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Tells the story of Arthel "Doc" Watson, a blind country boy who found music in the sounds around him and learned to play that music on his guitar, eventually becoming a Grammy-winning musician.
In this lively collection of interviews, storied music writer Jas Obrecht presents a celebration of the world's most popular instrument as seen through the words, lives, and artistry of some of its most beloved players. Readers will read--and hear--accounts of the first guitarists on record, pioneering bluesmen, gospel greats, jazz innovators, country pickers, rocking rebels, psychedelic shape-shifters, singer-songwriters, and other movers and shakers. In their own words, these guitar players reveal how they found their inspirations, mastered their instruments, crafted classic songs, and created enduring solos. Highlights include Nick Lucas's recollections of waxing the first noteworthy guitar records; Ry Cooder's exploration of prewar blues musicians; Carole Kaye and Ricky Nelson on the early years of rock and roll; Stevie Ray Vaughan on Jimi Hendrix; Gregg Allman on his brother, Duane Allman; Carlos Santana, Eric Johnson, and Pops Staples on spirituality in music; Jerry Garcia, Neil Young, and Tom Petty on songwriting and creativity; and early interviews with Eddie Van Halen, Joe Satriani, and Ben Harper.
According to company lore, Gibson, the guitar manufacturer, had ceased guitar production during World War II with only "seasoned craftsmen" too old for battle doing repairs and completing the few instruments already in progress at their Kalamazoo, Michigan factory. However, beginning in 1942, Gibson started producing wartime guitars each marked with a small, golden "banner" displaying the slogan: "only a Gibson is good enough." Over 9000 of these "Banner" guitars were produced between 1942 and 1945 and they are considered to be some of the finest acoustic guitars ever produced but who was making them? In this work of musical and social history, Thomas explores the origins of the Gibson "Banner" guitars and the remarkable women, many of whom had no prior training in instrument construction, who built them.
A picture-book biography of Sister Rosetta Tharpe, the woman who invented rock and roll—a warm, inspiring tale of a childhood filled with music, community, and a drive to succeed. "Music is the heart of our story," says Momma to young Rosetta, surprising her with her first guitar. Rosetta's strums sound like ker-plunks. But with practice and determination, she makes music, fingers hopping "like corn in a kettle," notes pouring over the church crowd "like summer rain washing the dust off a new day." In this stunning picture book, author and illustrator Charnelle Pinkney Barlow imagines the childhood of Sister Rosetta Tharpe, whose rural roots inspired the music we still hear today. Young readers will see a child's dream become reality through hard work and perseverance. And they'll learn the overlooked story of a pioneering Black artist, whose contribution to music history is only now being discovered.
Did you know that archeologists found statues and carvings of an instrument like the guitar in Iran that date back 3,500-4,000 years? People around the world love to play and listen to the guitar. This title is richly illustrated with large photographs, maps, and a STEM activity that provides simple instructions to help children make their own instrument. Guitars is a reading journey that inspires and stimulates learning exploration.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 13 OCTOBER, 1974 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 48 VOLUME NUMBER: Vol. XXXIX, No.40 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 11-46 ARTICLE: 1. Western Psychiatry And R. D. Laing 2. Fall of Haile Selassie 3. The Port of TUTICORIN 4. Cancer of the Voice Box 5. What is Happiness AUTHOR: 1. Prof. Marris Carstair 2. G. S. Bhargava 3. D. I. Paul 4. Dr. P. B. Rao 5. V. S. Krishnan KEYWORDS : 1.Classic Madness.Profound Disillusionment, Seductive Playthings.Healing Experience. 2.Drought and Dogs Feeding,Foreign Investment, God's wish, Achievements,Ethiopian Tragedy 3.Artificial Harbour 4.Cure,False Security 5.Man of Action,Ultimate Reward,Enjoyment of the Present. Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
(Guitar Collection). This book provides a fun and easy way to learn to play your favorite songs today! It includes music notation, guitar tablature and performance notes for 35 rock 'n' roll hits, including: All Right Now * Born to Be Wild * Brown Eyed Girl * Hey Joe * Money for Nothing * Proud Mary * Rock and Roll All Nite * Rock This Town * Shattered * Smoke on the Water * Summer of '69 * Tush * Walk This Way * What I Like About You * Wild Thing * and more.
In this marvelous oral history, the words of such legends as Louis Armstrong, Fats Waller, Jelly Roll Morton, Duke Ellington, and Billy Holiday trace the birth, growth, and changes in jazz over the years.
The others are still known only to relatively small groups of enthusiasts - critics, knowledgeable collectors, and other musicians. This book tells their stories."--BOOK JACKET.
The Contemporary Guitar traces the extraordinary rise of the instrument in concert music over the past century. Though recognized worldwide as a popular music icon, the all-to-recent time when the guitar was looked down upon as a second-class citizen in the world of “serious” music is finally past, and it can now be found in the scores of the most important composers. The guitar’s rightful place in chamber music, orchestral music, or as a solo instrument is now without question, whether in the classic acoustic form or the more recent electric version. While the guitar has stood in the vanguard of musical experimentation, its many new techniques and notations remain a mystery for many composers and players. In The Contemporary Guitar, musician and scholar, John Schneider explains each class of technique and illustrates them with examples. Moreover, because the guitar is easily refretted, it has also become a leading instrument in the exploration of the relatively new musical language of microtonality. In this revised and enlarged edition from the original work of three decades ago, Schneider adds a broad-ranging, entirely new chapter on the instruments, notation and repertoire with insights into the interpretation of historical works through the application of accurate contemporary tunings and temperaments. The guitar’s unique timbre—its tone color—is one of the most versatile among modern instruments, both acoustic and electric. Most players who intuitively explore the subtleties of tone color will find outlined in The Contemporary Guitar the specific principles of physics that determine these subtleties which, once mastered, permit guitarists to control more completely the expressive palette of their instrument. Designated the Rational Method of Tone Production by its author, Schneider defines in great detail the timbral characteristics of acoustic and electric instruments from theoretical, physical, and musical viewpoints. Players in search of new repertoire will find an historical survey of the literature, an exhaustive list of new music, and a multitude of techniques for bringing such music to life. The Contemporary Guitar provides audio examples online for those seeking to discover new sounds and includes the notation to perform them.