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Go South of the Border in this hilarious first installment of a sassy, sexy new interactive series, Miss Adventure. Making good on a drunken promise to your wild best friend, Lani, you hop into her beat-up 1970s Mustang and head off for a day of margaritas, men, and mayhem in Tijuana. But there are dozens of shots to call -- and drink! -- along the way. Will you give in to your baser impulses and blow all of your money on over-the-counter Viagra? Will you flash the crowd to win a dance contest? Will you get your hands on a mythic tequila recipe that is sure to make you a millionaire? Will you land yourself in Mexican jail for buying a shopping bag full of M-80 fireworks? Will you party with a group of slightly shady but smoking-hot rich guys on their yacht? And most important, will you find Lani's car where you left it? It doesn't really matter whether you meet the Latin lover of your dreams or the long arm of the law in Tangle in Tijuana -- with thirty-eight possible endings, you can always go back across the border and start all over again!
Mirror, mirror, on the wall, are you the hottest of them all? The next book in the sexy, sassy interactive Miss Adventure series -- following Tangle in Tijuana -- invites you to Reno, Nevada, as a contestant in the Miss Liberty Pageant. There you'll dodge back-stabbing competitors and a lecherous host in a race for the crown on a nationally televised competition. With a Miss Adventure, it's only natural that the choices will be way more fun than selecting an evening gown.... Will you be forced to room with a neurotic pageant lifer -- and her domineering stage mom? Will you team up with the troublemaking Miss Texas to dose the other girls with Ecstasy? Or will you walk away with the crown on your head -- and the hottie son of the wealthy pageant sponsor on your arm? The good news is that you can have as many "do-overs" as it takes to win in Beauty Queen Blowout: simply flip back to the start and make new choices the next time around. So tape up those boobs and get your best elbow-elbow wrist-wrist wave ready -- you're going to the Miss Liberty Pageant!
Alongside Moctezuma and Benito Juárez, Pancho Villa is probably the best-known figure in Mexican history. Villa legends pervade not only Mexico but the United States and beyond, existing not only in the popular mind and tradition but in ballads and movies. There are legends of Villa the Robin Hood, Villa the womanizer, and Villa as the only foreigner who has attacked the mainland of the United States since the War of 1812 and gotten away with it. Whether exaggerated or true to life, these legends have resulted in Pancho Villa the leader obscuring his revolutionary movement, and the myth in turn obscuring the leader. Based on decades of research in the archives of seven countries, this definitive study of Villa aims to separate myth from history. So much attention has focused on Villa himself that the characteristics of his movement, which is unique in Latin American history and in some ways unique among twentieth-century revolutions, have been forgotten or neglected. Villa’s División del Norte was probably the largest revolutionary army that Latin America ever produced. Moreover, this was one of the few revolutionary movements with which a U.S. administration attempted, not only to come to terms, but even to forge an alliance. In contrast to Lenin, Mao Zedong, Ho Chi Minh, and Fidel Castro, Villa came from the lower classes of society, had little education, and organized no political party. The first part of the book deals with Villa’s early life as an outlaw and his emergence as a secondary leader of the Mexican Revolution, and also discusses the special conditions that transformed the state of Chihuahua into a leading center of revolution. In the second part, beginning in 1913, Villa emerges as a national leader. The author analyzes the nature of his revolutionary movement and the impact of Villismo as an ideology and as a social movement. The third part of the book deals with the years 1915 to 1920: Villa’s guerrilla warfare, his attack on Columbus, New Mexico, and his subsequent decline. The last part describes Villa’s surrender, his brief life as a hacendado, his assassination and its aftermath, and the evolution of the Villa legend. The book concludes with an assessment of Villa’s personality and the character and impact of his movement.
For over 150 years, borderland authors from both Mexico and the United States have developed novels which owe their narrative power to compelling relationships between literary constructions of space and artistic expressions of conflicts, characters, and cultural encounter. This study explores those relationships by analyzing representations of the spaces in which characters function-whether barrio, ballroom, or border city as well as the places characters inhabit relative to the border-occupying native or foreign territory, traveling temporarily, or settling permanently. Concomitant with close attention to the conceptualization of space in border literature is a foregrounding of the genres that border writers employ, such as historical romance and the Hispanic bildungsroman, as well as the literary traditions from which they draw, such as travel narratives or utopian literature. Assessing geopoetics in border writing from the Mexican American War to the present, including writers such as Helen Hunt Jackson, Jovita Gonzalez, Ernesto Galarza, Americo Paredes, Harriet Doerr, Cormac McCarthy, Leslie Marmon Silko, and Miguel Mendez provides a paradigm for tracing the development and changes in individual responses to this space as well as a broad range of responses based on class and gender. This corpus of literature demonstrates that the various ways in which characters respond to cultural encounter-adapting, resisting, challenging, sympathizing-depends on artistic rendering of spaces and places around them. Thus, the central argument of this project is that character responses to cultural encounters arise out of geopoetics-the artistic expression of space and place-from the earliest to the most recent border narratives.
Because Genko Ganev's parents chose not to join the Communist Party in Bulgaria, they were prohibited from the smallest hope of advancement for themselves or their only son. In fact, they "etched in his brain" the suggestion that he flee Bulgaria, even though they might never see him again if he succeeded and decidedly would not if he failed. With determination, intelligence, and courage, and with his adopted Christian faith to guide him, Genko defied the Communist law against leaving the country. The adventures that followed rival in intensity the nerve-wracking scenes of an Alfred Hitchcock movie. There is also a puzzle here. Plagued by recurring dreams that would not give him peace, Genko returned to Bulgaria to solve the puzzle. Then in a mystical dream, he found the clue that enabled him to "click in" The Last Puzzle Piece.
Offering a comprehensive guide to economical travel in diverse regions of the world, these innovative new versions of the popular handbooks feature an all-new look, sidebars highlighting essential tips and facts, information on a wide range of itineraries, transportation options, off-the-beaten-path adventures, expanded lodging and dining options in every price range, additional nightlife options, enhanced cultural coverage, shopping tips, maps, 3-D topographical maps, regional culinary specialties, cost-cutting tips, and other essentials.
KYLIE: Mexico? What a nightmare! I should be putting the finishing touches on my valedictorian speech. Graduation is TODAY! Wait! Is this a wedding band on my finger?? MAX: It started with Kylie's laptop and a truck full of stolen electronics and it ended in Ensenada. It was hot, the way she broke us out like some chick in an action movie. But now we're stranded here, with less than twenty-four hours before graduation. WILL: Saving Kylie Flores from herself is kind of a full-time occupation. Luckily, I, Will Bixby, was born for the job. And when I found out she was stuck in Mexico with dreamy Max Langston, sure, I agreed to bring their passports across the border but there's no reason to rush back home right away. This party is just getting started. LILY: This cannot be happening. It's like some cruel joke. Or a bad dream. I close my eyes and when I reopen them, they're still there. Max and Kylie Flores, freak of the century. In bed together. If Kylie thinks I'm giving him up without a fight, she's dead wrong.
Published originally as La flor mas bella de la maquiladora, this beautifully written book is based on interviews the author conducted with more than fifty Mexican women who work in the assembly plants along the U.S.-Mexico border. A descriptive analytic study conducted in the late 1970s, the book uses compelling testimonials to detail the struggles these women face. The experiences of women in maquiladoras are attracting increasing attention from scholars, especially in the context of ongoing Mexican migration to the country's northern frontier and in light of the North American Free Trade Agreement (NAFTA). This book is among the earliest accounts of the physical and psychological toll exacted from the women who labor in these plants. Iglesias Prieto captures the idioms of these working women so that they emerge as dynamic individuals, young and articulate personalities, inexorably engaged in the daily struggle to change the fundamental conditions of their exploitation.