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Tara is following her dream of becoming a bass guitar rock star. But when roommates Pop and Lolly tell her about an African school for orphans, Tara decides that helping others is more important than becoming famous. A charity CD seems like a great way to raise money, since Tara is surrounded by talented friends and teachers at Rockley Park school. But before long, she realizes that the CD is much more work, and trouble, than she bargained for. Tara needs a lot of help—and a little ingenuity—to pull it all together. Will she succeed? Or will all her hard work be wasted?
In our world today, there is a yearning to connect to beauty; a rising tide of sensitivity and awareness of the immense difficulties we are facing; a need to find a sense of redemption. Poetry offers this. It opens the window to paradox, giving voice to both the souls grief and its longing for the ecstatic. Julie Taras poetry falls in the tradition of the mystical poets who, through the magic of words, open the eyeand the soulto the awareness of the infinite; of timelessness; of presence. To enter into Songs of Gaia is to enter into a world where the desert wind becomes a wild womans breath; where the rivers youve drunk deeply from become the blood of the Mothers veins, and where the sound of your beating heart becomes the rhythm of the very universe in which you live.
How can Shane reconcile his feelings for David with his desire for a better life? Shane is still reeling from the suicide of his kid sister, Destiny. How could he have missed the fact that she was so sad? He tries to share his grief with his girlfriend, Tara, but she’s too concerned with her own needs to offer him much comfort. What he really wants is to be able to turn to the one person on the rez whom he loves—his friend, David. Things go from bad to worse as Shane’s dream of going to university is shattered and his grieving mother withdraws from the world. Worst of all, he and David have to hide their relationship from everyone. Shane feels that his only chance of a better life is moving to Toronto, but David refuses to join him. When yet another tragedy strikes, the two boys have to make difficult choices about their future together. With deep insight into the life of Indigenous people on the reserve, this book masterfully portrays how a community looks to the past for guidance and comfort while fearing a future of poverty and shame. Shane’s rocky road to finding himself takes many twists and turns, but ultimately ends with him on a path that doesn’t always offer easy answers, but one that leaves the reader optimistic about his fate.
Dawn ot the DAW tells the story of how the dividing line between the traditional roles of musicians and recording studio personnel (producers, recording engineers, mixing engineers, technicians, etc.) has eroded throughout the latter half of the twentieth century to the present. Whereas those equally adept in music and technology such as Raymond Scott and Les Paul were exceptions to their eras, the millennial music maker is ensconced in a world in which the symbiosis of music and technology is commonplace. As audio production skills such as recording, editing, and mixing are increasingly co-opted by musicians teaching themselves in their do-it-yourself (DIY) recording studios, conventions of how music production is taught and practiced are remixed to reflect this reality. Dawn of the DAW first examines DIY recording practices within the context of recording history from the late nineteenth century to the present. Second, Dawn of the DAW discusses the concept of "the studio as musical instrument" and the role of the producer, detailing how these constructs have evolved throughout the history of recorded music in tandem. Third, Dawn of the DAW details current practices of DIY recording--how recording technologies are incorporated into music making, and how they are learned by DIY studio users in the musically--chic borough of Brooklyn. Finally, Dawn of the DAW examines the broader trends heard throughout, summarizing the different models of learning and approaches to music making. Dawn of the DAW concludes by discussing the ramifications of these new directions for the field of music education.
Legends are said to be those individuals who soar above the limitations of the average human experience. These special souls leave eternal footprints in the hearts of even the casual observer, and their message remains timeless. History books are full of stories about these remarkable people. While some of these dynamic leaders affect only their generation, others are birthed for the purposes of eternity. Arthur Lee Crume Sr. is such a man. Arthur is the owner, manager and longest active member of the widely acclaimed Soul Stirrers Gospel Quartet. Historians herald this group as the greatest quartet in the history of gospel music. Arthurs musical talents catapulted and held him at the top of his field for several decades. Although he enjoyed all the attention and accolades he received, he had one serious problem. Arthur did not have a personal relationship with the God he was singing about. All the notoriety and fame stroked his already inflated ego and caused him to become even more self-absorbed. His poor choices and fleshly appetites scarred the lives of those who loved him the most, leaving broken hearts littered along lifes highway. But God, who is rich in mercy, never gave up on Arthur.
NATIONAL BESTSELLER • READ WITH JENNA BOOK CLUB PICK AS FEATURED ON TODAY • A spellbinding debut novel tracing three generations of a Southern Black family and one daughter’s discovery that she has the power to change her family’s legacy. “A rhapsodic hymn to Black women.”—The New York Times Book Review “I fell in love with this family, from Joan’s fierce heart to her grandmother Hazel’s determined resilience. Tara Stringfellow will be an author to watch for years to come.”—Jacqueline Woodson, New York Times bestselling author of Red at the Bone LONGLISTED FOR THE ASPEN WORDS LITERARY PRIZE • ONE OF THE BEST BOOKS OF THE YEAR: The Boston Globe, NPR, BuzzFeed, Glamour, PopSugar Summer 1995: Ten-year-old Joan, her mother, and her younger sister flee her father’s explosive temper and seek refuge at her mother’s ancestral home in Memphis. This is not the first time violence has altered the course of the family’s trajectory. Half a century earlier, Joan’s grandfather built this majestic house in the historic Black neighborhood of Douglass—only to be lynched days after becoming the first Black detective in the city. Joan tries to settle into her new life, but family secrets cast a longer shadow than any of them expected. As she grows up, Joan finds relief in her artwork, painting portraits of the community in Memphis. One of her subjects is their enigmatic neighbor Miss Dawn, who claims to know something about curses, and whose stories about the past help Joan see how her passion, imagination, and relentless hope are, in fact, the continuation of a long matrilineal tradition. Joan begins to understand that her mother, her mother’s mother, and the mothers before them persevered, made impossible choices, and put their dreams on hold so that her life would not have to be defined by loss and anger—that the sole instrument she needs for healing is her paintbrush. Unfolding over seventy years through a chorus of unforgettable voices that move back and forth in time, Memphis paints an indelible portrait of inheritance, celebrating the full complexity of what we pass down, in a family and as a country: brutality and justice, faith and forgiveness, sacrifice and love.
The intense and continuing popularity of the long-running television show Buffy the Vampire Slayer (1997-2003) has long been matched by the range and depth of the academic critical response. This volume, the first devoted to the show's imaginative and widely varied use of music, sound, and silence, helps to develop an increasingly important and inadequately covered area of research - the many roles of music in contemporary television. In addressing this significant gap, this book provides an exemplary overview of the functions of music and sound in the interpretation of a television show. This is done through analyses that focus on scoring and source music, the title theme, the music production process, the critically acclaimed musical episode (voted number 13 in Channel Four's One Hundred Greatest Musicals), the symbolic and dramatic use of silence, and the popular reception of the show by its international fan base. In keeping with contemporary trends in the study of popular musics, a variety of critical approaches are taken from musicology, cultural studies, and media and communication studies, specifically employing critique, musical analysis, industry studies, and hermeneutics.
'SONG OF THE CROCODILE is a moving, wise and deeply rewarding novel from an astonishing writer' - Emily Maguire, author of AN ISOLATED INCIDENT Darnmoor, The Gateway to Happiness. The sign taunts a fool into feeling some sense of achievement, some kind of end- that you have reached a destination in the very least. Yet as the sign states, Darnmoor is merely a gateway, a waypoint on the road to where you really want to be. Darnmoor is the home of the Billymil family, three generations who have lived in this 'gateway town'. Race relations between Indigenous and settler families are fraught, though the rigid status quo is upheld through threats and soft power rather than the overt violence of yesteryear. As progress marches forwards, Darnmoor and its surrounds undergo rapid social and environmental changes, but as some things change, some stay exactly the same. The Billymil family are watched (and sometimes visited) by ancestral spirits and spirits of the recently deceased, who look out for their descendants and attempt to help them on the right path. When the town's secrets start to be uncovered the town will be rocked by a violent act that forever shatters a century of silence. Full of music, Yuwaalaraay language and exquisite description, Song of the Crocodile is a lament to choice and change, and the unyielding land that sustains us all, if only we could listen to it. 'In Song of the Crocodile, Yuwaalaraay author Nardi Simpson makes a lightning debut.' - Kill Your Darlings