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An illustrated history of tattooing and cultural exchange in the Pacific from the late 18th century to the present.
What it means to be a man or a woman is questioned today like never before. While traditional gender roles have been eroding for decades, now the very categories of male and female are being discarded with reckless abandon. How does one act like a gentleman in such confusing times? The Catholic Gentleman is a solid and practical guide to virtuous manhood. It turns to the timeless wisdom of the Catholic Church to answer the important questions men are currently asking. In short, easy- to-read chapters, the author offers pithy insights on a variety of topics, including • How to know you are an authentic man • Why our bodies matter • The value of tradition • The purpose of courtesy • What real holiness is and how to achieve it • How to deal with failure in the spiritual life
Harboring a dream to sail across the world's widest ocean, a seasick unicorn gathers his friends and casts off to sea to vomit rainbows and battle self-doubt in a quest to reach the sandy shoreline of beach bonfires and success.
For three hundred years, a stolen relic passes from one fortune-seeker to the next, indelibly altering the lives of those who possess it. In modern-day Tokyo, Robin Swann’s life has sputtered to a stop. She’s stuck in a dead-end job testing antiquities for an auction house, but her true love is poetry, not pottery. Her stalled dissertation sits on her laptop, unopened in months, and she has no one to confide in but her goldfish. On the other side of town, Nori Okuda sells rice bowls and tea cups to Tokyo restaurants, as her family has done for generations. But with her grandmother in the hospital, the family business is foundering. Nori knows if her luck doesn’t change soon, she’ll lose what little she has left. With nothing in common, Nori and Robin suddenly find their futures inextricably linked to an ancient, elusive tea bowl. Glimpses of the past set the stage as they hunt for the lost masterpiece, uncovering long-buried secrets in their wake. As they get closer to the truth—and the tea bowl—the women must choose between seizing their dreams or righting the terrible wrong that has poisoned its legacy for centuries.
Got ink? Having a tattoo is now thoroughly mainstream—but getting it done is still scary for most regular folks. Does it hurt? Is it safe? How much does it cost? Written for the novice and aficionado alike, this book walks the reader through every step of the process: making the big decision, handling the physical event, and finally, taking proper care of your own personal work of art. • Expert advice from a high-profile professional • Includes 30 original designs, exclusive to this book • Includes 8-page full-color insert • Millions of people of all ages get inked each year • Tattoo shops have sprung up everywhere to meet this growing demand, and cable shows such as "Miami Ink" and "Inked" draw huge audiences
In the bestselling tradition of Drinking, Smoking, and Screwing: Great Writers on Great Times comes a hip collection of classic and contemporary stories, essays, and poems about tattoos. Previously considered the domain of bikers and a rite of passage in the army, tattoos have crawled out of society’s fringes and onto the ankles of starlets and the biceps of bankers. While still risque enough to raise a mother-in-law’s eyebrow, tattoos have come to be one of the most popular forms of personal expression. DOROTHY PARKER’S ELBOW brings together some of the most erotic, humorous, and vivid fiction, essays, and poetry that explore the mysterious fascination and the intensity of emotion attached to the act of being tattooed. Readers will join great writers, including Flannery O’Connor, Rick Moody, Elizabeth McCracken, Sylvia Plath, and more in celebrating the tattoo experience in all of its rebellious glory.
Tokyo Tattoo 1970 provides a rare glimpse into the world of traditional Japanese tattooing in 1970s Tokyo. Now in paperback for the first time, this unique collection of photographs and reflections from photographer Martha Cooper captures the art of Irezumi, its cultural significance and artistry, and the master of the practice at work. When Martha Cooper first visited Tokyo in 1969, she soon became fascinated by the local art of tattooing and began documenting the work of traditional Japanese tattooist Horibun I. In the early 1970s, Japanese tattoo was an underground art form. The masters of the traditional techniques worked in small studios, tattoo artists were rare, and the act of receiving a tattoo was taboo, reserved only for the infamous Yakuza. No one could foresee the incredible internationally popularity of tattoo art in the years to come. Horibun I worked with ancient Japanese methods; different sized bundles of needles bound to sticks which he dipped into colored inks and his motifs were derived from traditional Japanese legends. He allowed Cooper to photograph him at his workshop, meet his customers, show his tattoos and craft in detail, and follow him on a pilgrimage to a holy Shinto shrine. Tokyo Tattoo 1970 is Martha Cooper's first study of the underground art subculture, which launched her into an ongoing immersion into the graffiti and street art of New York City and beyond. The hardcover edition of Tokyo Tattoo 1970 (9789185639274) was released in 2012. It has been sold out for years and is considered a collector's item. Now the paperback edition is here, making this unique collection available for a new generation of tattoo fans.
For millennia, tattoos have documented the history of humanity one painful mark at a time. They form a visual language on the skin, expressing an individual’s desires and fears as well as cultural values, family ties, and spiritual beliefs on the surfaces of the body. The Indigenous peoples of Asia have created some of the world’s oldest and most distinctive tattoos, but their many contributions to body art and practice have been largely overlooked. Tattoo Traditions of Asia is the first single volume dedicated to the anthropological study of an ancient cultural practice and artform that spans many countries and societies, ancestral lands, and contemporary communities across the continent and its islands. This richly illustrated survey combines the author's twenty years of fieldwork, interviewing hundreds of Indigenous tattoo bearers and contemporary tattoo practitioners, with painstaking research conducted in obscure archives throughout the region and elsewhere to break new ground on one of the least-understood mediums of Indigenous Asian expressive culture—a vital tradition to be celebrated, an inspirational story told in skin and ink.
In this collection leading thinkers, writers, and activists offer their responses to the simple question “do I have a body, or am I my body?”. The essays engage with the array of meanings that our bodies have today, ranging from considerations of nineteenth-century discourses of bodily shame and otherness, through to arguing for a brand new corporeal vocabulary for the twenty-first century. Increasing numbers of people are choosing to modify their bodies, but as the essays in this volume show, this is far from being a new practice: over hundreds of years, it has evolved and accrued new meanings. This richly interdisciplinary volume maps a range of cultural anxieties about the body, resulting in a timely and compelling book that makes a vital contribution to today’s key debates about embodiment.
This book raises questions around pedagogy and illness. Morris explores two large issues that run through the text. What does the ill body teach? What does the teacher do through the ill body?