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First published in 1996. This new book gives voice to an emerging consensus among bereavement scholars that our understanding of the grief process needs to be expanded. The dominant 20th century model holds that the function of grief and mourning is to cut bonds with the deceased, thereby freeing the survivor to reinvest in new relationships in the present. Pathological grief has been defined in terms of holding on to the deceased. Close examination reveals that this model is based more on the cultural values of modernity than on any substantial data of what people actually do. Presenting data from several populations, 22 authors - among the most respected in their fields - demonstrate that the health resolution of grief enables one to maintain a continuing bond with the deceased. Despite cultural disapproval and lack of validation by professionals, survivors find places for the dead in their on-going lives and even in their communities. Such bonds are not denial: the deceased can provide resources for enriched functioning in the present. Chapters examine widows and widowers, bereaved children, parents and siblings, and a population previously excluded from bereavement research: adoptees and their birth parents. Bereavement in Japanese culture is also discussed, as are meanings and implications of this new model of grief. Opening new areas of research and scholarly dialogue, this work provides the basis for significant developments in clinical practice in the field.
Talking to the Dead is an ethnography of seven Gullah/Geechee women from the South Carolina lowcountry. These women communicate with their ancestors through dreams, prayer, and visions and traditional crafts and customs, such as storytelling, basket making, and ecstatic singing in their churches. Like other Gullah/Geechee women of the South Carolina and Georgia coasts, these women, through their active communication with the deceased, make choices and receive guidance about how to live out their faith and engage with the living. LeRhonda S. Manigault-Bryant emphasizes that this communication affirms the women's spiritual faith—which seamlessly integrates Christian and folk traditions—and reinforces their position as powerful culture keepers within Gullah/Geechee society. By looking in depth at this long-standing spiritual practice, Manigault-Bryant highlights the subversive ingenuity that lowcountry inhabitants use to thrive spiritually and to maintain a sense of continuity with the past.
Modern technology has given us powerful new tools for an age-old dream: seeing and speaking with the dead. Using things you probably already own - such as a camcorder, computer, or tape recorder - you can contact departed loved ones or other spirits, record their images and voices, and establish two-way communications between the worlds. Speak with the Dead also details the more traditional methods of seance, trance, and scrying. You don't have to be a "techie" or an occultist to use any of these techniques. This book will guide you to one of the most awe-inspiring experiences you'll ever have - making contact with deceased loved ones and other souls. Speak with the Dead is the first book in the modern marketplace to focus on practical, usable techniques for communicating with spirits. This book shows you seven methods for spirit contact: -catching Electronic Voice Phenomena on tape -using radio noise to provide spirits with a voice -capturing ghostly images on videotape -letting spirits use your computer or telephone -scrying, establishing telepathic contact with the dead, and holding a seance Speak with them. They're waiting.
A mesmerizing and thrilling novel—perfect for fans of Tana French and Stieg Larsson—that introduces a modern, unforgettable rookie cop whose past is as fascinating and as deadly as the crimes she investigates. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Boston Globe • The Seattle Times SHE KNOWS WHAT IT’S LIKE. . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy—and long dead—steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer. But D.C. Griffiths is no ordinary cop. She’s earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there’s that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open. Ignoring orders and protocol, Fiona begins to explore far beyond the rich man’s credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she’s only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks—not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time. BONUS: This edition includes an excerpt from Harry Bingham's Love Story, with Murders. Praise for Talking to the Dead “Gritty, compelling . . . a procedural unlike any other you are likely to read this year.”—USA Today “With Detective Constable Fiona ‘Fi’ Griffiths, Harry Bingham . . . finds a sweet spot in crime fiction . . . think Stieg Larsson’s Lisbeth Salander . . . Denise Mina’s ‘Paddy’ Meehan [or] Lee Child’s Jack Reacher. . . . The writing is terrific.”—The Boston Globe “The mystery-thriller genre is already so staffed with masterminds that it’s hard to make room for another. But along comes a book like Talking to the Dead, and suddenly an unadvertised opening is filled. . . . [This] has the feel of something fresh and compelling.”—New York Daily News “A stunner with precision plotting, an unusual setting, and a deeply complex protagonist . . . We have the welcome promise of more books to come about Griffiths.”—The Seattle Times “Recommended highly . . . [a] riveting procedural thriller.”—Library Journal (starred review)
Barbara Weisberg’s Talking to the Dead blends biography and social history in this revelatory story of the family responsible for the rise of Spiritualism. A fascinating story of spirits and conjurors, skeptics and converts in the second half of nineteenth century America viewed through the lives of Kate and Maggie Fox, the sisters whose purported communication with the dead gave rise to the Spiritualism movement—and whose recanting forty years later is still shrouded in mystery. In March of 1848, Kate and Maggie Fox—sisters aged eleven and fourteen—anxiously reported to a neighbor that they had been hearing strange, unidentified sounds in their house. From a sequence of knocks and rattles translated by the young girls as a "voice from beyond," the Modern Spiritualism movement was born. Talking to the Dead follows the fascinating story of the two girls who were catapulted into an odd limelight after communicating with spirits that March night. Within a few years, tens of thousands of Americans were flocking to séances. An international movement followed. Yet thirty years after those first knocks, the sisters shocked the country by denying they had ever contacted spirits. Shortly after, the sisters once again changed their story and reaffirmed their belief in the spirit world. Weisberg traces not only the lives of the Fox sisters and their family (including their mysterious Svengali–like sister Leah) but also the social, religious, economic and political climates that provided the breeding ground for the movement. While this is a thorough, compelling overview of a potent time in US history, it is also an incredible ghost story.
Talking to the Dead is bestselling author Helen Dunmore's fourth novel. There's nothing closer than sisters . . . Unloved by their distant mother, Isabel and Nina cemented their bond in childhood when tragedy struck the family. Many yeas later, with the difficult birth of Isabel's first child, it is Nina who comes to stay and help out her older sister. But Nina has other, important reasons for being under her sister's roof - not least of these is Isabel's husband, Richard. The tragedy that drew two sisters together so many years ago still has the power to wrench them apart . . . 'A writer of quiet deadly power . . . it takes two paragraphs to hook you. Don't resist' Time Out 'Dunmore's capacity for hauntingly psychological storytelling is on brilliant display' Sunday Times 'Flies off the page, startling the reader with its brilliance' Financial Times Helen Dunmore has published eleven novels with Penguin: Zennor in Darkness , which won the McKitterick Prize; Burning Bright; A Spell of Winter, which won the Orange Prize; Talking to the Dead; Your Blue-Eyed Boy; With Your Crooked Heart; The Siege, which was shortlisted for the 2001 Whitbread Novel of the Year Award and for the Orange Prize for Fiction 2002; Mourning Ruby; House of Orphan; Counting the Stars and The Betrayal, which was longlisted for the Man Booker Prize 2010. She is also a poet, children's novelist and short-story writer.
Here is the story of Jerry Weintraub: the self-made, Brooklyn-born, Bronx-raised impresario, Hollywood producer, legendary deal maker, and friend of politicians and stars. No matter where nature has placed him--the club rooms of Brooklyn, the Mafia dives of New York's Lower East Side, the wilds of Alaska, or the hills of Hollywood--he has found a way to put on a show and sell tickets at the door. "All life was a theater and I wanted to put it up on a stage," he writes. "I wanted to set the world under a marquee that read: 'Jerry Weintraub Presents.'" In When I Stop Talking, You'll Know I'm Dead, we follow Weintraub from his first great success at age twenty-six with Elvis Presley, whom he took on the road with the help of Colonel Tom Parker; to the immortal days with Sinatra and Rat Pack glory; to his crowning hits as a movie producer, starting with Robert Altman and Nashville, continuing with Oh, God!, The Karate Kid movies, and Diner, among others, and summiting with Steven Soderbergh and Ocean's Eleven, Twelve, and Thirteen. Along the way, we'll watch as Jerry moves from the poker tables of Palm Springs (the games went on for days), to the power rooms of Hollywood, to the halls of the White House, to Red Square in Moscow and the Great Palace in Beijing-all the while counseling potentates, poets, and kings, with clients and confidants like George Clooney, Bruce Willis, George H. W. Bush, Armand Hammer, Brad Pitt, Matt Damon, Bob Dylan, Led Zeppelin, John Denver, Bobby Fischer . . .well, the list goes on forever. And of course, the story is not yet over . . .as the old-timers say, "The best is yet to come." As Weintraub says, "When I stop talking, you'll know I'm dead." With wit, wisdom, and the cool confidence that has colored his remarkable career, Jerry chronicles a quintessentially American journey, one marked by luck, love, and improvisation. The stories he tells and the lessons we learn are essential, not just for those who love movies and music, but for businessmen, entrepreneurs, artists . . . everyone.
With his single mother in jail, Sequoyah, a 15-year-old Cherokee boy, is placed in foster care with the Troutt family. Literally and figuratively scarred by his unstable upbringing, Sequoyah has spent years mostly keeping to himself, living with his emotions pressed deep below the surface - that is, until he meets 17-year-old Rosemary, another youth staying with the Troutts. Sequoyah and Rosemary bond over their shared Native American background and tumultuous paths through the foster care system, but as Sequoyah's feelings towards Rosemary deepen, the precariousness of their lives and the scars of their pasts threaten to undo them both.
Throughout history, people have sought ways to contact the dead and spirits. Such experiences challenge beliefs and often set people on a path of deeper exploration, looking for validation—and ways to have controlled, direct contact. Do spirit communication devices really work? What are the prospects of someday being able to pick up a cell phone or sit in front of a webcam and talk to the Other Side? While proof of contact is still elusive, there is an abundance of tantalizing evidence and experience to inspire people. For the past century, inventors have been inspired by the spirits themselves to create telephone, video, radio, and computers to attempt real-time, two-way communication with the dead and other entities. Talking to the Dead explores the colorful history and personalities behind spirit communications, weaving together spirituality, metaphysics, science, and technology. It examines the idea that new technology can connect to the ancient and universal wisdom of the "music of the spheres"; that contact with the spirit realms can be made through the vibrations of sound. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This book is designed for those who wish to develop their natural gifts or to understand more about the afterlife and see the signs that their loved ones are around them. Firstly, let me introduce myself. My name is Lisa Williams, and I have been working as a psychic medium for over twenty years. I never planned to work as a medium. I mean, think about it: in the '80s, having a career as a medium was never heard of. If I had gone to my teachers and said, "I want to speak to dead people for a career," I would have been carted off to the nearest mental institute. In fact, there were times that my mother would joke about the men in white coats coming to get me. I thought she was serious, and I grew up thinking that I was a little weird and hiding my ability. I was lucky to have a friend who thought my weirdness was cool. She was always asking questions about it, so I started to feel more comfortable; but as friends do, we drifted apart, and I had a new circle of friends, so I went back into the closet. I still had a growing intuition, but I curbed it and didn't say anything. I just found that I "knew" things, and I couldn't really explain it. I was actually quite shy growing up, and I found that I conformed with society about what I believed I should be like. It was easy. I fit the mold, and I didn't say anything...many people would call that being a sheep and following the crowd. Does this sound familiar to your story? It probably does. Well let me tell you: you are normal. Just because you have this gift doesn't mean that you have to hide it. For years I hid from it. I even hid it from my own parents for a while. For most of my life, my father has been a huge skeptic, and I remember the time when I had been working as a psychic medium for a while and he asked me when I was going to get a "proper job." He was an atheist and couldn't wrap his head around the concept that our soul continues to live on when our body dies. When I finally decided to come out as a medium, it was accepted and most people had a fascination about it. It was "cool" to have this gift. I grew up in the United Kingdom and so we never showed emotions, never went to therapy, and we never said we loved each other. It was a very different world to what we live in now. Going to a psychic or a medium was better than going to a therapist in the United Kingdom. When you went to the therapist you were admitting that you had a problem, it was a sign of weakness. Now it's considered a gift to be aware of your challenges, and it's actually character building. I finally surrendered to my gift after my friend helped me see that I wasn't crazy and that I actually could help others. The rest is history. What I would have benefited from, though, in those early years was some structure, discipline, and understanding. Even though my grandmother worked as a medium she died before I started, and so I didn't have anyone really to talk too. The only thing that she said to me was: "Always trust your gut instincts. It will never let you down." That is something I live by, and I will suggest that you do, too. Through my work, I have been guided by Spirit, which has shown me the way forward to work with my gift. I have built my gift on discipline and respect, which is something that I will enforce within you. I have developed the skill of delivering a message, as well as enhancing and fine-tuning my gift. These are things that I will help you with. Throughout this book you will come to understand the history of Mediumship, how to develop your gift, and how to see signs from your loved ones. You will be given daily exercises to enhance your gift and to help you connect to your own loved ones and those of other people.