constabulary when it invaded Parihaka on 5 November 1881.Honest, and intertwined with an examination of Shaw's relationship with his father and of his family's Catholicism, this book's key focus is urgent: how, in a decolonizing world, Pakeha New Zealanders wrestle with, and own, the privilege of their colonial pasts.
From the earliest days of European settlement in New Zealand, Maori have struggled to hold on to their land. Tensions began early, arising from disputed land sales. When open conflict between Maori and Imperial forces broke out in the 1840s and 1860s, the struggles only intensified. For both sides, land was at the heart of the conflict, one that casts a long shadow over race relations in modern-day New Zealand. Wars Without End is the first book to approach this contentious subject from a Maori point of view, focusing on the Maori resolve to maintain possession of customary lands and explaining the subtleties of an ongoing and complex conflict. Written by senior Maori historian Danny Keenan, Wars Without End eloquently and powerfully describes the Maori reasons for fighting the Land Wars, placing them in the wider context of the Maori struggle to retain their sovereign estates. The Land Wars might have been quickly forgotten by Pakeha, but for Maori these longstanding struggles are wars without end.
"The narrative of the Parihaka community sheds light on a critical period in Aotearoa’s colonial past. As the government seized their land, Māori communities across the region engaged in non-violent resistance, with Parihaka emerging as a powerful symbol of defiance under the leadership of Te Whiti o Rongomai and Tohu Kakahi.Rather than a history of Parihaka itself, Hazel Riseborough’s compelling account delves into the government’s systematic efforts to dismantle Māori rights and self-determination. First published in 1989, Days of Darkness is published now in a new edition which includes opening words contributed by the Parihaka community."--Publisher's website.
After Richard Shaw published his acclaimed memoir The Forgotten Coast in 2021, he made contact with Pakeha with long settler histories who were coming to grips with the truth of their respective families' &‘ pioneer stories' . They were questioning the foundation of aggressive acts of colonisation and land confiscation on which those stories had been constructed.The Unsettled weaves those stories with Shaw' s own and features New Zealanders who are trying to figure out how to live well with their own pasts, their presents and their possible futures. They may be unsettled, but they are doing something about it.It is an indispensable companion for the journey towards understanding the complex and difficult history of the New Zealand Wars and their ongoing aftermath.
'The events that took place in and around Parihaka particularly from about 1860 to 1900 have affected the political, cultural and spiritual dynamics of the entire country'. - Human Rights Commission, 2010 Over the past forty-years or so, we in New Zealand have watched our history being systematically re-invented, not based upon documented evidence of real-events that actually occurred on the ground, but solely to serve a modern-day need for made-to-order propaganda. One of the foremost of the churned-out, manufactured-myths surrounds the mid-19th century creation of a cultist-community called 'Parihaka', now represented, in typical Marxist-speak, as some kind of a Gandhi-inspiring bastion of righteousness and (yawn) passive-resistance against imperialist tyranny. The 'colonial invasion' of Parihaka in 1881 and the arrest of its self-styled 'prophets' Te Whiti and Tohu, have become a major part of the New Zealand narrative that has been revised to inculcate a guilt complex into European, especially British-descended, New Zealanders in the interests of tribal agendas. As such, the Parihaka legend ranks alongside America's 'Wounded Knee' and South Africa's 'Sharpeville' as part of a world-wide offensive against the past, present and future of European-descended peoples. Dr Kerry Bolton delves deeply into the huge body of extant historical documentation, contemporary to Parihaka's founding prophet, and lays the entire, lame-fantasy bare for all to see.
Te Ito’s vision was one of pan-tribal unity; he wanted to bring together all the people of Taranaki ‘from Mokau to Pātea’. Tāmati Te Ito Ngāmoke led the prophetic Kaingārara movement in Taranaki from 1856. Te Ito was revered by tribal leaders as a prophetic tohunga matakite; but others, including many settlers and officials, viewed him as an ‘imposter’, a ‘fanatic’. Despite his influence and leadership, Te Ito’s historical importance remains largely unrecognised today. By the time war broke out in 1860, Te Ito and his followers had established a school and a court system in Taranaki. Striving for the ‘fulfilment of the divine order’, the Kaingārara movement initiated the ‘Taranaki iconoclasm’, discarding tapu objects associated with atua (ancestral spirits, which often took the form of reptiles) into massive bonfires. Te Ito was a visionary adviser to Te Ātiawa chief Wiremu Kīngi Te Rangitāke, and played a crucial role in the conflicted region, both before and after the wars of the 1860s. Initially perceived as a rival to the Parihaka leaders, Tohu Kākahi and Te Whiti o Rongomai, he eventually joined the Parihaka community. Jeffrey Sissons’s account illuminates this tumultuous chapter in Aotearoa’s history.
This book offers an exploration of unique laws and customs placed around warfare throughout history, from Indigenous Australians to the American Civil War.