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Born in A.D. 1575, Lama Taranatha wrote this book in 1608. V. Vasil`ev of St. Petersburg translated it from Tibetan into Russian in April 1869 followed by the German translation of the text by Schiefner also published from St. Peterburg in October of the same Year. In view of the profound importance of the work for understanding Indian history in general and of the history of Buddhism in particular. modern scholars have extensively using specially Schiefner`s German translation of the History for decades and this for varied purposes.
Born in A.D. 1575, Lama Taranatha wrote this book in 1608. V. Vasil'ev of St. Petersburg translated it from Tibetan into Russian in April 1869 followed by the German translation of the text by Schiefner also published from St. Peterburg in October of the same Year. In view of the profound importance of the work for understanding Indian history in general and of the history of Buddhism in particular. modern scholars have extensively using specially Schiefner's German translation of the History for decades and this for varied purposes.
Is one of the most accomplished scholars of the unorthodox Jo-nan sect, strings together from various fragmentary sources a mine of legends and episodes on the origin and diffusion of Tara's tantra. The Origin of Tara tantra, though not dependent on legends and largely anecdotal, has nevertheless about it a strong feeling of historic time and provides an important and accurate account of the lineages of the Siddhas who worshipped Tara and passed on her Upadesas, revelations and Tantra besides giving a background to the masters of the Tibetan Siddhas who grew from India's rich tantric soil.
Illustrations: 247 b/w illustrations Description: This book deals with crucial though controversial questions in Buddhist art: the origin of the Buddha image and the iconography of the Buddha images. The earliest Buddhist art of Sanchi and Bharhut is aniconic : The Buddha is represented in symbols only. In the later Buddhist art of Gandhara and Mathura, the Buddha is represented in human form: he is the principal subject of sculptural art. The book seeks to explore the geographical area in which the image of the Buddha first emerged and whether the Buddhist doctrines-Hinayana or Mahayana-had anything to do with this transformation. The Buddha image, as developed eventually at Sarnath, became the model for the Buddha images in whole of Asia, south-east, central and eastern Asia. The iconographic features of the Buddha image are superficially an aberration, being in apparent conflict with the doctrine. The Buddha had cut off his hair at the time of his renunciation; the rules of the order enjoin that a monk must be tonsured and must discard and eschew all riches. However, in his images, the Buddha has hair on his head; later he is also endowed with a crown and jewels. After an exhaustive examination of the views of various scholars, the book answers these questions and resolves the controversies on the basis of literary, numismatic and epigraphic sources. More importantly it makes use of the valuable evidence from the contemporaneous Jaina art : Aniconism of early Jaina art and the iconographic features of Jaina images. The implications of this study are also important : Does India owe idolatry to Buddhism? Was this of foreign inspiration? Was the Buddha image fashioned after the Vedic Brahma and whether the Buddha's usnisa and Buddhist art motifs are rooted in the Vedic tradition? The book is profusely illustrated and provides rich and stimulating fare to students of Indian art in general and of Buddhist art in particular.
The great Buddhist scholars Santaraksita (725 - 88 CE.) and his disciple Kamalasila were among the most influential thinkers in classical India. They debated ideas not only within the Buddhist tradition but also with exegetes of other Indian religions, and they both traveled to Tibet during Buddhism's infancy there. Their views, however, have been notoriously hard to classify. The present volume examines Santaraksita's Tattvasamgraha and Kamalasila's extensive commentary on it, works that cover all conceivable problems in Buddhist thought and portray Buddhism as a supremely rational faith. One hotly debated topic of their time was omniscience - whether it is possible and whether a rational person may justifiably claim it as a quality of the Buddha. Santaraksita and Kamalasila affirm both claims, but in their argumentation they employ divergent rhetorical strategies in different passages, advancing what appear to be contradictory positions. McClintock's investigation of the complex strategies these authors use in defense of omniscience sheds light on the rhetorical nature of their enterprise, one that shadows their own personal views as they advance the arguments they deem most effective to convince the audiences at hand.
SAGE Classics is a carefully selected list that every discerning reader will want to possess, re-read and enjoy for a long time. These are now priced lower than the original, but is the same version published earlier. SAGE`s commitment to quality remains unchanged. This fascinating book constitutes a unique exploration of 2,500 years of the development of Buddhism, Brahmanism and caste in India. Taking Dr Ambedkar`s interpretation of Buddhism as its starting point, Dr Gail Omvedt has researched both the original source of the Buddhist cannon and recent literature to provide an absorbing account of the historical, social, political and philosophical aspects of Buddhism. In the process, she discusses a wide range of important issues of current concern. Dr Omvedt maintains that the revolutionary audacity of Dalit leaders such as Dr B,R. Ambedkar, despite their often subversive reinterpretation of the Buddhist tradition, is in tune with the basic ethos of original Buddhism. Ambedkar found his own middle way by avoiding both the straitjacket of the Marxist ideological response to suppression and the tame reformist within the fold of Hinduism. Since there has always been a struggle of hegemony between competing religious systems, the author argues that given the ascendant position of Buddhism from the 4th century BC to the 6th century AD, ancient India should actually be described as ‘Buddhist India’ and not ‘Hindu India’. Providing an entirely new interpretation of the origins and development of the caste system, which boldly challenges the ‘Hindutva’ version of history, this book will attract a wide readership among all those who are concerned with the state of contemporarty India’s policy and social fabric.
About the life of Buddha
Reason's Traces addresses some of the key questions in the study of Indian and Buddhist thought: the analysis of personal identity and of ultimate reality, the interpretation of Tantric texts and traditions, and Tibetan approaches to the interpretation of Indian sources. Drawing on a wide range of scholarship, Reason's Traces reflects current work in philosophical analysis and hermeneutics, inviting readers to explore in a Buddhist context the relationship between philosophy and traditions of spiritual exercise.
Buddhist Thought guides the reader towards a richer understanding of the central concepts of classical Indian Buddhist thought, from the time of Buddha, to the latest scholarly perspectives and controversies. Abstract and complex ideas are made understandable by the authors' lucid style. Of particular interest is the up-to-date survey of Buddhist Tantra in India, a branch of Buddhism where strictly controlled sexual activity can play a part in the religious path. Williams' discussion of this controversial practice as well as of many other subjects makes Buddhist Thought crucial reading for all interested in Buddhism.