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A romantic tragedy from the great 17th-century Spanish playwright.
There’s a fine line between love and hate. For five years, Sally and Clive have been lost in a passionate affair. Now he has dumped her to devote himself to his wife and family, and Sally is left in freefall. It starts with a casual stroll past his house, and popping into the brasserie where his son works. Then Sally starts following Clive’s wife and daughter on Facebook. But that’s alright, isn’t it? These are perfectly normal things to do. Aren’t they? Not since Fatal Attraction has the fallout from an illicit affair been exposed in such a sharp, darkly funny, and disturbing way: The Mistress’s Revenge is a truly exciting fiction debut. After all, who doesn’t know an otherwise sane woman who has gone a little crazy when her heart was broken? “A cracking debut. . . .very Fatal Attraction with a clever twist at the end. Addictive stuff.” —The Bookseller
The story comes from the Second Book of Samuel and tells of the incestuous passion of Amnon, David's eldest son, for his half-sister, Tamar and the subsequent murder of Amnon by his brother Absolom. Amnon's lust is set in the context of complementary passions of ambition and revenge, reflected in Absolom and Tamar respectively. The play explores King David's conflict between justice and mercy when confronted with these tragic events. It is a work of constantly changing perspectives in which tragedy and comedy, instead of being simply juxtaposed, are blended in a highly original way. Tirso's play is one of the earliest treatments of a theme that has continued to be an inspiration for such modern writers as the novelist Dan Jacobson in The Rape of Tamar and the dramatist Peter Shaffer in Jonadab . Spanish text with facing-page translation, commentary and notes.
The first comprehensive study of Tirso de Molina and his work in English Tirso de Molina (c.1583-c.1648) may not have written El Burlador de Sevilla, but the works of this prolific author, one of the three pillars of Golden Age Spanish theatre, are notable for their erudition, complex characters, and wit. Informed by a multidisciplinary critical perspective, this volume sets Tirso's plays and prose in their social, historical, literary, and cultural contexts. Contributors from the United States, Canada, the United Kingdom, and Spain offer a state of the art in current scholarship, considering such topics as gender, identity, spatiality, material culture, and creative performativity, among others. The first volume in English to provide a richly detailed overview of Tirso's life and work, Tirso de Molina: Interdisciplinary Perspectives from the Twenty-First Century grounds the reader in canonical theories while suggesting new approaches, attuned to contemporary interests, to his legacy.
This interdisciplinary collection takes a deep dive into early modern Hispanic health and demonstrates the multiples ways medical practices and experiences are tied to gender.
A bold, gender-inflected reinterpretation of secular Spanish texts of the early modern period that focuses on sexual violence as expressive of cultural and political issues. Marcia Welles applies her extensive knowledge of Spanish Golden Age literature and her insightful grasp of current literary theory to synthesize a wide range of material into a uniquely engaging and refreshing interpretation of well-known texts. While the subject of rape and violence has been studied in other European literatures, Persephone's Girdle is the first to do so in the field of early modern Spanish literature.
Leading Golden Age theatre experts examine the ways that comedias have been adapted and reinvented, offering a broad performance history of the genre for scholars and practicioners alike. This volume brings together twenty-six essays from the world's leading scholars and practitioners of Spanish Golden Age theatre. Examining the startlingly wide variety of ways that Spanish comedias have been adapted, re-envisioned, and reinvented, the book makes the case that adaptation is a crucial lens for understanding the performance history of the genre. The essays cover a wide range of topics, from the early stage history of the comedia through numerous modern and contemporary case studies, as well as the transformation of the comedia into other dramatic genres, such as films, musicals, puppetry, and opera. The essays themselves are brief and accessible to non-specialists. This book will appeal not only to Golden Age scholars and students but also to theater practitioners, as well as to anyone interested in the theory and practice of adaptation. Harley Erdman is Professor of Theaterat the University of Massachusetts, Amherst Susan Paun de García is Professor of Spanish at Denison University. Contributors: Sergio Adillo Rufo, Karen Berman, Robert E. Bayliss, Laurence Boswell, Bruce R.Burningham, Amaya Curieses Irarte, Rick Davis, Harley Erdman, Susan L. Fischer, Charles Victor Ganelin, Francisco García Vicente, Alejandro González Puche, Valerie Hegstrom, Kathleen Jeffs, David Johnston, Gina Kaufmann, Catherine Larson, Donald R. Larson, Barbara Mujica, Susan Paun de García, Felipe B. Pedraza Jiménez, Veronika Ryjik, Jonathan Thacker, Laura L. Vidler, Duncan Wheeler, Amy Williamsen, Jason Yancey
This book takes the reader through the translation and performance processes of the Royal Shakespeare Company's 2004-05 Spanish Golden Age season to establish a model for translating, rehearsing, and performing Spanish Golden Age drama.
Built upon the flourishing study of costume, this book analyses sartorial evidence provided both by texts of the ancient Near East and the Hebrew Bible. The essays within lend clarity to the link between material and ideological, examining the tradition of dress, the different types of literature that reference the tradition of garments, and the people for whom such literature was written. The contributors explore sources that illuminate the social, psychological, aesthetic, ideological and symbolic meanings of clothing. The topics covered range from the relationship between clothing, kingship and power, to the symbolic significance of the high priestly regalia and the concept of garments as deception and defiance, while also considering the tendency to omit or ignore descriptions of YHWH's clothing. Following a historical sequence, the essays cross-reference with each other to create a milestone in biblical sartorial study.
What is 'Hispanic Studies'? This companion gives a concise and accessible overview of the discipline as taught today and suggests new directions for future developments. 'Hispanic Studies' is broadly concerned with the languages and cultures of the vast 'Hispanic' world, extending chronologically from Roman Hispania to today, and geographically from Roman Hispania to today, and geographically from California in the North to Patagonia in the South, and from Majorca in the East to the Andes in the West. This essential book provides all the necessary introductory information on the subject and will be especially useful for students who have already started courses in Spanish / Hispanic Studies, or who are considering doing so in the future. Written by a team of leading scholars each with established teaching experience this collection of short essays explores topics as diverse as the history of the Spanish language, Islamic Andalusia, race and class in the Spanish Golden Age, Catalan nationalism, the Madrid 'movida', Latin America cinema, tango in Argentina, Evita Per n, 'testimonio' and the cultural significance of the US-Mexican border. The emphasis is on literature and texts, including film and photography. In addition, the book includes time-lines, summary boxes adn suggestions for further reading.