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A book about Taylor. Made with love. By fans. For fans. “Delightful...A rich and exhaustive production...Swifties have gotten their bible.” —The New Yorker Ten years ago, an unknown sixteen-year-old released a self-titled debut country album. A decade later, Taylor Swift has reached record-breaking, chart-topping heights. A ten-time Grammy winner, Swift has been hailed for her songwriting talent, crossed effortlessly from country to pop, and established herself as a musician who can surprise, delight, and inspire, all while connecting with her fans in a way that only she can. Amazingly, after all these years, there is no great, comprehensive book about Swift for her fans. Until now. This book, a fan-generated celebration of Swift’s first decade as an artist, collects the best writing and images from the past ten years in one gorgeous volume. From prefame interviews with Swift in local Pennsylvania newspapers to major profiles in The New Yorker and Rolling Stone; from album reviews by top critics such as Robert Christgau, Sasha Frere-Jones, and Ann Powers to essays by beloved novelists like Maggie Shipstead; from Tavi Gevinson’s classic ode to Swift in The Believer to Q&As with Chuck Klosterman and humorous analysis from McSweeney’s and The Hairpin; from album-themed crossword puzzles and adult coloring pages to profiles of Taylor’s biggest fans; from an excerpt of the soon-to-be-published novel Taylor Swift: Girl Detective to a “book within a book” of Swift’s most inspiring quotations titled (naturally) The Tao of Tay, this book is the vital collection of all things Taylor. Here, finally, is the must-have book for every Swiftie and every music lover. For, as Klosterman wrote in GQ, “If you don’t take Swift seriously, you don’t take contemporary music seriously.” * This book is a tribute to Taylor Swift, but she was not involved in its creation. *
It's the most valuable ounce of gold in the world, the celebrated, the fabled, the infamous 1933 double eagle, illegal to own and coveted all the more, sought with passion by men of wealth and with steely persistence by the United States government for more than a half century—it shouldn't even exist but it does, and its astonishing, true adventures read like "a composite of The Lord of the Rings and The Maltese Falcon" (The New York Times). In 1905, at the height of the exuberant Gilded Age, President Theodore Roosevelt commissioned America's greatest sculptor, Augustus Saint-Gaudens—as he battled in vain for his life—to create what became America's most beautiful coin. In 1933 the hopes of America dimmed in the darkness of the Great Depression, and gold—the nation's lifeblood—hemorrhaged from the financial system. As the economy teetered on the brink of total collapse, Franklin Delano Roosevelt, in his first act as president, assumed wartime powers while the nation was at peace and in a "swift, staccato action" unprecedented in United States history recalled all gold and banned its private ownership. But the United States Mint continued, quite legally, to strike nearly a half million 1933 double eagles that were never issued and were deemed illegal to own. In 1937, along with countless millions of other gold coins, they were melted down into faceless gold bars and sent to Fort Knox. The government thought they had destroyed them all—but they were wrong. A few escaped, purloined in a crime—an inside job—that wasn't discovered until 1944. Then, the fugitive 1933 double eagles became the focus of a relentless Secret Service investigation spearheaded by the man who had put away Al Capone. All the coins that could be found were seized and destroyed. But one was beyond their reach, in a king's collection in Egypt, where it survived a world war, a revolution, and a coup, only to be lost again. In 1996, more than forty years later, in a dramatic sting operation set up by a Secret Service informant at the Waldorf-Astoria, an English and an American coin dealer were arrested with a 1933 double eagle which, after years of litigation, was sold in July 2002 to an anonymous buyer for more than $7.5 million in a record-shattering auction. But was it the only one? The lost one? Illegal Tender, revealing information available for the first time, tells a riveting tale of American history, liberally spiced with greed, intrigue, deception, and controversy as it follows the once secret odyssey of this fabulous golden object through the decades. With its cast of kings, presidents, government agents, shadowy dealers, and crooks, Illegal Tender will keep readers guessing about this incomparable disk of gold—the coin that shouldn't be and almost wasn't—until the very end.
Taylor Swift: The Platinum Edition gets to the heart of this superstar with albums and singles that head straight to the top of the pop and country music charts, a shelf full of awards, and millions of fans around the world. Fans looking for Taylor’s complete story should look no further than this detailed biography, which chronicles her childhood in Pennsylvania where she was teased and bullied, to her early days trying to land a record deal by personally dropping off demos at Nashville record companies, to the performance that led Taylor to her current label — and international fame. Includes details on her 2012 album Red and coverage of all her recent romances and adventures in the spotlight.
Loving: A Photographic Story of Men in Love, 1850-1950 portrays the history of romantic love between men in hundreds of moving and tender vernacular photographs taken between the years 1850 and 1950. This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos taken in the most varied of contexts, both private and public. Taken when male partnerships were often illegal, the photos here were found at flea markets, in shoe boxes, family archives, old suitcases, and later online and at auctions. The collection now includes photos from all over the world: Australia, Bulgaria, Canada, Croatia, France, Germany, Japan, Greece, Latvia, the United States, the United Kingdom, Russia, and Serbia. The subjects were identified as couples by that unmistakable look in the eyes of two people in love - impossible to manufacture or hide. They were also recognized by body language - evidence as subtle as one hand barely grazing another - and by inscriptions, often coded. Included here are ambrotypes, daguerreotypes, glass negatives, tin types, cabinet cards, photo postcards, photo strips, photomatics, and snapshots - over 100 years of social history and the development of photography. Loving will be produced to the highest standards in illustrated book publishing, The photographs - many fragile from age or handling - have been digitized using a technology derived from that used on surveillance satellites and available in only five places around the world. Paper and other materials are among the best available. And Loving will be manufactured at one of the world's elite printers. Loving, the book, will be up to the measure of its message in every way. In these delight-filled pages, couples in love tell their own story for the first time at a time when joy and hope - indeed human connectivity - are crucial lifelines to our better selves. Universal in reach and overwhelming in impact, Loving speaks to our spirit and resilience, our capacity for bliss, and our longing for the shared truths of love.
An in-depth tribute to America's country and pop sweetheart that includes photographs, album artwork and archive memorabilia.
A NEW YORK TIMES BEST SELLER • The moving story of an undocumented child living in poverty in the richest country in the world—an incandescent debut from an astonishing new talent • A TODAY SHOW #READWITHJENNA PICK In Chinese, the word for America, Mei Guo, translates directly to “beautiful country.” Yet when seven-year-old Qian arrives in New York City in 1994 full of curiosity, she is overwhelmed by crushing fear and scarcity. In China, Qian’s parents were professors; in America, her family is “illegal” and it will require all the determination and small joys they can muster to survive. In Chinatown, Qian’s parents labor in sweatshops. Instead of laughing at her jokes, they fight constantly, taking out the stress of their new life on one another. Shunned by her classmates and teachers for her limited English, Qian takes refuge in the library and masters the language through books, coming to think of The Berenstain Bears as her first American friends. And where there is delight to be found, Qian relishes it: her first bite of gloriously greasy pizza, weekly “shopping days,” when Qian finds small treasures in the trash lining Brooklyn’s streets, and a magical Christmas visit to Rockefeller Center—confirmation that the New York City she saw in movies does exist after all. But then Qian’s headstrong Ma Ma collapses, revealing an illness that she has kept secret for months for fear of the cost and scrutiny of a doctor’s visit. As Ba Ba retreats further inward, Qian has little to hold onto beyond his constant refrain: Whatever happens, say that you were born here, that you’ve always lived here. Inhabiting her childhood perspective with exquisite lyric clarity and unforgettable charm and strength, Qian Julie Wang has penned an essential American story about a family fracturing under the weight of invisibility, and a girl coming of age in the shadows, who never stops seeking the light.
Featuring plenty of real life scenarios, from filming videos to accepting awards, this book charts Taylor's most fashionable moments. Fans can mix and match more than 450 stickers to create tons of gorgeous new outfits. Packed with beautiful, full-color illustrations, this book makes the perfect gift for any Taylor Swift fan or aspiring stylist.
One of The Wall Street Journal’s Ten Best Mysteries of the Year “Amazing...This is a series for the ages, it’s so spectacular.”—Gillian Flynn, #1 New York Times bestselling author of Gone Girl 1846: In New York City, slave catching isn’t just legal—it’s law enforcement. Six months after the formation of the NYPD, its most reluctant and talented officer, Timothy Wilde, learns of the gruesome underworld of lies and corruption ruled by the “blackbirders,” who snatch free Northerners of color from their homes, masquerade them as slaves, and sell them South to toil as plantation property. When the beautiful and terrified Lucy Adams staggers into Timothy’s office to report a robbery and is asked what was stolen, her reply is, “My family.” Their search for her mixed-race sister and son will plunge Timothy and his feral brother, Valentine, into a world where police are complicit and politics savage, and where corpses appear in the most shocking of places…
I understand that Ihor Pavlyuk is from Polissya. The name of this region sounds magical to my ear. I have never visited such a place as Polissya... I think that Ihor Pavlyuk is a good poet and in his heart he resembles the unique natural spirit of his birthplace. My first impression from these English translations of Ihor Pavlyuk's poems was that I was reading Seamus Heaney's book. I am grateful to Ihor Pavlyuk for the energy of true humanity which I found in his poems. I know that a nebulous terrain exists in the hearts and minds of every person, a terrain that cannot be adequately characterized in simple terms of right and wrong or good and bad. I see this ambiguity in Ihor Pavlyuk's works and I am happy in the knowledge that there is a very good poet in Ukraine. Mo Yan, who was awarded the Nobel Prize for Literature in 2012 Ihor Pavlyuk's poems have been sensitively rendered into English. The subtle music of Stephen Komarnykyj's translations echoes the delicacy and depth of the poet's visions, where despair is always infused with tenderness and personal desires drink from the well of collective dreams. Naomi Foyle, British poet Although Pavlyuk writes in his own highly original style, the fierce humanity of his poems reminded me of Seamus Heaney. There is also a sense as in Heaney of how intrinsically linked the present is with the past our language and our landscape scattered with pagan remnants which live inside each of us. However Pavlyuk's pagans are very much alive and dwell in the primal landscape of Polissya with its impenetrable forests and marshes. What is it that is unique about Pavlyuk's work and about Ukrainian literature? Why should any English language reader who picks up this book bother to turn the pages? There is, of course, a moral argument, a national literature which has been sundered from the mainstream of Europe is being returned to its rightful place. However, many people might feel that there is a 'Slavic' quality to this literature which has been adequately conveyed by Akhmetova, Chekhov etc., but in this they would be mistaken. Pavlyuk's poetic world, the inter¬nal cosmos he created in exile in St. Petersburg, has resulted in a rare example of a subjective, confessional poetry in a Slavic language. Equally, the traditions on which he draws, in particular the modern baroque of the authors of the Executed Renaissance, are almost unknown in the English speaking world and have qualities which could influence and enrich English poetry. As we have also seen, Pavlyuk is an emissary from a forgotten pagan Europe of open pastures where the horses of Makhno's anarchists roam. There was, of course, much that was wrong with that world, but equally, our estrangement from the lives once lived in the fields outside our cities has impoverished us. Pavlyuk's voice is the voice of these nowun-peopled fields. I invite you to sit with us and converse with anolder forgotten Europe whose vestiges linger in the names given to the days of the week and the outlines of iron age forts glimpsed from the air. Steve Komarnyckyj, translator But through the power of his rhythms and images, Pavlyuk has the capability of adjusting the reality of the 'Imperial' Russophone world into something that more resembles an East Slavic world, one that shares its riches with its immediate neighbours. The fact that I might be on hand as a translator of this workmanship of genius into an understandable and accessible English language. Thom Moore, Irish poet, bard READ MORE REVIEWS ABOUT THE BOOK BY IHOR PAVLYUK «A FLIGHT OVER THE BLACK SEA» http: //www.stridemagazine.co.uk/Stride%20mag%202014/sept2014/Hart.Tukka.htm http: //dura-dundee.org.uk/author/glow/
2014 edition. A fully updated 2024 edition is out now 9780007544219 The full story of Taylor Swift’s stratospheric rise to fame; all any dedicated Swifty needs to know about the pop superstar who’s taking over the world