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About the Author Faizah Idrus completed her Phd in Education in 2012 specifically in Sociolinguistics from The University of Nottingham, United Kingdom. Her PhD thesis was entitled: The Construction of Shared Malaysian Identity in the Malaysian Literature Classrooms. She obtained her Master’s Degree in Professional Studies in Education from The University of Leicester, United Kingdom and her Bachelor’s Degree in Teaching English to Speakers of Other Languages (TESOL) from The University of Leeds, United Kingdom. She has written numerous articles related to her field of studies. She has written two books and also an Editor of several compilation books. She has more than 30 years’ experience as a primary, secondary school teacher as well as an academic at Higher Education Institutions. Her interests include but not confined to English as a Second Language, Language, identity and Community and Teacher Education, Culturally Responsive Teaching, Cultural Intelligences etc. She is currently an academic at Department of Language and Literacy, Kulliyyah of Education, International Islamic University Malaysia.
This book seeks to break new ground, both empirically and conceptually, in examining discourses of identity formation and the agency of critical social practices in Malaysia. Taking an inclusive cultural studies perspective, it questions the ideological narrative of ‘race’ and ‘ethnicity’ that dominates explanations of conflicts and cleavages in the Malaysian context. The contributions are organised in three broad themes. ‘Identities in Contestation: Borders, Complexities and Hybridities’ takes a range of empirical studies—literary translation, religion, gender, ethnicity, indigeneity and sexual orientation—to break down preconceived notions of fixed identities. This then opens up an examination of ‘Identities and Movements: Agency and Alternative Discourses’, in which contributors deal with counter-hegemonic social movements—of anti-racism, young people, environmentalism and independent publishing—that explicitly seek to open up greater critical, democratic space within the Malaysian polity. The third section, ‘Identities and Narratives: Culture and the Media’, then provides a close textual reading of some exemplars of new cultural and media practices found in oral testimonies, popular music, film, radio programming and storytelling who have consciously created bodies of work that question the dominant national narrative. This book is a valuable interdisciplinary work for advanced students and researchers interested in representations of identity and nationhood in Malaysia, and for those with wider interests in the fields of critical cultural studies and discourse analysis. “Here is a fresh, startling book to aid the task of unbinding the straitjackets of ‘Malay’, ‘Chinese’ and ‘Indian’, with which colonialism bound Malaysia’s plural inheritance, and on which the postcolonial state continues to rely. In it, a panoply of unlikely identities—Bajau liminality, Kelabit philosophy, Islamic feminism, refugee hybridity and more—finds expression and offers hope for liberation”. Rachel Leow, University of Cambridge “This book shakes the foundations of race thinking in Malaysian studies by expanding the range of cases, perspectives and outcomes of identity. It offers students of Malaysia an examination of identity and agency that is expansive, critical and engaging, and its interdisciplinary depth brings Malaysian studies into conversation with scholarship across the world”. Sumit Mandal, University of Nottingham Malaysia “This is a much-needed work that helps us to take apart the colonial inherited categories of race which informed the notion of the plural society, the idea of plurality without multiculturalism. It complicates the picture of identity by bringing in religion, gender, indigeneity and sexual orientation, and helps us to imagine what a truly multiculturalist Malaysia might look like”. Syed Farid Alatas, National University of Singapore
This exhaustive volume catalogs nearly three thousand demons in the mythologies and lore of virtually every ancient society and most religions. From Aamon, the demon of life and reproduction with the head of a serpent and the body of a wolf in Christian demonology, to Zu, the half-man, half-bird personification of the southern wind and thunder clouds in Sumero-Akkadian mythology, entries offer descriptions of each demon's origins, appearance and cultural significance. Also included are descriptions of the demonic and diabolical members making up the hierarchy of Hell and the numerous species of demons that, according to various folklores, mythologies, and religions, populate the earth and plague mankind. Very thoroughly indexed.
REEN sebak setiap kali teringatkan dia. Sudah tiga hari dia menangis. Cukuplah. Air matanya kini sudah ke­ring untuk lelaki itu. Muka macam hero, tetapi hati macam binatang! Dasar manusia tidak berhati perut! Bencinya bukan dibuat-buat. Marahnya meluap-luap. Dia telah diperbodoh­kan oleh sepupu sendiri. Jadikan saudara sen­diri seperti barang permainan dan bahan ketawa. Maruahnya dipertaruhkan. Dia berasa cukup ter­hina. Hinaan paling besar kerana saudara sendiri yang melakukannya. “Tak guna!” Reen menyumpah. Hanya beberapa orang sahaja yang tahu hakikat permainan ini. Keluarganya langsung tidak tahu-menahu. Te­tapi dia pasti, suatu hari nanti akan heboh jua. Biarlah anak ini melihat dunia dulu. Dia tidak akan sesekali membenar­kan lelaki itu mendekatinya lagi. Dia akan pergi jauh dari sini. Biarlah kenangan pahit itu kekal di sini. Cameron Highlands sekali lagi menyaksikan kesedihan Nik Nazrini. Lara hatinya dibawa ke tanah dingin ini de­ngan ha­rapan akan sedikit sebanyak menyejukkan hati yang luka. Bila agaknya darah yang mengalir dari hati luka ini akan berhenti? Dia kurang pasti. Yang pasti, parut yang tinggal nanti tentu hodoh sekali. Dia bencikan parut yang bakal melekat dalam hatinya. Ia pasti akan menjadi dendam kesumat. Dendam pada manusia yang tidak berhati perut. Tergamak membakar impian orang lain semata-mata untuk menjaga ego sendiri.
"e;That is why the impressive results of the fieldwork and subsequent analytical research by the German scholar, Dr. Uli Kozok, are remarkable. By devoting considerable time and funds to his project in the interior of Sumatra, Kozok has produced results that will change the writing of the history of Malay. [...] By conducting fieldwork (Kozok saw the text in Kerinci in August 2002), by following up leads from the colonial literature (Voorhoeve's compilation), by analyzing the text without depending on accepted knowledge and by taking the step of using the latest technology to obtain an empirical perspective about the material, Kozok has succeeded in laying a major part of a foundation for the rewriting of the history of Malay in Indonesia!"e; - James T. Collins (2004, pp. 18-19)
In het Indisch Lexicon zijn bijna 19.000 Indische woorden en begrippen, zoals ze in de Nederlandse taal vanaf ongeveer 1600 gebruikt zijn, vastgelegd, omschreven en in hun context geplaatst. Van ieder woord is de betekenis gegeven op basis van reeds bestaande Indonesische, Maleise, Javaanse, Soendanese en Nederlandse woordenboeken. Niet alleen enkelvoudige woorden maar ook samenstellingen en spellingsvarianten zijn opgenomen, met citaten uit de bron waarin het betreffende woord voorkomt. Dit lexicon is een belangrijk naslagwerk om de Indische woorden en uitdrukkingen die langzaam uit ons collectieve geheugen verdwijnen, vast te houden, weer tot leven te wekken en te verklaren binnen hun semantische en culturele context. Let op: bijgaande CD functioneert niet op Windows Vista en opvolgende besturingssystemen.
This study presents the text and translation of an oral epic, or guritan, relating the exploits of Radin Suane, which was recorded during anthropological fieldwork among the Besemah, in the remote highlands of South Sumatra. Documentation of an epic in Besemah, a little known Sumatran-Malay language, will be useful for comparative purposes to specialists in Malaysian and Indonesian languages and literatures. This work is also intended to serve students of ethnography, folklore and oral poetry, as well as general readers who may not be familiar with Sumatran culture. Accordingly, an extensive commentary has been provided to give a cultural context for understanding this epic.